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Published  30/11/-0001
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Catlin Art Prize 2015

Eight of the UK’s most promising arts graduates are picked each year to show at the Catlin Art Pri...

Brown & Son: Art That Makes Itself

Father and son Paul and Daniel Brown work together as Brown & Son, ‘Purveyors of digital images si...

Klaus Staudt: interview

A leading practitioner of concrete-constructivist art for some 50 years, Klaus Staudt was also part ...

Michal Rovner: ‘I don’t want to tell a story, I’m looking for someth...

The Israeli artist discusses the work in her current exhibition Panorama, life split between New Yor...

Theaster Gates: ‘How do you get people to see things that to them are in...

In his latest exhibition at London’s White Cube Gallery, Artes Mundi prize-winner and social pract...

Roxana Halls: ‘I often equate painting with performance’

The artist talks about her new show, Unknown Women, in which she explores concealment of identity, t...

Gordon Shrigley: ‘I wanted to use the possibilities of fine art to creat...

Artist Gordon Shrigley has entered the fray for the 2015 general election, standing against sitting ...

Gordon Shrigley: ‘What I’m doing now is a form of performance art that...

An artist who has been concerned with concepts related to the line for more than 20 years, Gordon Sh...

C4RD, the Centre for Recent Drawing

Artist Andrew Hewish founded C4RD, the Centre for Recent Drawing, ‘on the smell of an oil rag’ i...

Andrew Hewish: ‘I’m interested in a process of drift, where things are...

Artist and C4RD director Andrew Hewish discusses how he makes objects and paintings using a broad va...

Gordon Shrigley: ‘Will Peck and I had lots of conversations about what t...

Will Peck, a recent graduate, and Gordon Shrigley, artist, (Gordon has various strings to his bow an...

Andrew Hewish: ‘To introduce drawing as a category automatically produce...

Artist Andrew Hewish founded C4RD, the Centre for Recent Drawing, ‘on the smell of an oil rag’ i...

Shirin Neshat: ‘Nothing is more powerful than human expression’

The artist talks about her latest exhibition, for which she photographed ordinary people in Azerbaij...

Gavin Turk: ‘For a long time I’d say: “I don’t think I’m growing...

For the launch of Project Beard at the Other Art Fair, artist Gavin Turk will shave off his beard in...

Sarah Jane Moon: 'Painting is fundamentally the relationship between an ar...

Having trained in portrait painting at Heatherley School of Fine Art (2009-2011), Sarah Jane Moon we...

Reni Gower and Jorge Benitez: ‘Nothing can be reduced to black and white...

Reni Gower and Jorge Benitez talks about their cross-cultural project Geometric Aljamía, which aime...

Jonn Herschend: ‘We can use humour seriously in art to push agendas forw...

Film-maker and experimental publisher Jonn Herschend explains why Don Quixote has been such a major ...

Lydia Gifford: ‘I’m learning how to let go. At times it feels like som...

The British artist says her work is a continually generating material mass that is more about trying...

NS Harsha: ‘I am like a cook. I love to make a dish, offer it to the peo...

The Indian artist NS Harsha on how his latest paintings embody the notion of ascent, an idea he says...

Frances Walker: ‘For me, art is all about being able to communicate with...

The Scottish painter Frances Walker, now in her 80s, talks about her time as an art teacher, her fas...

Penny Slinger: ‘Being different is just who you are. What you do with it...

Penny Slinger on how Tantric art changed her life, dealing with sexual identity in art, using her bo...

Making It: Sculpture in Britain 1977-1986

Studio International spoke to co-curator, Jon Wood, from the Henry Moore Institute, and Jill Constan...

Tina Keane: ‘With film, you never quite know what you’re going to get...

Multimedia artist Tina Keane talks about her early work, the influences that have developed her prac...

Diana Thater: ‘When someone walks in, they are part of the work. They’...

US new media artist Diana Thater explains what drew her to the subject of her latest work, the monke...

Allora & Calzadilla: Intervals

In this exhibition of new and recent projects, Jennifer Allora and Guillermo Calzadilla explore the ...

Marvin Gaye Chetwynd: 'But is it art? I don’t even care'

Performance artist and Turner-prize nominee Marvin Gaye Chetwynd explains why she turned her attenti...

Daniel Zolli: ‘Competition was in the air these sculptors breathed. It c...

As the Museum of Biblical Art hosts this momentous exhibition of renaissance masterpieces, co-curato...

Paul Chan: ‘Times have changed, and I have changed, and I wanted somethi...

Paul Chan is a versatile artist and writer, working in video, installation, publishing and the inter...

Five Issues of Studio International at Raven Row

Studio international visited Raven Row in East London to talk to writer and curator Jo Melvin about ...

Hadieh Shafie: ‘I take things from my culture and marry them to my weste...

Hadieh Shafie makes transformative objects that hover between painting and sculpture, integrating he...

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