The Chinese artist Yu Ji has salvaged construction debris from east London and Shanghai to create a ...
Alice: Curiouser and Curiouser
The V&A throws film, photography, prints, fashion, art and crockery into the mix to bring the origin...
Veronica Ryan: Along a Spectrum
After a residency prolonged by the pandemic, Veronica Ryan delivers a profound and playful selection...
Enough Is Definitely Enough – book review
As this captivating book shows, when Andrew Bracey asked 62 contemporary artists for their interpret...
Charlotte Keates – interview: ‘I want my paintings to feel more like d...
Charlotte Keates talks about her series of paintings in the group show Just What Is It …?, at Cris...
A packed retrospective of the surrealist fellow-traveller spirals off in all sort of directions, off...
-300.jpg)
Dubuffet’s curiosity and playfulness with serious and complex ideas shines through in this show, w...
El Anatsui: Art and Life – book review
Susan Mullin is both an expert on and a friend to the Ghanaian sculptor El Anatsui. This second edit...
Tahnee Lonsdale: Under the Shell
In this solo exhibition, Tahnee Lonsdale presents 12 large oil paintings, produced this year, that p...
Walter Price’s works reflect the instability and unpredictability of our times, with the themes of...
An ear-shredding, eye-rending survey of the audiovisual artist Ryoji Ikeda transforms data into engu...
Barbara Hepworth: Art and Life
The largest UK show of Hepworth’s work since her death in 1975, this unashamedly biographical cons...
Heather Phillipson: Rupture No 1: Blowtorching the Bitten Peach
This show is a fully sensate experience, a meditation of sorts on the state of the world that turns ...
Richard Hamilton: Respective – Key works and a wealth of fascinating archive material make this sm...
With about 200 items, including some of his best-known, most groundbreaking works, this exhibition d...
Mariam Zulfiqar, the curator of an exhibition of art installations at Chiswick House, says it marks ...
Black art matters: what not to miss in Miami
Miami Art Scene May 2021 – leading America’s obsessive, overdue, and necessarily over-weighted a...
Clare Woods – interview: ‘Fragility and vulnerability have always been...
Clare Woods talks about her new prints and collages, now on show at Cristea Roberts gallery in Londo...
Charleston reopens with two exhibitions investigating the relationship between portraitist and model...
Alex Da Corte: As Long as the Sun Lasts
Alex Da Corte’s brightly coloured stainless steel, aluminium and fibreglass installation, depictin...
-300.jpg)
Julian Opie – interview: ‘The work is about how we interpret and read ...
Julian Opie talks about travelling via Google Earth during lockdown, how colour blindness has shaped...
This exceptionally well-curated exhibition brings together four female artists, from a pivotal point...
Shara Hughes – interview: ‘I wanted the works to feel like figures you...
The American artist Shara Hughes talks about the new paintings in her exhibition at the Garden Museu...
Rafael Pérez Evans – interview: ‘Food contains a lot of emotion’
Rafael Pérez Evans talks about growing up in a farming community in rural Spain, queer and rural sh...
Night Fever: Designing Club Culture
With nightclubs facing massive uncertainty after more than a year of closure, the V&A Dundee’s exh...
Epilogue: Michael West’s Monochrome Climax
West’s willingness to take risks and reject stylistic uniformity shines through in this exhibition...
In a joyous coupling of art with nature, Yayoi Kusama’s cheering and restorative polka dots and pu...
Idris Khan – interview: ‘There was a struggle making these works’
Idris Khan talks about his new works at Victoria Miro, freaking out in lockdown and encapsulating a ...
Clare Patey – interview: ‘People don’t take humour seriously enough...
Clare Patey talks about 25 years of creating and producing powerful, participatory, public artworks ...
Copyright © 1893–2024 Studio International Foundation.
The title Studio International is the property of the Studio International Foundation and, together with the content, are bound by copyright. All rights reserved.
 |
 |
 |
|---|
