One Collector's Delightful Passion
Buriki: Japanese Tin Toys from the Golden Age of the American Automobile An Exhibition of the Yoku ...
Beyond Bloomsbury: Designs of the Omega Workshops, 1913–19
Beyond Bloomsbury: Designs of the Omega Workshops, 1913-19 offers an opportunity for the work of the...
Luis Barragan: Il Poeta Del Silenzio
The year 2002 commemorated the centenary of the birth of Luis Barragan, one of the great architect-p...
Classified: Contemporary Art at Tate Britain
Classified, a new collection display at Tate Britain, draws on the Tate’s own collection of contem...
The Beijing National Aquatics Centre
Situated on the western side of the extended axis along the Olympic Green and directly fronting the ...
The Beijing National Stadium - Beijing Olympic Architecture in Retrospect I
The Beijing National Stadium – Beijing Olympic Architecture in Retrospect I – The modern day Oly...
Gormley's Plinth: One and Other
One and Other. Trafalgar Square, London, 6 July – 14 October 2009. Every hour, 24 hours a day for ...
In the artist’s most comprehensive survey to date, Roni Horn fuses image and text to enable contem...
Futurism at Tate Modern (Futurismo ma no Futurisme)
The most memorable ever Futurist exhibition took place in Venice, as long ago as l986. Entitled Futu...
Artists in the Bush: Land Issues in the Art of GW Bot, Wendy Stavrianos an...
The landscape has inspired all Australian artists since the first explorations of the continent, and...
Colour Chart: Reinventing Colour, 1950 to Today
Pop art, performance art, conceptual art, abstract art, video art, installation art and even word ar...
Garden & Cosmos: The Royal Paintings of Jodphur
This exhibition examines comprehensively two particular styles of Indian painting, which developed b...
Uch Emchek or 3M-Check: Central Asia's First Art Residency Programme
A man praying, then standing on his head...
Whitechapel rising: the new opening
The Whitechapel Gallery in East London was founded in 1901 and was designed by the architect Charles...
Tarkovsky: Russian film-maker – book review
This is a remarkable new compendium on the life and work of the Russian film-maker Andrei Tarkovsky ...
Beauty Rendered. The Model as Muse: Embodying Fashion
Idealised notions of feminine beauty have, from the beginnings of human history, been a yardstick by...
Victor Majzner, Painting the Torah, 2008
Victor Majzner (b.1945) published a limited edition book (750 copies), Painting the Torah (2008), to...
Klaus Moje: A Love Affair with Glass
Considered to be the founding father of the contemporary glass movement in Australia, Klaus Moje has...
Baroque World: Baroque 1620-1800: Style in the Age of Magnificence, V&A, L...
Baroque is above everything, the word for a particular style in music, ceramics, furniture, drama, c...
The British Council Collection; Passports
Relatively unknown inside of Britain, the British Council in fact plays an extensive role in nurturi...
This is a substantial selection of work, a broadly chronological arrangement from throughout his car...
Sickert in Venice. Dulwich Picture Gallery, London. 2009
In 1905 Sickert returned triumphantly from Venice ready to take on and lead the new generation of Br...
Designs On at the University of Dundee
The exhibition Designs On at the University of Dundee was conceived as part of the conference V&A at...
Constable Portraits: The Painter and his Circle
This spring the National Portrait Gallery (NPG), armed with a little trowel, unearths lesser-known w...
Book review: Andrei Tarkovsky: elements of cinema
The film Director Andrei Tarkovsky died at the age of 54 in December l986. This was a tragedy at suc...
Rodchenko and Popova: defining constructivism
This superbly researched and hung exhibition is nonetheless somewhat long overdue insofar as it reco...
Materiality and Memory. An interview with Cildo Meireles
Born in Rio de Janeiro, Brazil in 1948, Cildo Meireles spent most of his adolescence in Brasilia, th...
Sharp Center, Ontario College of Art & Design, Toronto, Canada. Opened 25 September 2003...
In October 2008 I visited Jörg Schmeisser in his studio in Canberra, Australia. He had just returne...
Copyright © 1893–2024 Studio International Foundation.
The title Studio International is the property of the Studio International Foundation and, together with the content, are bound by copyright. All rights reserved.
 |
 |
 |
|---|
