Susannah Stark: ‘I like to create something that bears the trace of mult...
The artists talks about cultural memories, Spolia, swamps and Icelandic necropants...
Hugo McCloud: ‘I respect the beauty in the things that are overlooked’
The emerging artist Hugo McCloud, whose layered abstract paintings concentrate on process and materi...
Caragh Thuring: ‘It’s a sort of standoff – how am I going to deal wi...
The Brussels-born artist discusses reconstructing old paintings as tapestries to create new work, wh...
Mette Edvardsen: ‘If forgetting is important, then so is remembering’
The dancer, choreographer and performer talks about memorising books and then retelling them, and ex...
Kong Ning: ‘Being a witness mentally scarred me’
Multidisciplinary artist and environmental activist Kong Ning is based in Beijing. Born in Heilongji...
Bloomberg New Contemporaries 2016
Since 1949 New Contemporaries has hand-picked graduate and emerging artists to present them to the p...
George Ridgway graduated last year from the Glasgow School of Art. His work traverses painting and i...
Kate Fahey is concerned with slowing down how we interact with images. In the age of Google, where o...
South Korean artist Seungjo Jeong creates pared-back canvases that explore the relationship between ...
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Fabienne Verdier: ‘I am an intrepid woman, a bit of a rebel maybe’
Verdier explains her unique method of vertical painting, using a handmade brush with a large reserve...
Roger Hiorns – interview: ‘It isn’t enough to put an artwork in the ...
Roger Hiorns explains his methods of exploration and excavation, and why he believes art is not so m...
Sophie Jung: ‘I don’t trust language’
The performance artist talks about Chinese encyclopaedias, the Austrian feminist playwright Elfriede...
Karen Russo: ‘I’ve always liked the idea of making films that were som...
Karen Russo talks about her two most recent films, Haus Atlantis and TET-Stadt, which centre on the ...
David Kohn: ‘In trying to broaden what architecture could be, it feels l...
From a house extension modelled on a fox, to a new quad for an Oxford college, to a hotel in the air...
Emma Elliott: ‘Being human is the most important thing. Just being human...
The Passion For Freedom ambassador talks about her current project, which brings together the stigma...
Jiang Dahai: ‘There are universal values shared among artists and schola...
The Chinese-born artist unfolds his search for abstraction in all art, his pursuit of musicality and...
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Magnus Plessen: ‘I try to undo or confuse any preconceived ideas while w...
The German artist talks about his latest show at White Cube in London, which includes paintings done...
Wael Shawky: ‘When you invert language, you make it even stronger’
With two exhibitions of his work opening in Italy this month, Wael Shawky talks about his film-makin...
Monica Bonvicini: ‘It is not merely a display of sculptures and objects ...
The Italian artist talks about her survey show at Baltic and how bringing together her works in new ...
Anthea Hamilton: ‘There is something quite liberating about knowing that...
The Turner Prize-nominated artist talks about her experience of reimagining the Kettle’s Yard coll...
György Jovánovics: ‘A relief shows a dynamic promise, which is more th...
The Hungarian neo-avant-garde relief artist unravels his enduring interest in the abstract possibili...
Maureen Gallace: ‘I wasn’t straining to do anything clever with such a...
For her third solo exhibition at Maureen Paley, London, the New York-based painter shows a group of ...
Peter Wächtler: ‘It’s a strange mixture of respect, and total disresp...
The Berlin and Brussels-based artist discusses the benefits of repetition, grappling with tradition,...
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Helaine Blumenfeld: ‘Beauty has no real meaning any more’
The sculptor talks about her ideas of beauty and pain, and how she learned to express these through ...
Joel Shapiro: ‘As an artist, you are synthesising the stuff around you i...
The influential American sculptor, now in the fifth decade of his career, brings out his wood wall r...
Athena Papadopoulos: ‘Art is a kind of alchemy: turning shit into gold’
Drawing inspiration from her childhood and her womanising, fur-dealer father, Papadopoulos works acr...
Tim Benson: ‘I wanted my work to have more meaning’
The artist talks about storytelling through portraiture, and the human face of Ebola...
James Wilkes: ‘Mind-wandering has became a productive way for us to disr...
The exhibition Rest & its discontents at the Mile End Art Pavilion, London, is one of a number of ev...
John Akomfrah – interview: ‘The question of discourse is absolutely ce...
The artist explains the inspirations for his new split-screen film, Auto da Fé, and talks about the...
Nicolás Herrera: ‘this mural is about life’
Studio International travelled to Cuenca, Ecuador, to talk to Nicolás Herrera about his new work, E...
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