Anthony Caro: The Inspiration of Architecture

The grand Georgian home of the neo-classical architect John Soane provides the background for Caro...

William Klein: Yes – book review

William Klein won his first camera in a poker game and went on to become renowned for his skill in f...

Liz Magor: The Rise and the Fall

Items that are at once familiar yet strange populate Magor’s baffling sculptures, leading viewers ...

Duke Riley – interview: ‘As an artist, you’re trying to push boundar...

Duke Riley likes his art to provoke, even if it gets him arrested. He talks about training pigeons t...

Bridget Riley Drawings: From the Artist’s Studio

Marking op art’s takeover from the passe machismo of abstract expressionism, Riley’s pulsing exe...

David Hockney: Bigger & Closer (Not Smaller & Further Away)

At the new Lightroom, which uses wraparound sight and sound, David Hockney himself guides us through...

Adelaide Cioni – interview: ‘My work is about the origins of drawing a...

Adelaide Cioni talks about her interest in patterns, and how these relate to something deep inside u...

Nalini Malani: My Reality Is Different

This spectacular show plays out in a deep black gallery space, where through nine large video instal...

Péju Alatise – interview: ‘My relationship with Nigeria is like a bat...

Having recently moved to the UK from Nigeria, Peju Alatise talks about growing up in Lagos, her camp...

Leanne McDonagh – interview: ‘My work has always been about who I am a...

Leanne McDonagh discusses how a residency at Cork Printmakers in Ireland, as part of a project suppo...

Marc Camille Chaimowicz: Nuit Américaine

From house party to lockdown: for his retrospective at Wiels, the London-based artist Marc Camille C...

Mike Nelson: Extinction Beckons

A spectacular survey of the British artist Mike Nelson is brutally bleak and awe-inspiringly complex...

Sonia Boyce: Feeling Her Way

Now on show at Turner Contemporary, Sonia Boyce’s immersive multimedia installation, which won the...

Shanti Panchal – interview: ‘It’s a meditative process, a layering o...

Shanti Panchal discusses the enduring power of painting, the evolution of his watercolour technique,...

Dhaka Art Summit 2023

For its sixth iteration, themed ‘বন্যা/Bonna’, or flood, the biennial exhibition explo...

Ilse Garnier: a e i o u and Concrete Experience

Two exhibitions now on at the museum relate to text-based works by female poets of the second half o...

Marcelle Hanselaar – interview: ‘To do nothing, to not at least take t...

Marcelle Hanselaar, 20 of whose works are now on show at the Fitzwilliam Museum, talks about the pow...

Juan Francisco Elso: Por América

A survey of Cuban artist Juan Francisco Elso is not easy to assemble, especially in the US, but this...

Wu Tsang – interview: ‘I’m drawn to stories that have messy politics...

Wu Tsang trains a postcolonial lens on Herman Melville’s 19th-century novel Moby-Dick for her imme...

Donatello: Sculpting the Renaissance

This show presents us with a tapestry of Donatello’s life and legacy, the intricacies of his craft...

Wilhelmina Barns-Graham: Paths to Abstraction

This show gives visitors the chance to follow Scottish artist Wilhelmina Barns-Graham from her early...

Analivia Cordeiro – interview: ‘For me, movement is an escape of the t...

Brazilian artist, choreographer and dancer Analivia Cordeiro has been exploring the relationship bet...

Action, Gesture, Paint: Women Artists and Global Abstraction, 1940-70

This thrilling exhibition brings us work, much of it never seen before in the UK, from a largely for...

Atiéna R Kilfa: The Unhomely

In Atiéna R Kilfa’s new video work, which is integrated into an architectural structure, the view...