Her enduring interest in language and visual perception, combine in this fascinating yet intimate ex...
The Baroque splendour of Blenheim Palace meets its match in Cecily Brown’s furious, kaleidoscopic ...
Krištof Kintera – interview: ‘Humour helps us to survive’
Unable to install The End of Fun! at Ikon in Birmingham because of Covid-19 travel restrictions, Kin...
Dana Schutz: Shadow of a Cloud Moving Slowly
The American painter’s first London show unleashes a gallery of grotesques that are equal parts ho...
Alexandre da Cunha – interview: ‘All my work is about combining things...
The artist discusses his use of found objects, the place of autobiography in his work, his fascinati...
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Despite reminding us of our catastrophic past, our difficult present and our fragile future, this ex...
Matisse: The Books – book review
This sumptuous publication brings together Matisse’s eight livres d’artiste with meticulous atte...
Ayako Suwa: Taste of Reminiscence, Delicacies from Nature
The Japanese food artist Ayako Suwa usually uses food and flavours as her medium, but the Covid pand...
In her latest exhibition, Roissetter creates a distorted dreamworld that playfully, but subtly revea...
Pamela Phatsimo Sunstrum – interview: ‘I needed to put my own body on ...
Through multilayered works that merge vibrant female figures with fantastical landscapes, the South ...
This celebratory exhibition of Byrne’s screenprints, along with a companion show of portraits of t...
Toby Ziegler: The sudden longing to collapse 30 years of distance
In a new series of large geometric works on paper and smaller figurative oil paintings on aluminium,...
Craig Gough – interview: ‘Improvisation in painting is a lot like jazz...
Now in his 80s, Gough continues to paint his vast abstract canvases. He talks about his long career ...
Héctor Zamora: Lattice Detour (2020)
With its nod to the US-Mexico border wall, Zamora’s installation at the Met raises provocative que...
Jacqueline Poncelet – interview: ‘Uncertainty is all right; it gives u...
A major UK survey exhibition of her work reveals the restless creativity and curiosity of this talen...
Emma Critchley – interview: ‘Being underwater where everything complet...
She has worked with dancers in the world’s deepest swimming pool, with scientists investigating gl...
En plein air: art in the time of pandemic
With museums and galleries shut due to the pandemic, art had to be rethought. Online shows have thei...
Alberta Whittle – interview: ‘No one can find Barbados on a map, where...
The artist talks about the erasure of black people in everyday society, and how this informs and mot...
Dress Code: Are You Playing Fashion?
How did you choose the clothes you are wearing today, and what do they say about you? This show pick...
Christo & Jeanne-Claude’s London Mastaba Rises Again – and Again and A...
A clever smartphone app has turned Christo & Jeanne-Claude’s London Mastaba into a trick of augmen...
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Heather Phillipson – interview: ‘I wanted to respond to the loaded pol...
With her sculpture THE END finally installed in Trafalgar Square, after a delay due to Covid-19, and...
Kate Mieczkowska – interview: ‘I have always loved being in front of a...
The artist talks about the development of her art practice and her curatorial debut, Goddess Now...
The Metropolitan Museum of Art in New York reveals Yoko Ono’s new commission, created in response ...
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Natacha Nisic – interview: ‘We needed a place for free expression, a v...
The French artist and film-maker Natacha Nisic talks about The Crown Letter, the international parti...
The Artist in Time: A Generation of Great British Creatives – book review
With contributions from painters, poets, illustrators and film-makers, including Ralph Steadman, Ras...
The Chinese artist Li Qing explores the tensions between east and west through the lens of architect...
Bill Brandt and Henry Moore – book review
The work of the photographer Bill Brandt and the sculptor Henry Moore first came together during the...
Gauguin and the Impressionists
Do we need yet another impressionist exhibition? This Royal Academy showcase of Denmark’s Ordrupga...
Pat Steir – interview: ‘I want the paint to make the painting, to make...
She discusses a new, candid documentary of her life, and talks about her art practice and the influe...
Forced to close because of the Covid pandemic, the biennale has reopened for an extended period. As ...
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