Ronald Moody’s sculptures fizz with life in this beautifully paced show, in which the Jamaican art...
This show, about the imprints of the human body, and which includes three new commissions – two ta...
Brilliant Exiles: American Women in Paris 1900-1939 – book review
Robyn Asleson’s beautifully illustrated book follows women such as Zelda Fitzgerald and Peggy Gugg...
Roger Mayne’s genuine curiosity about people shines through in his photographs of kids playing on ...
This exhibition, Paris-based Huong Dodinh’s first solo show in New York, is a revelation in elegan...
-Olive-and-Maeve-300.jpg)
Mella Shaw – interview: ‘All art is a form of activism. I use my pract...
Bella Shaw talks about her award-winning work Sounding Line, which focuses on the overuse of marine ...
Take one exceptional work and tease out various strands to create a small but exemplary exhibition ...
Gavin Jantjes – interview: ‘I want to be free from expectation’
Gavin Jantjes, the South African painter, printmaker and former curator talks about the pitfalls of ...
Sandra George’s social-documentary photography is the standout exhibition of this year’s Glasgow...
Biennale Gherdëina 9: The Parliament of Marmots
Against the breathtaking landscape of the Val Gardena in Italy’s Dolomites, under the curation of ...
-300.jpg)
Anger, hurt, vulnerability, love, togetherness, celebration, passion … South African visual activi...
All That Glitters: A Story of Friendship, Fraud and Fine Art – book revi...
Orlando Whitfield recounts the behind-the-scenes story of his friend and one-time business partner I...
To Italy! With Liebermann in Venice, Florence and Rome
This exhibition explores uncharted territory not only by tracing Max Liebermann’s visits to Italy ...
Finally, 256 years after Angelica Kauffman became one of its founding members, the Royal Academy is ...
Dominique White – interview: ‘I do everything the wrong way’
Ahead of her Whitechapel Gallery commission, Dominique White, the winner of the Max Mara Art Prize f...
After years of patriarchal prudishness and censorship, the vulva is now considered acceptable art wo...
-300.jpg)
Donald Rodney: Visceral Canker
He was a young Black artist who railed against racism and sickness, both personal and in society. Th...
Los Angeles: a round-up of the best on show
The world may define Los Angeles by Hollywood, but the culture is better represented by the art...
Paris 1874: Inventing Impressionism
This glorious show recreates much of the first impressionist exhibition in 1874 alongside works from...
-300.jpg)
Phyllida Barlow’s playful approach turned found objects into composites that shone, while nodding ...
Emma Stibbon – interview: 'We need the science, the data, but art can re...
Tackling issues of climate change and coastal erosion in both the local area and as far afield as th...
-Centre-Pompidou,-MNAM-CCI_Janeth-Rodriguez-Garcia-(11)-300.jpg)
Vera Molnár plays with geometry and form, exploring shape, line and colour, using algorithms and co...
This multifaceted exhibition positions the artist Amedeo Modigliani among his contemporaries, traces...
The inaugural exhibition in this repurposed grain silo presents works from the Tangen Collection, de...
Expansive Change: Distortion as Dialogue in Modern & Contemporary Art
Among a flotilla of known artists, curator Santiago Rumney-Guggenheim has launched a few lesser-know...
Ambiguous, talismanic, intangible, meticulous – Kimsooja’s immersive installations explore theme...
George Wyllie: I Once Went Down to the Sea Again
A new museum dedicated to George Wyllie, a truly unique figure in the recent history of Scottish art...
Matthew Krishanu: The Bough Breaks
Interweaving childhood memories and imagination with the history of painting, Matthew Krishanu creat...
Expressionists: Kandinsky, Münter and The Blue Rider
A long-overdue exhibition exploring the friendships and relationships, shared concerns and disagreem...
Yinka Shonibare CBE: Suspended States
When does an artistic trope stop being art? The incessant repetition of Yinka Shonibare’s trademar...
Copyright © 1893–2024 Studio International Foundation.
The title Studio International is the property of the Studio International Foundation and, together with the content, are bound by copyright. All rights reserved.
 |
 |
 |
|---|