'Poet of Light' Vilhelm Hammershoi: The Poetry of Silence
The exhibition of the work of the Danish artist Vilhelm Hammershoi (1864-1916), entitled 'The Poetry...
The Hanging Gardens of Colas: Bernard Lassus
In 2008 Bernard Lassus finally completed his major project for the company Colas. Now this achieveme...
A Maltese Celebration: Architecture into Art
Richard England, now seventy years of age, is a totally indigenous Maltese architect of internationa...
As we approach the second decade of the turbulent 21st century, the level playing field sought by bo...
Psycho Buildings at the Hayward Gallery
The Hayward Gallery, London, under director Ralph Rugoff, has organised another trailblazing exhibit...
Book review: Photo Art: The New World of Photography
This work, which originated with the Cologne publisher DuMont Buchverlag in 2007, is an invaluable a...
Gustav Klimt: Painting, Design and Modern Life in Vienna 1900
To celebrate 2008 as European Capital of Culture, Tate Liverpool is presenting the first, 'comprehen...
Dr Irene Barberis teaches and researches at Royal Melbourne Institute of Technology. She has recentl...
Arthur Watson: poetic conceptualist
The work of Arthur Watson plays an important role in contemporary Scottish art. Characterised by a '...
An Englishman in Tasmania - Nicholas Blowers
Nicholas Blowers was born in Chelmsford, England in 1972. He studied locally, and then Fine Art at S...
Photographing Nepal from the Inside Out
On 14 March 2008, the Rubin Museum of Art, a venue dedicated to Himalayan arts and culture, opened t...
New Tent Architecture – book review
Tented architecture has been around since prehistory. But only recently has it been recognised as te...
The 2008 Whitney Biennial is smaller and quieter than in previous years, despite its extension to th...
A mid-career retrospective at Tate Britain is enough to cement the reputation of any artist, or else...
Gathering into gospel order: the Shaker approach to design
A consideration of Shaker-made architecture, furniture and commercial wares - items of remarkable be...
The portrait sculpture of Celia Scott
To open a door and enter a room where there are foregathered a dozen individuals, chiefly architects...
Papunya painting: out of the desert
Art is a central force in Aboriginal culture and a critical political tool. Through an understanding...
At the time of writing, the Olympic torch continues to make its troubled way around the globe, the p...
There is good reason this month in London to revisit Cranach. Last year saw the Courtauld Institute ...
Alexander Rodchenko: Revolution in Photography
Questions about the nature of representation have dogged the medium of photography since its concept...
Book review: The Lost Vanguard: Russian Modernist Architecture 1922-1932
This remarkable survey was synchronised with an exhibition of the same title presented at the Museum...
Poussin and Nature: Arcadian Visions
Landscape painting remains, in the 21st-century, a continuing subject of fascination for art enthusi...
Turner to Monet: The Triumph of Landscape
This exhibition sets out to be revisionary, looking at 19th-century landscape painting afresh. The g...
Fourteen years after Derek Jarman's death, this exhibition, together with a season of films at three...
Mars Collects! The Martian Museum of Terrestrial Art: Barbican Art Gallery...
'The Mayan civilisation was ruled by a caste of peace-loving astronomer priests' ...
Art & Today is the fruit of the decade spent by the author as contributing editor to Art in America ...
Book review: Real Baroque. The Baroque Architecture of Sicily
This work is timely in so far as it forms part of the broad revision of architectural history that i...
This exhibition and catalogue of the work of German artist Neo Rauch (now at the Max Ernst Museum, B...
Contemporary Drawing: Recent Studies
Drawing has played a pivotal role in the work of most artists since the beginning of time. Following...
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