Through film, sculpture, painting, costume and photography, this wild party of an exhibition celebra...
The Studio, Vol 1, No 1, April 1893
The Studio: An Illustrated Magazine of Fine and Applied Art was first published in April 1893. It in...
Ann Veronica Janssens — interview: ‘I try to make visible the invisibl...
The Belgian artist discusses her perception-bending work, currently on display at the South London G...
Is the message of Rashid Johnson’s new show helped or hindered by the repetitive motifs and elabor...
María Berrío: Flowered Songs and Broken Currents
The eight new works here began as a project about a fictional village and its response to tragedy, b...
Royal Academy of Arts Summer Exhibition 2020
For the first time ever, the Summer Exhibition falls in autumn and winter, but the RA’s galleries ...
Long-known for her autobiography, visceral and violent, yet strongly feminine portrayals of Apocryph...
Tim Clark – interview: ‘This set of Hokusai’s drawings is a really i...
The British Museum has just bought 103 newly rediscovered drawings by Hokusai. Tim Clark, the museum...
Sound and vision collide in Verdier’s work, with this latest show exploring the physical, emotiona...
Billie Zangewa – interview: ‘I realised that I had chosen to embody th...
Johannesburg-based Billie Zangewa, whose work is currently on show at Lehmann Maupin in New York, ta...
1-54 Contemporary African Art Fair
Although this year’s fair had to be pared back, it nevertheless showcased a diverse and exciting r...
Christina Quarles – interview: ‘These works are holding onto that slow...
Created during lockdown, against a backdrop of rising deaths from Covid, the police killing of Georg...
-300.jpg)
Not Without My Ghosts: The Artist as Medium
An exhibition of art inspired by the spirit world at Drawing Room London offers up some surprising v...
An outdoor exhibition of art on London’s Southbank celebrates the heroes of lockdown with an eclec...
Huma Bhabha – interview: ‘The more complicated and layered the work is...
The artist explains how working for a taxidermist helped her with sculpture, why she is fond of mate...
Stuart Whipps: If Wishes Were Thrushes, Beggars Would Eat Birds
Using installation, photography, film and sound, Stuart Whipps takes us on a journey exploring histo...
Michael Schmidt Retrospective: Photographs 1965-2014
A hometown survey of the Berlin photographer captures a city on the cusp of change, anxious and expe...
Her enduring interest in language and visual perception, combine in this fascinating yet intimate ex...
The Baroque splendour of Blenheim Palace meets its match in Cecily Brown’s furious, kaleidoscopic ...
Krištof Kintera – interview: ‘Humour helps us to survive’
Unable to install The End of Fun! at Ikon in Birmingham because of Covid-19 travel restrictions, Kin...
Dana Schutz: Shadow of a Cloud Moving Slowly
The American painter’s first London show unleashes a gallery of grotesques that are equal parts ho...
Alexandre da Cunha – interview: ‘All my work is about combining things...
The artist discusses his use of found objects, the place of autobiography in his work, his fascinati...
-300.jpg)
Despite reminding us of our catastrophic past, our difficult present and our fragile future, this ex...
Matisse: The Books – book review
This sumptuous publication brings together Matisse’s eight livres d’artiste with meticulous atte...
Ayako Suwa: Taste of Reminiscence, Delicacies from Nature
The Japanese food artist Ayako Suwa usually uses food and flavours as her medium, but the Covid pand...
In her latest exhibition, Roissetter creates a distorted dreamworld that playfully, but subtly revea...
Pamela Phatsimo Sunstrum – interview: ‘I needed to put my own body on ...
Through multilayered works that merge vibrant female figures with fantastical landscapes, the South ...
This celebratory exhibition of Byrne’s screenprints, along with a companion show of portraits of t...
Toby Ziegler: The sudden longing to collapse 30 years of distance
In a new series of large geometric works on paper and smaller figurative oil paintings on aluminium,...
Craig Gough – interview: ‘Improvisation in painting is a lot like jazz...
Now in his 80s, Gough continues to paint his vast abstract canvases. He talks about his long career ...
Copyright © 1893–2024 Studio International Foundation.
The title Studio International is the property of the Studio International Foundation and, together with the content, are bound by copyright. All rights reserved.
 |
 |
 |
|---|