A discussion between Paul Morrissey and Derek Hill – I thought I'd start from the difference betwe...
The series [Art & Technology on BBC] is primarily concerned with two problems—how artists use vari...
On industrialization and machinery in The Red Desert; on 'Ecogame' designed as a continuous intera...
Studio International – July/August 1970, Exhibition issue
July/August 1970 Volume 180 Number 924, Exhibition issue...
Technology and Art 15: Computer graphics at Brunel
"The potential that was so evident at the 1968 ICA exhibition is still there, but the actuality has ...
The painter cannot remove himself from the currents of time, nor can he pretend that time, 'that flu...
Barnett Newman by Don Judd, Studio International 1970
The painter cannot remove himself from the currents of time, nor can he pretend that time, 'that flu...
For me and many others, Barnett Newman establishes a prickly active presence of that something which...
Technology and Art 10: LINGUISTICS AND TOYS AT THE ICA
"Increasing numbers of mathematicians and of engineers have joined them [poets, philologists and phi...
Technology and art 8: `The prehistory of the visible'
To read Burnham on vitalist or biomorphic sculpture is to be reminded that there is no apparent corr...
The added originality in [Petar] Milojević's technique is that by slight changes to his programming...
Technology and Art 4: SYMBIOTIC ART
Sound and light are not the only media which can be used, and it seems worthwhile to consider such w...
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