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Aboriginal Women as Ambassadors of Art and Culture

The story of the Australian Aboriginal batik projects in five distinct desert communities in the 197...

Robin Rhode. Who Saw Who and Through the Gate

Robin Rhode is charting new ground as a talented, mixed-race South African artist, who pushes the bo...

Cold War Modern

It seems incredible that the battle to win people's hearts and minds during the cold war that divide...

Mark Rothko: the 'end of philosophy, the beginning of art'

The current exhibition at the Tate Modern enables Studio International to focus on the critical and ...

Book review: The Diary of Charles Holme's 1889 Visit to Japan and North Am...

In December 1888, a small group of British travellers set out for Japan via the Middle East. The par...

Utopia: the genius of Emily Kame Kngwarreye

The exhibition 'Utopia: the Genius of Emily Kame Kngwarreye' at the National Museum of Australia in ...

Two seekers of light - Ammi Phillips and Mark Rothko - meet in Manhattan

Pairing artists from different centuries who had, seemingly, diverse aims and ambitions - one a majo...

Book review: The revision of the modern: seeking the real narrative

Sadly, this important study was published just before the author’s untimely death earlier this yea...

Nine Green Bottles: 'Giorgio Morandi, 1890-1964'

The exhibition now opened at the Metropolitan Museum of Art displays over 100 works by Giorgio Moran...

Medium or rare: the art-market grill

It has been a curious coincidence that the extraordinary Damien Hirst sale took place just before gl...

Book review: Sir John Vanbrugh: Storyteller in Stone

A new biographical study of the architect Sir John Vanbrugh (1664-1726) is most timely. The historic...

To Die For, images of Castle Howard on a certain day

'To Die For' at Castle Howard in Yorkshire presents 13 large photographs by Nick Howard taken in 99 ...

Phyllis Lambert and the Canadian Centre for Architecture

Phyllis Lambert is now in her 81st year and her long life is particularly associated with two buildi...

Museums in the 21st century

The Louisiana Museum in Denmark offers a quiet, liminal space for contemplation, isolated from every...

Richard Demarco, Edinburgh International Festival, 2008

It may be a product of age or lack of funding and proper premises but, whatever the reason, Richard ...

Oscar Munoz: the Presence of the Absence

Colombian artist Oscar Mu...

Tracey Emin: 20 Years

'Tracey Emin: 20 Years' at the Scottish National Gallery of Modern Art is, in spite of her fame, the...

Foto: Modernity in Central Europe, 1918-1945

This exhibition reaches Edinburgh during the Edinburgh Festival of Art, having travelled via three U...

Richard Hamilton: 'Protest pictures'

Inverleith House is located at the centre of the Royal Botanic Gardens in Edinburgh. At one time it ...

About a wall: Hadrian at the British Museum

History, at least in Northern Europe, essentially defines the Emperor Hadrian, subject of the Britis...

A Runaway Girl at Home in New York: Louise Bourgeois at the Guggenheim

Louise Bourgeois, a travelling retrospective marking the artist's nearly 100 years of living and mor...

Art, Consciousness and Other Intractable Problems

'Neuroscience is emerging as one of the grand belief systems informing the imagination of artists an...

William Kelly - Artist as Peacemaker

American-born Australian artist and human rights advocate, William Kelly first visited Australia on ...

Chantal Akerman

What is it to perceive time? For some, to be temporally aware is to observe the changes in states or...

Robin Hood, Robin Hood

One of the important architectural icons of the 1970s is, by popular consent, now due to be demolish...

Cy Twombly: Cycles and Seasons

The opening of Callimachus's 'Hymn to Apollo' as translated by Lombardo and Rayer. The god, patron o...

'Poet of Light' Vilhelm Hammershoi: The Poetry of Silence

The exhibition of the work of the Danish artist Vilhelm Hammershoi (1864-1916), entitled 'The Poetry...

The Hanging Gardens of Colas: Bernard Lassus

In 2008 Bernard Lassus finally completed his major project for the company Colas. Now this achieveme...

A Maltese Celebration: Architecture into Art

Richard England, now seventy years of age, is a totally indigenous Maltese architect of internationa...

Architecture Not Now

As we approach the second decade of the turbulent 21st century, the level playing field sought by bo...

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