Sheila Hicks: Off Grid

From her small woven minimes to installations that stretch from floor to ceiling, Sheila Hicks’s c...

Radio Ballads

Sonia Boyce, Helen Cammock, Rory Pilgrim and Ilona Sagar spent three years working with creative com...

Leeroy New – interview: ‘I am trying to challenge myself to use only r...

Filipino multimedia artist Leeroy New has just “docked” three “ships” made of bamboo and was...

Robert Indiana: Sculpture 1958-2018

This major show, spanning six decades of Robert Indiana’s career, makes clear that there was far m...

Hulda Guzmán – interview: ‘I feel a little bad for the rest of the na...

The Dominican artist Hulda Guzmán talks about the things that inspire her, her father’s influence...

Rachel Jones: Say Cheeeeese

Rachel Jones doesn’t want people to make quick judgments on what her works are saying, and the col...

Rana Begum: Dappled Light

Rana Begum’s second UK solo show reveals a shift into more organic forms and expands her explorati...

Britta Marakatt-Labba: Under the Vast Sky

Miniature hand-stitched worlds hide darker themes – climate change, corporate exploitation, right-...

Garmenting: Costume as Contemporary Art

As well as putting artist-made clothing firmly into the category of art, this show also looks at its...

Ming Smith – interview: ‘Photography’s the only thing I know’

As Pippy Houldsworth Gallery exhibits her first UK solo show, the pioneering American photographer M...

Sophie Calle and her guest Jean-Paul Demoule: The Ghosts of Orsay

Through photographs, text and objects, Sophie Calle weaves a tale about the time she spent staying i...

Hassan Khan Infusing Objects with Texts – an Essay

Using sculpture, text and film, Hassan Khan explores power and corruption, forcing us to confront ho...

Joan Mitchell

This is a first-in-a-generation opportunity to see Joan Mitchell’s works, and its chronological fo...

Ingrid Pollard – interview: ‘I like to concentrate on that vast histor...

Ingrid Pollard first came to prominence as a key figure of the black British art movement of the 198...

Libby Heaney – interview: ‘The point of the work is to destabilise you...

The physicist and artist Libby Heaney talks about using her scientific knowledge in her art, how tec...

Things Will Continue to Change …

Two years after the first Covid-19 lockdown in the UK, eight artists show how they have adapted to t...

Lawrence Calver: Under the Sun

These large textile works, in which Lawrence Calver stretches, bleaches and stains recycled or repur...

Mark Francis – video interview: ‘l like to use a grid to convey order ...

Mark Francis discusses the evolution of his subject matter, his techniques, his use of colour, the i...

Whistler’s Woman in White: Joanna Hiffernan

This show explores how Whistler’s work was shaped by the Irish beauty who became his model, muse a...

Tomás Saraceno: Particular Matter(s)

This show is a marvel of art and science in which Tomás Saraceno literally draws you into his web t...

Jasmina Cibic – interview: ‘I’m drawn towards the political psycholo...

Jasmina Cibic talks about the ideas, people and moments in history that inspire her artistic practic...

Julian Perry – interview: ‘It’s about wanting to create spaces that ...

Despite describing himself as a ‘devout atheist’, an altarpiece takes centre stage among Perry...

Emilio Vedova: Documenta 7

He was one of the most influential Italian abstract artists of his time, and the raw energy of Vedov...

Reflections from Frieze Los Angeles 2022

From Betye Saar’s recreation of her famous 1983 Los Angeles public mural to work shown by young, e...