Helen Cammock – interview: ‘Creativity requires a space of idleness, o...
Last year’s Turner Prize-winner talks about the inspiration behind her latest film and text instal...
Nicolaes Maes: Dutch Master of the Golden Age
The National Gallery charts the fascinatingly bisected oeuvre of Nicolaes Maes, whose early genre in...
Looking Up: Helaine Blumenfeld at Canary Wharf
The luxury corporate campus of Canary Wharf makes an unusual but strangely prescient setting for scu...
Cao’s first large-scale UK exhibition is a fantastical exploration of utopian and dystopian worlds...
The impact of Covid-19 on art critics
This essay, comprising conversations with UK-based critics looks at the effects of the Covid-19 pand...
Ostend’s master draughtsman oscillates between retreat and escape, nocturnal and diurnal, imbuing ...
Cecil Beaton: Bright Young Things
This thoughtfully designed exhibition tells the story of Cecil Beaton and the Bright Young Things pe...
The impact of Covid-19 on artists, part 5: the long-term outlook and the g...
In the final instalment of this five-part essay, comprising conversations with artists around the wo...
This is a long overdue survey of the British contribution to the surrealist movement...
Chung Sang-Hwa: Excavations, 1964-78
Chung was in the vanguard of Korean abstract painting in the 1960s and 70s and this show combines 11...
The impact of Covid-19 on artists, part 4: artistic responses to the coron...
In the fourth instalment of this five-part essay, comprising conversations with artists around the w...
Video walkthrough of this group exhibition at Goldsmiths Centre for Contemporary Art narrated by cur...
Covering the first decade of Rembrandt’s work, with more than 30 paintings and 90 drawings and pri...
The impact of Covid-19 on artists, part 3: building communities and findin...
In the third part of this five-part essay, comprising conversations with artists around the globe, w...
There is a great deal of death in this exhibition but, ultimately, it is an overwhelming lust for li...
The impact of Covid-19 on artists, part 2: self-isolation, moving online a...
In the second part of this five-part essay, comprising conversations with multiple artists around th...
The impact of Covid-19 on artists
This five-part essay, comprising conversations with multiple artists around the globe, looks at the ...
Sol Calero, Zora Mann and Shailesh BR at Villa Arson
Three new solo exhibitions resulting from artists’ residencies at Villa Arson explore architecture...
A personal message: Anita Glesta
Brooklyn-based artist Anita Glesta sends a video message from her temporary studio in upstate New Yo...
Lygia Clark: Painting as an Experimental Field 1948-1958
Best-known for her sculptural and interactive later works, a survey of the first decade of the Brazi...
In the largest exhibition of Beardsley’s drawings for 50 years, we see evidence of his exquisite p...
From the archive: A New Illustrator – Aubrey Beardsley
This article was first published in The Studio, Vol 1, No 1, April 1893, pages 14–19...
From the archive: Aubrey Beardsley. In Memoriam.
Death has given Aubrey Beardsley the immortality of youth; and in future histories of illustration, ...
Oluwole Omofemi – interview: ‘In my paintings, I try to tell the black...
The Nigerian artist talks about how he uses hair – specifically the afro – as a metaphor for fre...
Featuring artists including Marilyn Minter, Derrick Adams and Wong Ping, the Savannah College of Art...
From an ancient forest to an Ikea stool, from musical instruments to makeup brushes, Andrea Trimarch...
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Johanna Unzueta: Tools for Life
Unzueta’s films, drawings and huge felt installations weave together traditional Chilean needlewor...
Saraceno’s utopian visions for a future without fossil fuel or boundaries – and his admiration f...
Janet Laurence – interview: ‘White Australians didn’t have a way of ...
A leading contemporary artist in Australia, Laurence talks about colonialisation and using her art t...
From rejecting cultivated gardens in favour of wild spaces to using traditional craft rather than mo...
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