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Published  30/11/-0001
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Marvin Gaye Chetwynd: 'But is it art? I don’t even care'

Performance artist and Turner-prize nominee Marvin Gaye Chetwynd explains why she turned her attenti...

Daniel Zolli: ‘Competition was in the air these sculptors breathed. It c...

As the Museum of Biblical Art hosts this momentous exhibition of renaissance masterpieces, co-curato...

Paul Chan: ‘Times have changed, and I have changed, and I wanted somethi...

Paul Chan is a versatile artist and writer, working in video, installation, publishing and the inter...

Five Issues of Studio International at Raven Row

Studio international visited Raven Row in East London to talk to writer and curator Jo Melvin about ...

Hadieh Shafie: ‘I take things from my culture and marry them to my weste...

Hadieh Shafie makes transformative objects that hover between painting and sculpture, integrating he...

Marisa Williamson: ‘I want to make history alive in people’s worlds’

The performance artist talks about leaving Los Angeles to start a course at the Whitney Museum in Ne...

Andrea Mason: ‘If I had to be categorised really simply ... I am an arti...

Artist and writer Andrea Mason talked to us from her studio in Camberwell, south London about Litera...

Ilana Halperin: ‘Drawing is a trace fossil of a moment, an idea, proof o...

The artist, whose work is bound up with geological phenomena, explains the excitement of holding a m...

Sheila Hicks – interview: I’ve enjoyed a whole career of being an outs...

The American-born artist Sheila Hicks invited us to join her on her brightly coloured pigmented bale...

Helen Flockhart: ‘Art doesn’t have to be large to be powerful’

The Scottish painter on her time at Glasgow School of Art in the 80s, being influenced by convention...

Kehinde Wiley: ‘I think ideas are just as important as the material prac...

African-American artist Kehinde Wiley talks about the practice of painting as a conceptual tool to e...

Cornelia Parker: interview

Known for her explosive works, crossing the line between science and art, Cornelia Parker spoke to u...

Lynda Benglis: ‘I think artists create their own rules’

Here, the artist who was once dubbed the “heir to Pollock” and shocked the art world in 1974 by ...

Morehshin Allahyari: ‘Suddenly, I had the opportunity of making art with...

The Iranian-born artist, who moved to the US in 2007, talks about important concepts in her work, in...

Janet Biggs: ‘This project traces my very specific memories of my family...

The video and installation artist talks about her latest exhibition, in which she worked with neuros...

Fernanda Chieco: ‘I go searching for stories’

The Brazilian artist talks about art residency programmes, and how one led her to look at haunted ho...

Haris Epaminonda: ‘I imagined the Cypriot landscape to be the main prota...

Haris Epaminonda talks about the making of her four-channel video installation Chapters, filmed in h...

Toyin Odutola: ‘I’m no longer interested in portraying what I think I ...

Toyin Odutola talks about why she loves pen and ink, where she gets the inspiration for her titles, ...

Frederick Wiseman: ‘National Gallery shows more about the ambivalence, d...

The American film-maker Frederick Wiseman talks about his latest documentary, a portrait of the Nati...

David Altmejd: ‘I believe in the power that art has to generate meaning...

Canadian artist David Altmejd, known for his fantastical sculptures and installations, discusses his...

Saba Qizilbash: ‘I always attempt to speak from personal eye level’

The Pakistani-born artist says much of her works have been in response to stages in her personal lif...

Basim Magdy: interview

Basim Magdy reveals a world of colour in his films and photographs. The critically acclaimed Egyptia...

Lynn Hershman Leeson: ‘I’ve always been interested in the exchange bet...

The US artist Lynn Hershman Leeson, known for her performance art and film-making, talks about her l...

Trish Wylie interview: ‘Wylie provides a hotline to the gods of the silv...

Studio International has come to north west London to visit the painter Trish Wylie in her studio....

Thomas Allen: ‘I want my cave to offer an escape’

Thomas Allen talks about his background in sociology, how his latest work relies on the scribbles of...

Gail Pickering: ‘I was interested in the histories of community video pr...

The London-based artist Gail Pickering talks about her recent major exhibition at Baltic Centre for ...

Valerie Hird – interview: ‘Drawings are documents of honest and wonder...

US artist Valerie Hird studied archaeological illustration and then painting before becoming a compu...

Jessica Stockholder: ‘Art changes, taking account of the present moment...

Jessica Stockholder talks about her work, which combines painting, sculpture, installation and langu...

Nina Lola Bachhuber: ‘The creative process is like a virus in my brain’

The Munich-born artist’s delicate drawings depict invented characters that are then given form in ...

Sam Belinfante: ‘For galleries, sound is still a terrifying prospect’

Sam Belinfante talks about the role of listening in the visual arts and the challenges he faced in c...

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