Archive - Results from #450

Published 30/11/-0001

H’arts in Mind: Drawing Our Way Back to Health

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Alan James, Wounded Love. Acrylic, 40 x 35 cm. Photo: Anna McNay.

H’arts in Mind: Drawing Our Way Back to Health

Paying lip service is not enough. The artworks in this exhibition, made by members of the mental hea...

Adrian Ghenie, Untitled 6, 2022. Oil on canvas, 140 x 140 cm. © Adrian Ghenie. Photo: Jörg von Bruchhausen. Courtesy Thaddaeus Ropac gallery, London · Paris · Salzburg · Seoul.

Adrian Ghenie: The Fear of NOW

Two new series by the history-fixated Romanian painter Adrian Ghenie see him tackle the woes of the ...

Shi Jinsong. Go Ahead NO.1, 2016 (detail). Trunk, motorcycle, audio and lighting, 161 3/8 x 35 1/2 x 54 3/4 in. Installation view, SCAD Museum of Art. Photo courtesy SCAD Museum of Art.

Shi Jinsong: Waiting for a response which we might never get

With his tree motorbikes modelled on Harley-Davidsons and bamboo fashioned from metal, Shi Jinsong s...

Stephen Willats at the launch of Social Resource Project for Tennis Clubs: Tennis Tournament, Saturday 8 October 2022, The Park Tennis Club, Nottingham. Photo: Bronac Ferran.

Stephen Willats: Social Resource Project for Tennis Clubs

In the 1970s, Stephen Willats worked with four socially disparate tennis clubs in Nottingham in a pa...

Harold Cohen, First Sighting, 2012. Oil over pigment ink on canvas, 121.9 x 219.7 cm.

Harold Cohen: The AARON Retrospective

Could one human’s lifetime of artistic knowledge be encoded? That is what Harold Cohen set out to ...

Helen Saunders. Cabaret, c1913-14. Drawing. The Courtauld, London (Samuel Courtauld Trust). © Estate of Helen Saunders.

Helen Saunders: Modernist Rebel

One of only two female members of the vorticists’ group, Helen Saunders' work was later sidelined....

Atta Kwami. Photo: Josh Jones. Courtesy Modern Painters, New Decorators.

Hans Ulrich Obrist and Peter Pakesch – interview: ‘The work of Atta Kw...

The artistic director of the Serpentine Galleries and the director of the Maria Lassnig Foundation e...

Kate Groobey, Photo courtesy of the artist and Sim Smith London.

Kate Groobey – interview: ‘The drip, for me, is pure joy and a kind of...

Kate Groobey talks about bringing her paintings to life through performance, diverse cultural and li...

Gabriel Orozco. 19.XI.21 (b), 2021. Gouache, tempera, ink and graphite on paper, 12.8 x 18.2 cm (5 1/16 x 7 3/16 in). © Gabriel Orozco. Photo © Gerardo Landa Rojanol.

Gabriel Orozco: Diario de Plantas

During the Covid-19 pandemic, reflecting his concern with the fragility of our environment, Gabriel ...

Senga Nengudi performing Air Propo at JAM, 1981. Courtesy Senga Nengudi and Lévy Gorvy.

Just Above Midtown: Changing Spaces

Linda Goode Bryant’s gallery and experimental space gave prominence to black artists and artists o...

Sámi artists Anders Sunna, Máret Ánne Sara and Pauliina Feodoroff. Photos: Elizabeth Fullerton.

Sámi Pavilion (Nordic Countries), Venice Biennale 2022

Sámi artists Anders Sunna, Máret Ánne Sara and Pauliina Feodoroff have transformed the Nordic Pav...

Mary Beth Edelson, Grapceva Neolithic Cave, 1978. Image courtesy the estate of Mary Beth Edelson and David Lewis.

Hollow Earth: Art, Caves & the Subterranean Imaginary

Nottingham Contemporary takes a richly rewarding descent into the art of the underground: a place fo...

Lucian Freud. Man at Night (Self-Portrait), 1947-8. Ink and Conte on paper. 51.5 x 42.5 cm. Private collection. © The Lucian Freud Archive. All Rights Reserved 2022/ Bridgeman Images.

Lucian Freud: New Perspectives

This thought-provoking exhibition attempts to shift our attention away from the myths that surround ...

Kamala Ibrahim Ishag, Composition, 2016. Oil on Calabash-ball surface, 50 x 45 x 45 cm. Installation view, Serpentine Galleries, London. Photo: Veronica Simpson.

Kamala Ibrahim Ishag: States of Oneness

Women and plant forms are intertwined among primal patterns and symbolism in Kamala Ibrahim Ishag's ...

Jorge Tacla. Injury Report 16, 2022. Oil and cold wax on canvas, 124.5 x 181.6 cm (49 x 71 1/2 in). Copyright Jorge Tacla, courtesy Cristin Tierney Gallery, New York.

Jorge Tacla: Stagings/Escenarios

The 1973 coup in Jorge Tacla’s mother country and the brutal dictatorship of General Pinochet that...

Dindga McCannon. Courtesy the artist, Pippy Houldsworth Gallery, London, and Fridman Gallery, New York.

Dindga McCannon – interview: ‘Not having money never stopped me creati...

With a 50-year career as an artist and teacher, Dindga McCannon is widely celebrated in the US’s b...

Anna Freeman Bentley: Make Believe

Anna Freeman Bentley’s sensuous paintings evolved from an informal residency on the set of The Col...

Royal Museum of Fine Arts Antwerp (KMSKA). Photo: © Karin Borghouts.

Royal Museum of Fine Arts Antwerp reopens after €100m renovation

After 11 years of work, the Royal Museum of Fine Arts Antwerp (KMSKA) has finally opened its doors, ...

Guido Casaretto. Eddies, 2022. Terracotta powder mixed with resin. Courtesy Fondazione Merz.

Isolitudine: four solo shows

As part of the Biennale Arcipelago Mediterraneo, ZACentrale is hosting solo shows by four artists, V...

Marina Abramović, Presence and Absence, 2022. Courtesy of the artist and the Pitt Rivers Museum, University of Oxford. Photo: Tim Hand.

Marina Abramović: Gates and Portals

Marina Abramović’s new duo of exhibitions in Oxford ought, most aptly, to be titled The Artist is...

Edward Lear, Karnak, 9:30 pm, 22 January 1867 (212). Watercolour with pen and black ink over graphite, 8.7 x 17.1 cm. Courtesy Yale Centre for British Art, Gift of Donald C Gallup, Yale BA 1934, PhD 1939.

Edward Lear: Moment to Moment

The Victorian comic poet Edward Lear is revealed as a fascinating artist in this no-nonsense survey ...

Wallowland by Cooking Sections at Büyükdere35, 17th Istanbul Biennial. Photo © David Levene.

The Istanbul Biennial

The theme of the 17th Istanbul Biennial is composting, the idea being to seed a multitude of communi...

Drew Edwards, Russian Soldier, 2022. Flint, 42 x 21.5 x 22 cm (16 9/16 x 8 7/16 x 8 11/16 in). Photo: Bronac Ferran.

Drew Edwards: Now You Can See the Universe

Working with flint, a material second only to diamonds in hardness, Drew Edwards carves sculptures t...

Bernar Venet with a model for a proposed sculpture at a US park. Photo: Veronica Simpson.

Bernar Venet – interview: ‘My dream is not to make big sculpture, but ...

As his solo show opens at Waddington Custot in London, the man dubbed France’s ‘greatest living ...

Gérard Garouste

The Centre Pompidou provides a primer to Gérard Garouste, one of France’s strangest living artist...

Manifesto of Fragility, Biennale de Lyon 2022. Installation view. Right: Ugo Schiavi, Grafted Memory System, 2022. Courtesy of the artist. With the support of Jacquet Métals Service, Alabama. With the kind collaboration of Laboratory of Geology, University Lyon 1, Musée des Confluences, Lugdunum - Musée et théâtres romains. Upstairs: Lucile Boiron, Mater, 2022. UV photographic prints on glass and plexiglass, glass and silver prints. With the support of Galerie Hors Cadre, Modds, Pro Image Service, Diamantino Labo Photo. Commissioned for the 16th edition of the Biennale de Lyon, Musée Guimet. © Blandine Soulage.

16th Lyon Biennale

All things decay at France’s biggest biennial, an exploration of fragility and resilience that ten...

William Kentridge

The brutalities of daily life under apartheid in South Africa are exposed in this major exhibition s...

Winslow Homer. The Cotton Pickers, 1876. Oil on canvas, 61.2 x 96.8 cm. Los Angeles County Museum of Art, California. Acquisition made possible through Museum Trustees: Robert O. Anderson, R. Stanton Avery, B. Gerald Cantor, Edward W. Carter, Justin Dart, Charles E. Ducommun, Camilla Chandler Frost, Julian Ganz, Jr., Dr. Armand Hammer, Harry Lenart, Dr. Franklin D. M.77.68. © Los Angeles County Museum of Art, California.

Winslow Homer: Force of Nature

Despite obvious sympathy for the emancipated black slaves he painted in America’s deep south, the ...

Sturtevant, The Store of Claes Oldenburg, 1967. 623 East Ninth Street, New York. © Estate Sturtevant, Paris. Courtesy Thaddaeus Ropac, London · Paris · Salzburg · Seoul.

Sturtevant: Dialectic of Distance

On the 55th anniversary of Sturtevant’s radical re-creation of Claes Oldenburg’s The Store, Thad...

Pacing the Void: Rhona Warwick Paterson and Eve Mutso

The wonderment of Paterson’s words and Mutso’s choreography in an amazing atmospheric setting re...

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