Joe Graham: ‘Anchor is not quite a book about drawing, and yet it’s no...
His new book, Anchor, presents 14 responses to the question: What is an outline? Here, he explains w...
![Julien Prévieux, Atelier de dessin - B.A.C. du 14e arrondissement de Paris [Drawing workshop - B.A.C. of 14th district of Paris], 2011-2015. Ink on paper, variable dimensions. Courtesy Galerie Jousse Entreprise, Paris.](/images/articles/p/previeux-julien-2016/smallpix/Previeux_AtelierBac01-300.jpg)
Julien Prévieux: ‘Humour is a good fighting trick’
From ‘hacking’ Google to responding to ads to tell employers why he doesn’t want their job, th...
Maha Malluh: ‘I don’t see the point in creating new objects while we h...
The Saudi Arabian artist talks about the allure of working with found objects, why she considers gen...
Anthony Engi Meacock: ‘Bringing creative practice out of the art bubble ...
The founder member of Assemble, which last year became the first architectural practice to win the T...
Hector McDonnell: ‘My paintings have always been about personal experien...
As well as a realist painter, of everything from Northern Ireland’s infamous Maze prison to Rwanda...
Andy Warhol: Works from the Hall Collection
With more than 100 previously unseen works from the Hall Collection, this expertly curated exhibitio...
Superflex’s Rasmus Nielsen: ‘I would not call us do-gooders, but maybe...
Superflex, Jakob Fenger, Rasmus Nielsen, Bjørnstjerne Christiansen, Copenhagen, Denmark, Jerwood Vi...
Collateral Drawing: ‘It’s like revealing the magic trick’
Co-curators and artists from the ongoing Collateral Drawing project reveal insights into their worki...
Alice Anderson: ‘I don’t refuse this world, I just need to explore alt...
The artist talks about her unique method of “memorising” and “recording” objects in copper w...
Odili Donald Odita: ‘I want to use colour to have an effect on the mind ...
Known for his vibrant, large-scale, abstract paintings, the artist talks about his influences, from ...
Painting the Modern Garden: Monet to Matisse
The walls of this exhibition tremble with the vibrant blooms of summer days. Gardens have inspired a...
Rose English: ‘Improvisation is present always, making anything’
The artist talks about her collaboration with composer Luke Stoneham and a troupe of Chinese acrobat...
Koen Vanmechelen: ‘An artist is always arriving at something that was un...
The man who turned breeding chickens into an art explains his plans to create a sustainable, diverse...
Robel Temesgen: ‘Being an Ethiopian in Norway was a really interesting i...
In his first London show, the artist explores the Ethiopian traditions of honouring the spirit of a ...
Virgile Ittah: ‘I think it’s in an artist’s genes – they never fol...
The artist talks about her unique wax modelling technique, her current collaboration, and explains w...
Aura Satz: ‘I think of all my works as conversations’
The artist reveals some of the hidden stories that inspire her film, performance and installation wo...
Pat Sachs: ‘The small, intimate scale has felt ideally suited for my vis...
Working on drawings after labouring over collages is like taking a gallop through a vast field, says...
As the Saatchi Gallery marks its 30th anniversary with its first all-women exhibition, a new generat...
An artist who is changing sculpture: Katrina Palmer
Lisa Le Feuvre, the head of sculpture studies at the Henry Moore Institute, tells the fascinating ta...
Liz Magic Laser: ‘I’m interested in throwing a well-rehearsed script i...
The multimedia artist talks about being critical of TED talks, studying US presidents, treating the ...
Carole Robb: ‘It was the harsh Scottish weather that shaped the internal...
As a child, she drew on her bedrooms walls. As an adult, she has won the Prix de Rome and a Fulbrigh...
Anthony Pearson: ‘I am seeking an inventive form as opposed to a clearly...
The artist, known for his refined sculptures and reliefs, explains why he moved from photography to ...
Margaret Harrison: ‘You have to have a strategy to draw people into the ...
Pioneering artist Margaret Harrison shares memories of her early career as an activist for equal rig...
Paul Huxley: ‘I have more fun making sculpture than making paintings, bu...
The artist talks about his career, from visiting Robert Motherwell and Lee Krasner in New York in th...
Emilia Kabakov: ‘The idea behind this work is that reality can never bee...
Emilia Kabakov, who collaborates with her husband, Russian conceptual artist Ilya Kabakov, talks abo...
Yevgeniy Fiks: ‘Any utopia is queer by nature, because it takes you from...
The artist and curator Yevgeniy Fiks talks about his work with the curator Olga Kopenkina concerning...
Amelia Critchlow & Evy Jokhova: ‘The conversation, in many ways, will pr...
The artists talk about their year-long collaboration and how they learned from each other’s differ...
Rose Blake: ‘I have always found it easier to express a thought through ...
The illustrator and artist talks about her recent exhibition at the Rebecca Hossack Gallery, drawing...
Niamh McCann: ‘I consider making a form of thinking’
The internationally acclaimed Irish artist talks about her latest show, Just Left of Copernicus, how...
Eva Langret: ‘As more and more exhibitions are produced in Africa, by Af...
Eva Langret, head of exhibitions for London’s Tiwani Contemporary gallery, discusses the current s...
Copyright © 1893–2024 Studio International Foundation.
The title Studio International is the property of the Studio International Foundation and, together with the content, are bound by copyright. All rights reserved.
 |
 |
 |
|---|