Cy Twombly: Philosophy in Paint
The exhibition was a survey of 50 years of Twombly's career in the different media he has explored: ...
Australia is often out of synch with much of the rest of the world. The progressive Whitlam Labour e...
Artist as Peacemaker - Beyond Conflict
Beyond Conflict is a natural extension of the work of Richard Demarco in Edinburgh; he has spent his...
Despite the fact that Vitaly Komar and Alexander Melamid have already become world-c...
Metamorphing: Transformation in science, art and mythology
For humans, change has always been essential, but difficult nonetheless. For most of...
The second scheme was essentially led by a brief by architect Arata Isozaki, in which Martha Schwart...
Unseen Vogue: The Secret History of Fashion Photography
Unseen Vogue, an exhibition shown recently in the Design Museum, London that is also...
Painting, Passion and Politics: Masterpieces from the Walpole Collection
On loan from the State Hermitage Museum, St Petersburg, 'Painting, Passion and Politics' is showing ...
An old tenement building close to the harbour in Valletta seems an unlikely location in which to lau...
Rapture: Art's seduction by fashion since 1970
Until visiting this exhibition I had, naively and unconsciously, assumed that contem...
Antony Gormley Drawing – book review
The new publication, Antony Gormley Drawing, reveals the working processes behind the sculptures of ...
Andrew Forge, who died on 4 September 2002 in New Milford, Connecticut, aged 78, was a prominent and...
Tate Modern, 21 September through 5 January 2003. The Barnett Newman exhibition has opened and is a ...
Millennium Bridge Gateshead – miles better. Chris Wilkinson and Jim Eyre of Wilkinson Eyre have ma...
Fabric of Vision: Dress and Drapery in Painting
Over the summer (19 June—8 September 2002) the National Gallery, London showed Fabric of Vision: D...
Accountancy as terrorism: 'Christie Malry's Own Double Entry'
Accountancy as terrorism: 'Christie Malry's Own Double Entry' – All over Hollywood, producers and ...
Song of the Earth: European Artists and the Landscape - book review
Mel Gooding, in his introduction to this book, reminds us that the modern world has more in common w...
David Blackburn: The Sublime Landscape
David Blackburn's exhibition at the Hart Gallery in London coincides with the publication of The Sub...
Matisse Picasso at Tate Modern has just finished, but moves on to Paris and New York later this year...
Mel Gooding's new book on Ceri Richards, the first major publication on his work, establishes that R...
Kassel Documenta is commonly compared to the Olympic games, but, being an inhabitant of former Easte...
Daniel Libeskind: Imperial War Museum at Salford, Manchester
Daniel Libeskind's new building, an adjunct to the Imperial War Museum in Lambeth, South London, is ...
Next month (September) sees the figure of St Peter suspended face downwards between two Doric pillar...
Masters of Colour: Derain to Kandinsky
Only 30 years ago, Gabrielle and Werner Merzbacher began to form a collection of early 20th century ...
Braun AG Headquarters, Melsungen, Germany
Braun AG Headquarters, Melsungen, Germany – In 2002 this famous project stands complete as perhaps...
Ansel Adams' images are as fundamental to the narrative of the American West as the films of John Fo...
After the lyrical and mythic Ansel Adams, the photographs of William Eggleston are like a punch in t...
Braun AG Headquarters, Melsungen, Germany – Masterwork Revisited
Braun AG Headquarters, Melsungen, Germany. Masterwork Revisited: James Stirling, Michael Wilford & P...
Callum Innes wins Jerwood Prize
It has been announced that Callum Innes, a devout minimalist painter whose monochromatic statements ...
The Banksias: Watercolours, by Celia Rosser at the State Library of Victoria, Melbourne (5 April-30 ...
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