When the Heavens Meet the Earth

Showcasing works from Robert Devereux’s Sina Jina African art collection, this small but dense exh...

Yuko Mohri: 'I’m very curious about organic ecosystems'

Mohri talked to Studio International before the opening of her exhibition Moré Moré [Leaky] and ex...

Candida Powell-Williams: ‘Each object becomes more than just the narrati...

The artist shows us round her immersive installation, exploring the fetishism of anthropological obj...

Kong Ning: ‘Being a witness mentally scarred me’

Multidisciplinary artist and environmental activist Kong Ning is based in Beijing. Born in Heilongji...

George Ridgway: interview

George Ridgway graduated last year from the Glasgow School of Art. His work traverses painting and i...

Kate Fahey: interview

Kate Fahey is concerned with slowing down how we interact with images. In the age of Google, where o...

Seungjo Jeong: interview

South Korean artist Seungjo Jeong creates pared-back canvases that explore the relationship between ...

Roger Hiorns – interview: ‘It isn’t enough to put an artwork in the ...

Roger Hiorns explains his methods of exploration and excavation, and why he believes art is not so m...

György Jovánovics: ‘A relief shows a dynamic promise, which is more th...

The Hungarian neo-avant-garde relief artist unravels his enduring interest in the abstract possibili...

Ai Weiwei: ‘It’s about humanity’

Ai Weiwei is showing at four New York City galleries simultaneously. To mark this, Royal Academy Ame...

Tim Benson: ‘I wanted my work to have more meaning’

The artist talks about storytelling through portraiture, and the human face of Ebola...

John Akomfrah – interview: ‘The question of discourse is absolutely ce...

The artist explains the inspirations for his new split-screen film, Auto da Fé, and talks about the...

Cecilia Brunson: ‘In the case of Willys de Castro, it’s also a percept...

The Latin American art dealer explains the ethos of her Bermondsey gallery and the importance of the...

Toby Ziegler: ‘In half an hour, you can undo an entire month’s work’

Toby Ziegler explains his processes of painting and sanding, and using Google’s reverse image sear...

Joey Holder: ‘I’d like to see a lot more collaboration between the sci...

The artist shows Studio International around her ‘futuristic medical room’ installation and expl...

Michelangelo Pistoletto: ‘The mirror is always part of one unique mirror...

In the startlingly altered states of Blenheim Palace, the multifarious Michelangelo Pistoletto spoke...

Conrad Shawcross: ‘It’s created a skin for the surface of this buildin...

The artist explains his use of the moiré effect in designing an optical cloak for a tall industrial...

Cyril de Commarque: ‘I believe in a new renaissance of thinking’

The French artist has converted a grain barge into an artwork to sail the Thames, blasting out a sou...

Paul Carter: ‘There’s an invitation that only takes you so far’

Entering the gallery, visitors enter a new world – a liminal space, with an empty lift, piss-stain...

Xu Yong – interview: ‘Negatives act as witness’

Twenty-five years after Tiananmen Square, the Beijing-based photographer Xu Yong took the brave deci...

Alfredo Jaar: A Logo for America

The first UK screening of Chilean artist Alfredo Jaar’s iconic work, A Logo for America, at London...

Francesca Pasquali: ‘I have a contemporary view of art, so I want to dra...

The Bolognese artist uses everyday materials and plastics to replicate natural folds and textures in...

Jennifer Wen Ma – interview: ‘Throughout history, humans have been try...

Jennifer Wen Ma talks about her new installation, Molar, at Cass Sculpture Foundation, created as a ...

Claire Shea: ‘We were really keen to look at an expanded definition of s...

As the Cass Sculpture Foundation stages its first exhibition of works commissioned by international ...