Renate Bertlmann: Discordo Ergo Sum – Venice Biennale 2019
Renate Bertlmann’s work is rooted in 1970s feminism, yet her message is entirely contemporary. She...
Eva Rothschild: The Shrinking Universe – Venice Biennale 2019
Eva Rothschild’s installation in Venice’s Arsenale summons the spirit of infrastructure, rubble ...
Jock McFadyen – interview: ‘The Royal Academy Summer Exhibition doesn...
McFadyen, known for his urban landscapes and putting the marginal centre stage in his paintings, is ...
Sean Edwards: Undo Things Done – Venice Biennale 2019
Sean Edwards discusses growing up in a community with low expectations and expressing the most hones...
Casey Reas – interview: ‘There is an increased understanding that soft...
Reas is known as the man who helped to create the open-source programming language Processing and br...
Lawrence Lek – interview: ‘AI could become the ultimate content creati...
Lek talks about artificial intelligence taking over from human creativity, and AIDOL, his feature-le...
Victor Wong – interview: ‘The human is inspired by the machine and the...
Artist-inventor Victor Wong talks about his robot artist AI Gemini, how he feels about his invention...
Nye Thompson – interview: ‘The bots are actually the primary audience ...
In her project The Seeker, a system of machines looking at images on screen, analysing them and whis...
Angelica Mesiti – interview: ‘I really want to maintain ambiguity and ...
Representing the Australian Pavilion at this year’s Venice Biennale, Angelica Mesiti is showing a ...
Aliza Nisenbaum – interview: ‘I was torn between wanting to be a socia...
The Mexican-born, New York-based artist talks about her first UK public commission, a mural at Brixt...
Irina Nakhova – interview: ‘I want my works to provoke curiosity’
The Russian artist talks about her latest exhibition, Museum on the Edge, at the Zimmerli Art Museum...
Laura Buckley – interview: ‘I enjoy watching the people in the work as...
Buckley talks about her sculpture and video Fata Morgana, currently on show at the Saatchi Gallery, ...
Ronny Sen – interview: ‘The work is about the apocalypse in a certain ...
Sen talks about photographing the out-of-control fires burning underground in the coal mines of Jhar...
David Austen – interview: ‘I think Dr Seuss is as great as Picasso’
On the occasion of Underworld, a new exhibition at Dundee Contemporary Arts, the artist talks about ...
Jos Tilson – interview: ‘Motherhood is a form of creativity, and one w...
Tilson has combined the ancient craft of hand-weaving with the language of modern art alongside an o...
Matheus Parizi – interview: ‘Artists are compelled more than ever to m...
Parizi talks about the current right-wing climate in Brazil, cuts to funding for the arts, and his n...
Devan Shimoyama – interview: ‘I use my body to explore magic, mytholog...
His portraits consider the black, queer, male body from a personal perspective that is as informed b...
Martin Parr – Interview: ‘Britain is eternally fascinating … full of...
Documentary photographer Martin Parr’s latest exhibition, Only Human, at the National Portrait Gal...
Katie Birkwood – interview: ‘The bodies of society’s disadvantaged, ...
The Royal College of Physicians’ exhibition of anatomical illustrations, from medieval times to th...
Hew Locke – interview: ‘A lot of my work has to do with the burden of ...
Hew Locke discusses monarchy, nationhood, bigotry, boats, Brexit and the seductive silliness of TV...
Barby Asante – interview: ‘There was real pleasure running through the...
With Declaration of Independence at the Baltic, Asante makes space for womxn of colour to relate nar...
Protest and Remembrance: Miriam de Búrca | Joy Gerrard | Mary Griffiths |...
Drawings by four contemporary female artists explore notions of protest and remembrance, from anti-B...
Mary Griffiths – interview: ‘I extrapolate a drawing that has some res...
In Protest and Remembrance at Alan Cristea, with her large abstract works of plywood, acrylic gesso ...
Barbara Walker – interview: ‘From the moment I make the first mark, I...
Walker scours archives for images on which to base her drawings of black soldiers. She talks here as...
Joy Gerrard – interview: ‘I’m interested in how we witness and inter...
In her depictions of mass protests, Gerrard aims to make visible those who attend. For Protest and R...
Miriam de Búrca – interview: ‘The sites themselves are very charged: ...
With her detailed drawings of plants growing on the graves of Ireland’s excommunicates and other u...
Sara Piccinini – interview: ‘We don’t want to give an idea of comple...
In 2007, the formidable art collection of Achille Maramotti, the man behind the Max Mara fashion hou...
Phoebe Boswell – interview: ‘Grief is not a personal thing. It’s a h...
Boswell’s latest exhibition, The Space Between Things, which includes a video of her undergoing an...
Julianne Swartz interview – ‘Joy is also talking about sorrow and desp...
Swartz talks about Joy, Still, her site-specific sound installation at Grace Farms, and how the mult...
Imre Bak – interview: ‘In today’s language, we need to achieve some ...
The neo-avant-gardist recalls cold war isolation, his enduring commitment to geometric abstraction, ...
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