Saba Qizilbash: ‘I always attempt to speak from personal eye level’

The Pakistani-born artist says much of her works have been in response to stages in her personal lif...

Basim Magdy: interview

Basim Magdy reveals a world of colour in his films and photographs. The critically acclaimed Egyptia...

Lynn Hershman Leeson: ‘I’ve always been interested in the exchange bet...

The US artist Lynn Hershman Leeson, known for her performance art and film-making, talks about her l...

Trish Wylie interview: ‘Wylie provides a hotline to the gods of the silv...

Studio International has come to north west London to visit the painter Trish Wylie in her studio....

Gail Pickering: ‘I was interested in the histories of community video pr...

The London-based artist Gail Pickering talks about her recent major exhibition at Baltic Centre for ...

Valerie Hird – interview: ‘Drawings are documents of honest and wonder...

US artist Valerie Hird studied archaeological illustration and then painting before becoming a compu...

Jessica Stockholder: ‘Art changes, taking account of the present moment...

Jessica Stockholder talks about her work, which combines painting, sculpture, installation and langu...

Nina Lola Bachhuber: ‘The creative process is like a virus in my brain’

The Munich-born artist’s delicate drawings depict invented characters that are then given form in ...

Dan Coombs: ‘Art is grounded in reaching for the real’

The artist talks about how he hoped his recent exhibition, Suspicion, would answer his 20-year quest...

Maggi Hambling: ‘Some paintings you’ve just got to cut up. There’s e...

Maggi Hambling talks about the sea, life, death and love in her work, how, despite being nearly 70, ...

Brian Bress: ‘I come to video with the agenda of a painter’

Brian Bress is an innovative multimedia artist who creates works that combine painting, drawing, ani...

Kennedy Browne: ‘With the internet there is no final cut’

Irish artist duo Kennedy Browne talk about how their work has been shaped by free-market triumphalis...

Matt Copson: interview

Emerging artist Matt Copson’s alter ego is a vengeful fox named Reynard. Using ancient European fo...

Bloomberg New Contemporaries 2014

Studio International attended the opening night of Bloomberg New Contemporaries at the Institute of ...

Milou van der Maaden: interview

Dutch artist Milou van der Maaden graduated from the Slade School of Fine Art this year and instantl...

Charles Richardson: interview

Recent Slade graduate Charles Richardson has hit the ground running. This year, in addition to his i...

Janenne Eaton: ‘My work is deeply political’

Melbourne-based artist Janenne Eaton talks about the inspiration behind her recent installation, Roa...

Alberto Biasi: interview

In conversation with Studio International, Biasi reveals the singular motivations behind his work an...

Jockum Nordström: ‘There’s a self-portrait in every single thing I do...

Having travelled from the island of Gotland where his latest solo exhibition was composed, Swedish a...

Chris Martin: ‘When you’re outside, you can have a truly gigantic stud...

New York City-based artist Chris Martin, whose works were recently on show at the Anton Kern Gallery...

Franklin Sirmans: ‘You should be able to smell, hear and taste New Orlea...

Franklin Sirmans, artistic director of the New Orleans biennial Prospect.3: Notes for Now, on the bo...

Steven Appleby: interview

Studio International visited the artist Steven Appleby's studio in south London. Appleby, whose work...

Faig Ahmed: ‘Collision of old and new is one of the concepts in my works...

The Azerbaijani artist Faig Ahmed talks about his exhibition Fluid Forms, how he reinterprets the pr...

Roxy Paine interview: ‘The best ideas come out of long gestation’

Roxy Paine’s Checkpoint is the latest of his meticulously crafted dioramas. He talks about how he ...