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Published  30/11/-0001
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Otl Aicher: Design. Type. Thinking. – book review

Aicher’s designs for the 1972 Munich Olympics changed the face of graphic design, but there was mu...

Alfredo Jaar

Now at two New York shows, Jaar continues to challenge social and political injustice. At the Whitne...

Found Cities, Lost Objects: Women in the City

Lubaina Himid curates this sprawling and powerful group show exploring cities as seen and experience...

Gaudí

Whether you consider him a madman or a genius, there is no doubt that Gaudí was responsible for a s...

Rachael Louise Bailey – interview: ‘It’s good to work with something...

From the synthetic detritus of the oyster industry washed up on the Kent coast and the organic softn...

Abbas Akhavan – interview: ‘I like the propelled intensity towards acc...

Abbas Akhavan discusses his site-specific responses, often inspired by residencies, and the processe...

Future Shock

An audiovisual exhibition that joins the dots between contemporary art, electronic music and technol...

Niamh O’Malley: Gather – Venice Biennale 2022

Niamh O’Malley says she wants her Irish Pavilion installation to be a welcoming space, for visitor...

Cornelia Parker

From the shed blown up by the British army to drone-shot footage of the Commons Chamber to a new wor...

Eduardo Kac – interview: ‘There is nothing on paper. All the works are...

Known for naming the domain of ‘bio-art’ and for his creation of a ‘green glowing bunny’, Ed...

Assemble + Schools of Tomorrow: The Place We Imagine

In this fantastically creative play space, children have worked with the Turner-prize winning archit...

Amie Siegel – interview: ‘There’s a lot of information underneath th...

American artist Amie Siegel discusses her new film work, Bloodlines, a masterful exploration of clas...

Lucia Pietroiusti – interview: ‘Art can do a million things, from acce...

The curator, ecological activist and consultant Lucia Pietroiusti discusses the power of artists to ...

Reframed: The Woman in the Window

From a 3,000-year-old Phoenician ivory relief of a temple prostitute to Rembrandt’s Girl at a Wind...

Karen Kilimnik: Early Drawings 1976-1998

Sprüth Magers takes us on a whistle-stop tour through the American artist Karen Kilimnik’s early ...

Ann Gallagher – interview: ‘Hélio Oiticica’s work was outstanding i...

As the first survey of Hélio Oiticica in London in 15 years goes on show at the Lisson Gallery, its...

Jonathas de Andrade: With the Heart Coming Out of the Mouth – Venice Bie...

Giant ears, a massive inflatable heart and a disembodied head – Jonathas de Andrade explains why h...

Goran Trbuljak – interview: ‘It is a kind of painting – a painting t...

The conceptual artist and film-maker Goran Trbuljak explains why seeing Neil Armstrong walk on the m...

Stalin’s Architect: Power and Survival in Moscow – book review

This fascinating book is as much about the history of Stalinist Russia as it is about Boris Iofan, t...

Beatrice Merz – interview: ‘The purpose of the project is to contribut...

Led by Fondazione Merz, a new arts centre in Palermo hopes to engage local people with contemporary ...

Ettore Spalletti: Works on paper, editions and books

A treasure trove of an exhibition surveys the late Italian master Ettore Spalletti’s exploration o...

Raphael

Raphael. This thrilling show lays out the full spectrum of the Renaissance artist’s output, from h...

Sigurður Guðjónsson: Perpetual Motion – Venice Biennale 2022

In the darkness of the Icelandic Pavilion, Sigurður Guðjónsson talks about his monumental video w...

Pedro Cabrita Reis – interview: ‘Through all these years, I’ve alway...

In the run up to his exhibition in Venice during the 59th Biennale, the internationally renowned Por...

Celia Paul: Memory and Desire

This is a poignant and deeply personal show, and sadness permeates Celia Paul's works, done during l...

Henry Moore: The Sixties

Sculptures and drawings, set in the very place they were created, along with Moore’s own vast coll...

Langlands & Bell: Ideas of Utopia, Near Heaven, and Absent Artists

Visitors to Charleston will be treated to three intriguing shows from Langlands & Bell, including th...

Mahesh Baliga – interview: ‘Collected sorrow becomes my work. My work ...

As his first solo show outside India takes place at David Zwirner in London, Mahesh Baliga explains ...

Albert Edelfelt and Akseli Gallen-Kallela

Can art create a country? Two concurrent exhibitions in Paris showcase the artists who forged Finlan...

Sheila Hicks: Off Grid

From her small woven minimes to installations that stretch from floor to ceiling, Sheila Hicks’s c...

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