A festival for our time: dOCUMENTA 13
Faces press against the glass wall of a rotunda in one of the world’s oldest museums: the Neo-Clas...
I Spy: Photography and the Theater of the Street, 1938-2010
I Spy: Photography and the Theater of the Street, 1938-2010 is a wonderful new exhibition at the Nat...
The Serpentine Gallery’s Yoko Ono: To the Light is the artist’s first London-based retrospective...
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Invisible: Art about the Unseen, 1957-2012
From the amusing to the philosophical, there are works you can observe and others you can take part ...
La Tendenza: Italian Architecture 1965–1985
Using a selection of major works from their permanent collection as well as more than 250 other draw...
The Afghan Seminars – dOCUMENTA 13
This year, in addition to its home-base in Kassel, dOCUMENTA (13) has satellite venues in Kabul, Ale...
Leckhampton Prairie Garden: a Garden for Today
Leckhampton House is once again the scene of a pioneering venture. Fifty years after it became home ...
Ken Done - Attack: Japanese Midget Submarines In Sydney Harbour
Seventy years ago, on the night of 31 May 1942, three Japanese midget submarines entered Sydney Harb...
Fair is language: São Paulo Art Fair
I received an email from Miguel Benavides, a friend who runs Studio Trust. At the request of Studio ...
Luca Signorelli: ingenuity and pilgrim spirit
Mind your lessons, little Kinsman’, that is the advice the eight-year-old Giorgio Vasari received ...
This summer, Anri Sala is the focus of the Pompidou’s efforts to celebrate the work of current Fre...
Jenny Holzer: Sophisticated Devices
“When you’ve been someplace for awhile you acquire the ability to be practically invisible. This...
Édouard Vuillard: A Painter and his Muses, 1890–1940
Édouard Vuillard: A Painter and his Muses, 1890–1940. The Jewish Museum, New York 4 May–23 Se...
Grayson Perry. The Vanity of Small Differences
Grayson Perry’s current exhibition at Victoria Miro features his new series of six tapestries, The...
The sculpted bust conveying a real or assumed likeness of a human subject can be said to have fallen...
Reading the Head. Celia Scott Head to Head Sculptures
The sculpted bust conveying a real or assumed likeness of a human subject can be said to have fallen...
Walking into the Lisson Gallery on one of the hottest days of the year, I already feel as if I am me...
Matisse takes the spotlight this spring at the Pompidou, and the swathes of attendees are this time ...
Giuseppe Cavalli: Master of Light
Giuseppe Cavalli: Master of Light – In 1947, Italian photographer Giuseppe Cavalli (1904–61) co-...
Dissent Popes and Swandown: a taste of Cafe Gallery Projects
Recent accolades likening South London to New York may be slightly exaggerated yet complimentary com...
Morgan O’Hara: Live Transmissions from the English National Ballet
Clearly if you draw or are interested in the state of contemporary drawing then C4RD is an important...
Migrations: Journeys into British Art. Interview with Sonia Boyce
Sonia Boyce is included in this space; her work From Tarzan to Rambo: English Born “Native” Cons...
Grand Palais, Galerie sud-est, Paris until 17 June 2012. This spring, the Grand Palais shows the fir...
Between Embodiment and Identity
Beginning with a large glass display case, diagrams and drawings of body parts alongside plastic rep...
Fashion’s Archeologist Excavates Her Past
A woman who shares her living space with a Mexican Huastec figure dated to 900 CE, Russian icons, In...
Hirst Reconsidered: Damien Hirst, Tate Modern, London, 2012
Reviews of Damien Hirst’s work invariably focus on the artist’s apparently contradictory identit...
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Michael Dean: Government and Phyllida Barlow: Bad Copies
Michael Dean’s current exhibition, Government, at the Henry Moore Institute is the artist’s firs...
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