Cory Arcangel – interview: ‘Making art is just basically dowsing’
Brooklyn-based artist Cory Arcangel talks about his latest show at the Lisson Gallery in London, bil...
Elizabeth Price: ‘I’m interested in music and the voice because it bri...
Studio International visited the artist in her studio in south-east London to talk to her about her ...
Charles Richardson – interview: ‘There must be some sort of desire in ...
Charles Richardson talks about his current show at Exeter Phoenix, collaborating with local artists,...
Bosco Sodi: ‘I like the freedom of letting the mind and soul go on a jou...
Bosco Sodi talks about the two processes in his work: the one where he is in control and the one whe...
Steven Claydon: interview, Art Sheffield 2016
Steven Claydon’s newly commissioned Infra-idol Assembly is set within the vast, bunker-like, top-f...
Beatrice Gibson: interview, Art Sheffield 2016
London-based artist Beatrice Gibson’s film F for Fibonacci, at Bloc Projects, evokes the chaos of ...
Mark Fell: interview, Art Sheffield 2016
Mark Fell’s Structural Solutions to the Question of Being is being exhibited at The Link pub on th...
Martin Clark: interview, Art Sheffield 2016
Martin Clark, the director of Bergen Kunsthall, Norway, has created Art Sheffield 2016: Up, Down, To...
Art Sheffield 2016: Up, Down, Top, Bottom, Strange and Charm
For this citywide event, curator Martin Clark aims to inspire a connection between different parts o...
Random International: ‘There is a real collective power in this group of...
Hannes Koch of Random International talks about the collective’s latest project, producing a kinet...
Bernard Jacobson: ‘I want to bring people back to art’
The art dealer talks about his current exhibition, Bonheur de Vivre, which he considers ‘a precis ...
Terry Setch: ‘I regarded the beach as a playground – somewhere you can...
The artist explains his practice, recalling memories of the beach at Penarth and his desire to exten...
Three Generations: Passing on the Eyton drive
As they prepare for their first exhibition showing together as a family, Anthony Eyton RA and his sc...
Colin Self – interview: ‘I want to be devoid of the art world and padd...
On the occasion of his exhibition at London’s Mayor Gallery, Colin Self, the most singular of Brit...
Lin Tianmiao – interview: ‘Thread winding taught me to be patient’
Multidisciplinary artist Lin Tianmiao talks about incorporating weaving, sewing and embroidery into ...
Conrad Shawcross: ‘It looks like a wonder of the world’
Conrad Shawcross talks to Studio International about his new public sculpture, Paradigm, and shows u...
Anthony Engi Meacock: ‘Bringing creative practice out of the art bubble ...
The founder member of Assemble, which last year became the first architectural practice to win the T...
Andy Warhol: Works from the Hall Collection
With more than 100 previously unseen works from the Hall Collection, this expertly curated exhibitio...
Collateral Drawing: ‘It’s like revealing the magic trick’
Co-curators and artists from the ongoing Collateral Drawing project reveal insights into their worki...
Rose English: ‘Improvisation is present always, making anything’
The artist talks about her collaboration with composer Luke Stoneham and a troupe of Chinese acrobat...
An artist who is changing sculpture: Katrina Palmer
Lisa Le Feuvre, the head of sculpture studies at the Henry Moore Institute, tells the fascinating ta...
Paul Huxley: ‘I have more fun making sculpture than making paintings, bu...
The artist talks about his career, from visiting Robert Motherwell and Lee Krasner in New York in th...
Amelia Critchlow & Evy Jokhova: ‘The conversation, in many ways, will pr...
The artists talk about their year-long collaboration and how they learned from each other’s differ...
Elisabeth Frink: The Presence of Sculpture
Focusing, for the first time, on the challenges of making work, on the one hand privately and, on th...
Liu Ye: ‘Dick Bruna is more important to me than Da Vinci’
The Beijing-based artist on how seeing Bruna’s Miffy was seeing himself in a mirror, and why the m...
Naufus Ramírez-Figueroa: ‘I just create works that give a sensation of ...
The artist talks about his current exhibition, God’s Reptilian Finger, and the inspiration he drew...
Alice Cunningham: ‘The quarries were my biggest inspiration’
The artist talks about her experience of learning to work with marble from Michelangelo’s preferre...
Ben Johnson: the making of Patio de los Arrayanes
We visited Ben Johnson in his west London studio over a 12-month period to film him working on a lar...
Zhan Wang: ‘I have been continually influenced by Michelangelo, Rodin an...
The Beijing-based artist is a photographer and video artist, although he is best known for sculpting...
Copyright © 1893–2024 Studio International Foundation.
The title Studio International is the property of the Studio International Foundation and, together with the content, are bound by copyright. All rights reserved.
 |
 |
 |
|---|
