Aliza Nisenbaum – interview: ‘I’ve found Zoom surprisingly intimate....

Nisenbaum is preparing for two exhibitions this year, one at Anton Kern Gallery in New York and one ...

Nicole Schoeni: ‘We wanted to look at the psychological effects of the p...

Schoeni discusses the challenges of curating an immersive group exhibition in a London townhouse dur...

Sarah Lucas: Honey Pie

One of the most infamous YBAs returns to London and Sadie Coles with an exultant, expressive refinem...

Sam Lucas – interview: ‘I do not make pretty things: they are conversa...

The artist talks about clay’s therapeutic and expressive qualities, and how her work helps her to ...

Nalini Malani – interview: ‘The future is female. There is no other wa...

Malani won the Joan Miró Prize last year and the resulting exhibition, You Don’t Hear Me, is now ...

Anish Kapoor

Anish Kapoor’s postponed exhibition at Houghton Hall opens as lockdown eases in the UK...

Toby Deveson – interview: ‘There is definitely a sense of seeking perf...

The photographer talks about his love of landscapes, his instinctive composition, and that elusive s...

Gordon Parks: Part One

Parks’s photographs of everyday life for black families in the 1950s and 60s lure the viewer in wi...

The Botanical Mind: Art, Mysticism and the Cosmic Tree

Taking our relationship with plants as its starting point, Camden Art Centre’s ambitious exhibitio...

Andrew Litten – interview: ‘I like the feeling that my work is emotion...

The artist talks about his concern with expressing human vulnerability and encouraging empathy and c...

Mami Kataoka – interview: ‘We need to look at long-term museum managem...

The director of the Mori Art Museum in Tokyo explains how it has used its online presence and social...

Stefan Brüggemann – interview: ‘The language in the work adapts to th...

The artist explains why he has painted a building in Folkestone in gold leaf and scrawled OK across ...

Esther Teichmann: ‘My work explores our relationship to the maternal, th...

The artist talks about the inspiration of watery places, lockdown at her parents’ home and how mot...

David Blandy – interview: ‘The online world can be a space for transfo...

Blandy talks about his new films, produced during lockdown and made to be viewed at home, his use of...

Yuko Hasegawa – interview: ‘We built Olafur Eliasson’s exhibition wi...

The artistic director at the Museum of Contemporary Art in Tokyo was preparing a solo exhibition of ...

Ann Thomson – interview: ‘Art is a means of renewing culture’

Now in her late-80s, the Australian artist discusses how her love of Aboriginal art was sparked as a...

Anthony Whishaw – Works on Paper

This accessible and entertaining book by Richard Davey focuses on the 90-year-old artist’s long-fo...

Hetain Patel – interview: ‘What does it do growing up to see that the ...

Known for performance art that mixes superheroes such as Spider-Man with the Gujarati traditions of ...

Clae Eastgate – interview: ‘I want my portraiture to be that bridge, t...

The artist talks about her project Painting the Poets, comprising a growing collection of portraits ...

Matthew Burrows – interview: ‘I think as an artist and I make as a pai...

The artist talks about his strategies for thinking about painting, how his long-distance running is ...

Studio Morison – interview: ‘MOTHER … was made to heal us now, to pr...

The artists talk about their site-specific, timber and straw commission, MOTHER …, for Wicken Fen,...

Tom de Freston – interview: ‘Painting by its very nature is an act of ...

For an artist whose work is bound up with trauma and who suffered the devastating loss of 12 years...

Mark Titchner – interview: ‘Language is how we relate to the world, th...

His text-based work Please Believe These Days Will Pass has formed a key part of the UK’s early lo...

We=Link: Ten Easy Pieces

An online exhibition of new net art critiques the digital networks we have become so reliant on duri...