Peter Howson in conversation

Peter Howson grew up in Glasgow in the 1960s and attended Glasgow School of Art from 1975 to 1979. I...

Interview with John Mellencamp

The celebrated rock musician John Mellencamp is also a painter of note, his work the subject of a su...

Jonathan Gabb: interview

Using a carefully balanced combination of PVA glue and acrylic paints – the precise measures of wh...

Anita Glesta: interview

After I had seen Brooklyn-based artist Anita Glesta’s travelling multimedia installation Gernika/G...

Philomene Pirecki: interview

Philomene Pirecki has just been shortlisted for the Max Mara Art Prize for Women. In addition to thi...

Interview with Dorothea Rockburne

How easy is it to imagine drawing that makes itself, and why should drawing make itself to begin wit...

Jill Spalding talks to American sculptor Alice Aycock

Though best known for her elaborate constructions in wood and metal, Alice Aycock is collected as wi...

Janet Cardiff’s Sound Sculpture

The Forty Part Motet, a sound installation by Canadian artist Janet Cardiff, is not so much a sight ...

Bedwyr Williams: interview

Bedwyr Williams is currently representing Wales at the Venice Biennale with The Starry Messenger. He...

Ibrahim El-Salahi: A Visionary Modernist

Miguel Benavides talks to Ibrahim El-Salahi about his Sudanese heritage, his time in prison on unfou...

Patrick Hughes: interview

Hughes' new exhibition at Flowers, Cork Street, includes nine new paintings employing his unique tec...

Liane Lang: interview

Liane Lang’s works combine a mixture of photography and grotesquely lifelike silicon and rubber sc...

Understanding the Expansion of Universe. An interview with Ernesto Neto

Internationally acclaimed for creating immersive installations with his ambient sculptures, the Braz...

An interview with Marcel Duchamp

Marcel Duchamp '...The whole of modern art—the Impressionists, the Fauves, the Cubists—the whole...