Conrad Shawcross: ‘It’s created a skin for the surface of this buildin...
The artist explains his use of the moiré effect in designing an optical cloak for a tall industrial...
Clare Jarrett: ‘It’s almost as though the work is already there somewh...
The Norwich-based artist talks about her recent residency at the Barbershop in Norwich, and her prac...
Cyril de Commarque: ‘I believe in a new renaissance of thinking’
The French artist has converted a grain barge into an artwork to sail the Thames, blasting out a sou...
History Machines by Donovan & Siegel
Toronto-based artist couple Matt Donavan and Hallie Siegel explore the history of changes in communi...
Jeffrey Gibson: ‘I was so angry I washed my canvases in the laundromat’
The artist talks about being any angry young artist, his earlier determination not to be viewed as a...
Mårten Lange: ‘I wanted to make a story about something beyond the reac...
The photographer talks about his lifelong fascination with prehistory and his latest photobook, Chic...
Paul Carter: ‘There’s an invitation that only takes you so far’
Entering the gallery, visitors enter a new world – a liminal space, with an empty lift, piss-stain...
Li Huasheng: ‘A line is nothing. When I paint a vase, its outline does n...
The Chinese artist is admired for his abstract ink paintings. Here, he explains how a visit to the U...
Judith Wechsler: ‘Film allows, even invites, inclusivity of media. It’...
The American film-maker and art historian discusses her remarkable body of documentaries on art, inc...
Regine Bartsch: ‘I’m drawn to these places where many people have live...
In her studio in southern Ireland, the German-born artist spoke about her recent exhibition and resi...
Katie Schwab: ‘I like the idea that works can begin to generate their ow...
Keen to learn traditional, craft-based skills, the artist explains why she is drawn to processes whe...
Xu Yong – interview: ‘Negatives act as witness’
Twenty-five years after Tiananmen Square, the Beijing-based photographer Xu Yong took the brave deci...
-II-300.jpg)
Raqib Shaw: ‘I really don’t give a fuck about the so-called contempora...
In his converted home and studio in east London, surrounded by dogs, myriad staff, an exquisitely ke...
Dana Schutz: ‘I think of the viewer as the painter’
The artist talks about deciding to become a painter when she was 14, how Alice Neel and the Velvet U...
-Al-1,-2015,-Courtesy-the-artist-and-BlainSouthern,-Photo-Peter-Mallet-300.jpg)
Michael Joo: ‘I was taken by the fact that there was a space that was in...
The New York-based conceptual artist Michael Joo talks about growing up among scientists, what drew ...
Kate Whiteford: ‘By confronting simple questions, bigger ones emerge. Th...
The artist talks about her new work, now on show at the Mercer Art Gallery in Harrogate, looking at ...
Alice Channer: ‘The area in between the subject and the object is the ar...
The artist, who used everything from cigarette ash to microbeads to create her work, talks about cyb...
Cui Xiuwen is a conceptual artist best known internationally as a video filmmaker and photographer. ...
Knights was a prodigious talent, yet she has been virtually ignored for the past half a century. Now...
Lamia Joreige: ‘Anything you film in a certain reality at a certain mome...
The artist, one of seven finalists included in the Artes Mundi 7 exhibition, talks about her project...
This intriguing exhibition attempts to capture the elusive nature of the human voice, with live perf...
Tim Slade: ‘The whole point about erasure is to allow you to pretend tha...
The Destruction of Memory charts the global loss of historic artefacts through war and terrorism. It...
Mariko Mori: ‘The ring is a symbol of oneness, completeness and eternity...
The artist talks about her mission to place site-specific artworks honouring nature on the six habit...
Francesca Pasquali: ‘I have a contemporary view of art, so I want to dra...
The Bolognese artist uses everyday materials and plastics to replicate natural folds and textures in...
Marie Yates: ‘In my view, everything is textual, and a text is visual’
A woman artist working conceptually with the landscape since the 1970s, Yates’s work has often bee...
Jennifer Wen Ma – interview: ‘Throughout history, humans have been try...
Jennifer Wen Ma talks about her new installation, Molar, at Cass Sculpture Foundation, created as a ...
Claire Shea: ‘We were really keen to look at an expanded definition of s...
As the Cass Sculpture Foundation stages its first exhibition of works commissioned by international ...
Philip Hunter: ‘I’ve developed an approach to painting that emulates t...
The Australian artists talks about the influence of Sidney Nolan, his most recent body of works, Geo...
Rana Begum: 'I love using readymade materials in the work'
Studio International visited Rana Begum in her studio in north-east London to talk to her about her ...
Georgiana Houghton: Spirit Drawings
She was an abstract painter out of time, a visionary and a maverick, but Georgiana Houghton was also...
Copyright © 1893–2024 Studio International Foundation.
The title Studio International is the property of the Studio International Foundation and, together with the content, are bound by copyright. All rights reserved.
 |
 |
 |
|---|