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Published  30/11/-0001
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Joe Graham: ‘Anchor is not quite a book about drawing, and yet it’s no...

His new book, Anchor, presents 14 responses to the question: What is an outline? Here, he explains w...

Julien Prévieux: ‘Humour is a good fighting trick’

From ‘hacking’ Google to responding to ads to tell employers why he doesn’t want their job, th...

Maha Malluh: ‘I don’t see the point in creating new objects while we h...

The Saudi Arabian artist talks about the allure of working with found objects, why she considers gen...

Anthony Engi Meacock: ‘Bringing creative practice out of the art bubble ...

The founder member of Assemble, which last year became the first architectural practice to win the T...

Hector McDonnell: ‘My paintings have always been about personal experien...

As well as a realist painter, of everything from Northern Ireland’s infamous Maze prison to Rwanda...

Andy Warhol: Works from the Hall Collection

With more than 100 previously unseen works from the Hall Collection, this expertly curated exhibitio...

Superflex’s Rasmus Nielsen: ‘I would not call us do-gooders, but maybe...

Superflex, Jakob Fenger, Rasmus Nielsen, Bjørnstjerne Christiansen, Copenhagen, Denmark, Jerwood Vi...

Collateral Drawing: ‘It’s like revealing the magic trick’

Co-curators and artists from the ongoing Collateral Drawing project reveal insights into their worki...

Alice Anderson: ‘I don’t refuse this world, I just need to explore alt...

The artist talks about her unique method of “memorising” and “recording” objects in copper w...

Odili Donald Odita: ‘I want to use colour to have an effect on the mind ...

Known for his vibrant, large-scale, abstract paintings, the artist talks about his influences, from ...

Painting the Modern Garden: Monet to Matisse

The walls of this exhibition tremble with the vibrant blooms of summer days. Gardens have inspired a...

Rose English: ‘Improvisation is present always, making anything’

The artist talks about her collaboration with composer Luke Stoneham and a troupe of Chinese acrobat...

Koen Vanmechelen: ‘An artist is always arriving at something that was un...

The man who turned breeding chickens into an art explains his plans to create a sustainable, diverse...

Robel Temesgen: ‘Being an Ethiopian in Norway was a really interesting i...

In his first London show, the artist explores the Ethiopian traditions of honouring the spirit of a ...

Virgile Ittah: ‘I think it’s in an artist’s genes – they never fol...

The artist talks about her unique wax modelling technique, her current collaboration, and explains w...

Aura Satz: ‘I think of all my works as conversations’

The artist reveals some of the hidden stories that inspire her film, performance and installation wo...

Pat Sachs: ‘The small, intimate scale has felt ideally suited for my vis...

Working on drawings after labouring over collages is like taking a gallop through a vast field, says...

Champagne Life

As the Saatchi Gallery marks its 30th anniversary with its first all-women exhibition, a new generat...

An artist who is changing sculpture: Katrina Palmer

Lisa Le Feuvre, the head of sculpture studies at the Henry Moore Institute, tells the fascinating ta...

Liz Magic Laser: ‘I’m interested in throwing a well-rehearsed script i...

The multimedia artist talks about being critical of TED talks, studying US presidents, treating the ...

Carole Robb: ‘It was the harsh Scottish weather that shaped the internal...

As a child, she drew on her bedrooms walls. As an adult, she has won the Prix de Rome and a Fulbrigh...

Anthony Pearson: ‘I am seeking an inventive form as opposed to a clearly...

The artist, known for his refined sculptures and reliefs, explains why he moved from photography to ...

Margaret Harrison: ‘You have to have a strategy to draw people into the ...

Pioneering artist Margaret Harrison shares memories of her early career as an activist for equal rig...

Paul Huxley: ‘I have more fun making sculpture than making paintings, bu...

The artist talks about his career, from visiting Robert Motherwell and Lee Krasner in New York in th...

Emilia Kabakov: ‘The idea behind this work is that reality can never bee...

Emilia Kabakov, who collaborates with her husband, Russian conceptual artist Ilya Kabakov, talks abo...

Yevgeniy Fiks: ‘Any utopia is queer by nature, because it takes you from...

The artist and curator Yevgeniy Fiks talks about his work with the curator Olga Kopenkina concerning...

Amelia Critchlow & Evy Jokhova: ‘The conversation, in many ways, will pr...

The artists talk about their year-long collaboration and how they learned from each other’s differ...

Rose Blake: ‘I have always found it easier to express a thought through ...

The illustrator and artist talks about her recent exhibition at the Rebecca Hossack Gallery, drawing...

Niamh McCann: ‘I consider making a form of thinking’

The internationally acclaimed Irish artist talks about her latest show, Just Left of Copernicus, how...

Eva Langret: ‘As more and more exhibitions are produced in Africa, by Af...

Eva Langret, head of exhibitions for London’s Tiwani Contemporary gallery, discusses the current s...

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