The Moongate Garden at the Sackler Gallery provided a magical backdrop for Mariko Mori’s performan...
Otobong Nkanga, interview, Artes Mundi 8
Otobong Nkanga talks about her inspirations for the works on show at Artes Mundi 8, and her enduring...
Anna Boghiguian, interview, Artes Mundi 8
Anna Boghiguian talks about her travels and research for A Meteor Fell from the Sky, the founding of...
Magdalena Abakanowicz: Presence, Essence, Identity
Magdalena Mielnicka, an expert on Abakanowicz, talks about the irrepressible Polish artist’s extra...
Billy Apple interview: The Artist Has to Live Like Everybody Else 1961–2...
Billy Apple is not just an artist – he’s a trademarked brand. He talks about exchanging his art ...
Dan Graham talks about his early days as a New York gallerist, his love of music and why he doesn’...
Nicolas and Frances McDowall started the Old Stile Press almost 40 years ago. They talk to Studio In...
The artist discusses works done over the past year, now at Waddington Custot, London, as well as the...
Patricia Guzman’s expertly executed realism makes her paintings appear photographic, as she docume...
In a riveting, large-scale work called Moss Ball: A Meditation on the Overview Effect (2018), E.V. D...
Tai Xiangzhou is committed to a traditional lexicon, his ink paintings magnificent, deeply indebted ...
Mark Fox, who was brought up as a Catholic, has issues with certain of the religion’s doctrines an...
Frieder Nake’s work is from 1965, a pioneering example of computer art in which the image is wholl...
Bao Pei uses ink and paper in the tradition of Chinese ink painting, but makes her work abstract, an...
Teresa Lawton: Tipping the Balance
Lawton’s paintings are inspired by her love of Dorset, where she explore the shapes and colours of...
Joana Vasconcelos: I’m Your Mirror
Joana Vasconcelos has filled the Guggenheim Bilbao with work from the past 20 years. She talks about...
True Colours: Helen Beard, Sadie Laska and Boo Saville
True Colours, curated by Damien Hirst for his Newport Street Gallery in London, shows works by Beard...
Saville’s fields of colour shimmer, each massive painting drawing you in and, once you are up clos...
New York-based Sadie Laska, who is both a painter and a drummer, brings her improvisation skills int...
Helen Beard’s striking and marvellously simplified, flat colour images, take you by surprise in a ...
James Edgar and Sam Walker: ‘We think of Assembly Point as part of our c...
James Edgar and Sam Walker talk about Assembly Point, their co-founded gallery, studio space and pub...
Vera Molnár: ‘I have no regrets. My life is squares, triangles, lines’
Vera Molnár, the pioneer of computer-assisted art, recounts her love affair with lines, the balanci...
David Shrigley: ‘The quality of the work for me is about avoiding contri...
David Shrigley talks about his large-scale installation Life Model II at Fabrica Gallery in Brighton...
Miguel Chevalier: ‘I feel that I live in what’s happening today’
Ahead of two simultaneous solo shows in London, pioneering computer artist Miguel Chevalier invites ...
Rie Nakajima: ‘What I am making is to be experienced through your body, ...
Japanese artist Rie Nakajima’s practice sees everyday objects turned into semi-autonomous mechanis...
Michele Oka Doner: ‘We can’t repair the Earth if we don’t fall in lo...
American artist and author Michele Oka Doner shares some of her explorations of nature and ritual fr...
Langlands & Bell – video interview: ‘We like to be catapulted into the...
For a new show at Birmingham’s Ikon gallery, Langlands & Bell have turned their shared gaze on to ...
Alexandra Kokoli and Basia Śliwińska: ‘As long as ‘home’ remains...
Curators Kokoli and Śliwińska and artists Małgorzata Markiewicz and Su Richardson talk about th...
Su Richardson talks about her work in the exhibition Home Strike at I’étrangère, London...
Małgorzata Markiewicz: interview
Małgorzata Markiewicz talks about her video The Resistance Kitchen (2017), part of the exhibition H...
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