Mel Gooding's new book on Ceri Richards, the first major publication on his work, establishes that R...
Kassel Documenta is commonly compared to the Olympic games, but, being an inhabitant of former Easte...
Daniel Libeskind: Imperial War Museum at Salford, Manchester
Daniel Libeskind's new building, an adjunct to the Imperial War Museum in Lambeth, South London, is ...
Next month (September) sees the figure of St Peter suspended face downwards between two Doric pillar...
Masters of Colour: Derain to Kandinsky
Only 30 years ago, Gabrielle and Werner Merzbacher began to form a collection of early 20th century ...
Braun AG Headquarters, Melsungen, Germany
Braun AG Headquarters, Melsungen, Germany – In 2002 this famous project stands complete as perhaps...
Ansel Adams' images are as fundamental to the narrative of the American West as the films of John Fo...
After the lyrical and mythic Ansel Adams, the photographs of William Eggleston are like a punch in t...
Braun AG Headquarters, Melsungen, Germany – Masterwork Revisited
Braun AG Headquarters, Melsungen, Germany. Masterwork Revisited: James Stirling, Michael Wilford & P...
Callum Innes wins Jerwood Prize
It has been announced that Callum Innes, a devout minimalist painter whose monochromatic statements ...
The Banksias: Watercolours, by Celia Rosser at the State Library of Victoria, Melbourne (5 April-30 ...
No single model of self-portraiture can stand for the experiences of women generally, or fully expre...
Skythian baba: A painting counter-revolution
Natalia Goncharova, one of the famous originators of Russian avant-garde, is now the subject of a la...
Kazimir Malevich – The Blackest Square
The fourth 'Black Square' by Kazimir Malevich belonging to Inkombank, which collapsed during the fin...
Paul Klee: The Nature of Creation
In vast contrast to Tate Modern’s Warhol exhibition earlier this year, the Picasso Matisse which i...
The Boyds; Australian Gothic: a life of Albert Tucker; Sidney Nolan – bo...
Art is a central force in Aboriginal culture and a critical political tool. Through an understan...
Brit Art from the Fifties: the reality versus the myth
Just after the war, when France had Picasso and Matisse, Giacometti and Existentialism, and Britain ...
'100 Years Ago' is the name of Peter Doig's current show, the first in London since his Whitechapel ...
A pelican in the wilderness – book review
A short review does not do justice to this splendid publication by novelist Isabel Colegate, publish...
Return of the Buddha: The Qingzhou Discoveries
In 1996, while levelling the sports field of the Shefan primary school in Qingzhou, ...
Body Worlds: Fascination Beneath the Surface
Body Worlds exhibits human corpses: skinned, gutted, flayed, peeled, shelled, filleted, opened up ...
Gerhard Richter: Forty years of painting
The enigma of the German painter Gerhard Richter (b.1932) is finally explored through Robert Storr's...
Edinburgh belongs to a special kind of city deserving of the UNESCO designation as a...
American Sublime: Landscape Painting in the United States 1820-1880
In the opening column of the curator Andrew Wilton’s excellent catalogue summary, The Sublime in t...
February sees the end of the celebrations marking the 100th anniversary of the birth of the Danish a...
Andy Warhol: A retrospective at Tate Modern
A series of major exhibitions are planned in association with the British Tourist Authority to bring...
The authentic and the twitch: architecture, tourism and simulacrum
The authentic and the twitch: architecture, tourism and simulacrum – Increasingly, we now seek to ...
The year 2000 in Sydney was a hard act to follow. Every cynic - and there were many ...
Will Maclean’s exhibition, ‘Driftworks’ at Dundee Contemporary Arts (24 November 2001 – 3 Fe...
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