South Korean artist Seungjo Jeong creates pared-back canvases that explore the relationship between ...
Roger Hiorns – interview: ‘It isn’t enough to put an artwork in the ...
Roger Hiorns explains his methods of exploration and excavation, and why he believes art is not so m...
Jiang Dahai: ‘There are universal values shared among artists and schola...
The Chinese-born artist unfolds his search for abstraction in all art, his pursuit of musicality and...
György Jovánovics: ‘A relief shows a dynamic promise, which is more th...
The Hungarian neo-avant-garde relief artist unravels his enduring interest in the abstract possibili...
Tim Benson: ‘I wanted my work to have more meaning’
The artist talks about storytelling through portraiture, and the human face of Ebola...
John Akomfrah – interview: ‘The question of discourse is absolutely ce...
The artist explains the inspirations for his new split-screen film, Auto da Fé, and talks about the...
Nicolás Herrera: ‘this mural is about life’
Studio International travelled to Cuenca, Ecuador, to talk to Nicolás Herrera about his new work, E...
Cecilia Brunson: ‘In the case of Willys de Castro, it’s also a percept...
The Latin American art dealer explains the ethos of her Bermondsey gallery and the importance of the...
Toby Ziegler: ‘In half an hour, you can undo an entire month’s work’
Toby Ziegler explains his processes of painting and sanding, and using Google’s reverse image sear...
Joey Holder: ‘I’d like to see a lot more collaboration between the sci...
The artist shows Studio International around her ‘futuristic medical room’ installation and expl...
Michelangelo Pistoletto: ‘The mirror is always part of one unique mirror...
In the startlingly altered states of Blenheim Palace, the multifarious Michelangelo Pistoletto spoke...
Zhao Zhao: ‘You cannot separate art from politics’
A prominent member of the post-1980s generation of Chinese artists and a former assistant of Ai Wewe...
Conrad Shawcross: ‘It’s created a skin for the surface of this buildin...
The artist explains his use of the moiré effect in designing an optical cloak for a tall industrial...
Cyril de Commarque: ‘I believe in a new renaissance of thinking’
The French artist has converted a grain barge into an artwork to sail the Thames, blasting out a sou...
Paul Carter: ‘There’s an invitation that only takes you so far’
Entering the gallery, visitors enter a new world – a liminal space, with an empty lift, piss-stain...
Xu Yong – interview: ‘Negatives act as witness’
Twenty-five years after Tiananmen Square, the Beijing-based photographer Xu Yong took the brave deci...
Cui Xiuwen is a conceptual artist best known internationally as a video filmmaker and photographer. ...
Francesca Pasquali: ‘I have a contemporary view of art, so I want to dra...
The Bolognese artist uses everyday materials and plastics to replicate natural folds and textures in...
Jennifer Wen Ma – interview: ‘Throughout history, humans have been try...
Jennifer Wen Ma talks about her new installation, Molar, at Cass Sculpture Foundation, created as a ...
Claire Shea: ‘We were really keen to look at an expanded definition of s...
As the Cass Sculpture Foundation stages its first exhibition of works commissioned by international ...
Rana Begum: 'I love using readymade materials in the work'
Studio International visited Rana Begum in her studio in north-east London to talk to her about her ...
Cory Arcangel – interview: ‘Making art is just basically dowsing’
Brooklyn-based artist Cory Arcangel talks about his latest show at the Lisson Gallery in London, bil...
Elizabeth Price: ‘I’m interested in music and the voice because it bri...
Studio International visited the artist in her studio in south-east London to talk to her about her ...
Charles Richardson – interview: ‘There must be some sort of desire in ...
Charles Richardson talks about his current show at Exeter Phoenix, collaborating with local artists,...
Bosco Sodi: ‘I like the freedom of letting the mind and soul go on a jou...
Bosco Sodi talks about the two processes in his work: the one where he is in control and the one whe...
Steven Claydon: interview, Art Sheffield 2016
Steven Claydon’s newly commissioned Infra-idol Assembly is set within the vast, bunker-like, top-f...
Beatrice Gibson: interview, Art Sheffield 2016
London-based artist Beatrice Gibson’s film F for Fibonacci, at Bloc Projects, evokes the chaos of ...
Mark Fell: interview, Art Sheffield 2016
Mark Fell’s Structural Solutions to the Question of Being is being exhibited at The Link pub on th...
Martin Clark: interview, Art Sheffield 2016
Martin Clark, the director of Bergen Kunsthall, Norway, has created Art Sheffield 2016: Up, Down, To...
Art Sheffield 2016: Up, Down, Top, Bottom, Strange and Charm
For this citywide event, curator Martin Clark aims to inspire a connection between different parts o...
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