Jordan Baseman on turning mastectomy tattoos into the subject of a cartoon...
Jordan Baseman’s films deal with everything from embalming to post cancer surgery tattoos, and see...
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Moynihan Train Hall: splendour for the masses
Wrought of sheer will, the Moynihan Train Hall, a radiant new gateway to Manhattan, addresses past, ...
Christine and Jennifer Binnie – interview
Artist sisters Christine and Jennifer Binnie talk about their joint curation of an exhibition from t...
Sarah Wood – interview: ‘At the moment we all want to gather around st...
Sarah Wood, artist, filmmaker, talks about what lockdown has taught her and how making her latest fi...
Young Poland: The Polish Arts and Crafts Movement, 1890-1918 – book revi...
The range of work to emerge from the Young Poland movement is staggering and this well-researched, b...
With 62 of Kandinsky’s paintings and works on paper, this exhibition charts the development of his...
Shaping the World: Sculpture from Prehistory to Now – book review
This is a fascinating account of conversations between Antony Gormley and the art critic Martin Gayf...
Genesis, a floating church, by Denizen Works
Elements of care and craftsmanship link Genesis, a floating faith space on a traditional narrowboat,...
Abigail DeVille: Light of Freedom
In the year that has seen the Black Lives Matter movement and the questioning of what public statues...
The Film London Jarman Award 2020
After a challenging year in view of the global pandemic, the prize named after the legendary film-ma...
Brian Dawn Chalkley: The Untold Depth of Savagery
Brian Dawn Chalkley’s alter ego, Dawn, has sketched a world of androgynous figures with guns in se...
Katharina Grosse – interview: ‘My eyes are my most important tools’
Katharina Grosse talks about the importance of layering, colour and bodily intelligence in her paint...
With many galleries and museums shut, art books have become more important than ever. Here are 20 of...
Emma Nicolson of Inverleith House: ‘Art institutions can highlight the d...
Emma Nicolson, the head of creative programmes at Inverleith House at the Royal Botanic Garden Edinb...
Jim Dine – interview: ‘I never stop looking. I never stop examining. I...
Artist Jim Dine talks about his easily recognisable paintings, into which he embeds tools and incorp...
The British Museum’s latest exhibition explores the cultures of the Arctic and the many ingenious ...
Trulee Hall – interview: ‘When I say “whore”, I wouldn’t say tha...
Trulee Hall talks about her multimedia practice, her views on sex and voyeurism, and how she hopes h...
Haegue Yang: Strange Attractors
Connections both cosmic and corporeal are woven throughout Haegue Yang’s sculptures, collages and ...
Trinity Buoy Wharf Drawing Prize 2020
This year, the 25th anniversary of the prize, the exhibition contains 71 works, many coloured by the...
Robert Smithson: Hypothetical Islands
With works largely drawn from the collection of his wife, Nancy Holt, Smithson’s hypothetical isla...
Exercising Freedom: Encounters with Art, Artists and Communities
Drawing on archival material, this fascinating exhibition looks at the Whitechapel Gallery’s pione...
Monica von Schmalensee – interview: ‘Architecture is an instrument for...
Von Schmalensee, former CEO and now partner of White Arkitekter, has advised the Swedish government ...
Art by Remote: Art Basel Miami Beach
With the Miami Beach Convention Center turned into a Covid-testing site, taking ABMB meta, Miami’s...
Susie MacMurray – interview: ‘A feather is never just a feather, and a...
Susie MacMurray talks about how she uses art to raise questions rather than make statements, and abo...
A compact, but rich exhibition at the National Gallery finds moral transgression at the core of west...
A mid-career survey of the Brussels-based Scottish artist conceals big questions in illusionistic ma...
Kai Althoff Goes With Bernard Leach
Juxtaposing a sprawling selection of Althoff’s works with a tribute to British studio pottery, the...
Emily Jacir – interview: ‘I wanted the locals to show me what was impo...
The artist talks about her stone sculpture, Pietrapertosa, created as part of the Gardentopia projec...
Thao Nguyen Phan: Becoming Alluvium
Vietnamese artist Thao Nguyen Phan weaves moving image, lacquer work and watercolour paintings on si...
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London’s Arts Labs and the 60s Avant-Garde
From a naked man flinging himself into a giant jelly to a 24-hour piano recital to John Lennon and Y...
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