What Do I Need to do to Make It OK?
Curator Liz Cooper discusses this exhibition at London’s Pumphouse Gallery, which investigates rep...
Matthew Darbyshire: ‘If I can’t get hold of what I want, I’ll fake i...
The artist talks about design and consumer culture, the role of colour as a democratiser, the need t...
Carl Plackman: Obscure Territories
Carl Plackman rarely discussed his work, which, spanning sculpture, drawing and installation, refuse...
Anj Smith: ‘The figure is a device on which to hang my concerns’
The artist talks about the collapsing of genres, her desire to portray identity post gender and pain...
YARAT: The Union of Fire and Water – Venice Biennale 2015
The Union of Fire and Water presents a historical and cultural superimposition of Baku and Venice as...
Anita Glesta: ‘I would like this work to be a vehicle of communication ...
The artist talks about the motivation behind her brightly coloured projection of frenzied fish on to...
Shani Rhys James: ‘I love the luxuriousness of a flower’s abstract sha...
The artist talks about her dramatic paintings, the significance of red and her own particular take o...
Chudamani Clowes: ‘I wanted to show immigration and migration in a posit...
Chudamani Clowes talks about immigration, her personal connection to west London and the human trage...
The art behind the activist: Adrian Locke talks about Ai Weiwei
A rebel, an iconoclast and a playful symbolist – Ai Weiwei is all these things, but surely history...
Vincent Meessen: ‘In the western world, we still think that we created e...
Eleven artists come together to reflect on colonialism and its aftermath in a complex, multimedia, c...
Charles Lim: ‘It’s very easy to see the sea as a sublime space where y...
With his sailing background, Charles Lim explains, he sees the sea as ‘just an office’. His 10-y...
Fifteen years after Richard Long’s last exhibition of any scale in his native Bristol, he is the A...
Toni Scott: ‘People don’t understand that what’s in the past is stil...
The California-based multimedia artist Toni Scott talks about how, in DNA – Bloodlines and the Fam...
Eloise Hawser: ‘This machine is all about contact and resistance’
The artist explains the complex mechanisms of a cinema organ and its colour-changer to Studio Intern...
Emma Cousin: ‘Humour is the most important thing’
Studio International visited Transition Gallery in east London to speak to Cousin about painting, in...
Helen Sear: ‘It’s almost like the landscape is imprinted on the figure...
In her exploration of mortality and temporality, the artist seeks to disrupt the single-point perspe...
Lisson Gallery’s head of exhibitions, Emma Gifford-Mead, talks to Studio International about the i...
Herman de Vries: ‘My guru is a squirrel’ – Venice Biennale 2015
Herman de Vries, whose work spreads far beyond the confines of the Rietveld pavilion, explains why h...
Patricia Cronin: 'A silent protest can be quite powerful' – Venice Bienn...
Patricia Cronin talks about Shrine for Girls, her installation at the Venice Biennale that commemora...
Geoffrey Eastop: ‘The character of the mark describes the object’
Geoffrey Eastop – his creative legacy. Studio international visited Ecchinswell in Hampshire – t...
Sarah Lucas: I Scream Daddio – Venice Biennale 2015
Sarah Lucas came to prominence in the 90s with the generation of Young British Artists, but it has t...
On My Way – Venice Biennale 2015
As a parallel event to the Venice Biennale, a group of artists from Russia present an exhibition tha...
Graham Fagen: ‘Come into the garden and forget about the war’ – Veni...
Glasgow-based artist Graham Fagen, who is representing Scotland for the 56th Venice Biennale, has mi...
Eight of the UK’s most promising arts graduates are picked each year to show at the Catlin Art Pri...
Brown & Son: Art That Makes Itself
Father and son Paul and Daniel Brown work together as Brown & Son, ‘Purveyors of digital images si...
A leading practitioner of concrete-constructivist art for some 50 years, Klaus Staudt was also part ...
Gordon Shrigley: ‘I wanted to use the possibilities of fine art to creat...
Artist Gordon Shrigley has entered the fray for the 2015 general election, standing against sitting ...
Gordon Shrigley: ‘What I’m doing now is a form of performance art that...
An artist who has been concerned with concepts related to the line for more than 20 years, Gordon Sh...
C4RD, the Centre for Recent Drawing
Artist Andrew Hewish founded C4RD, the Centre for Recent Drawing, ‘on the smell of an oil rag’ i...
Andrew Hewish: ‘I’m interested in a process of drift, where things are...
Artist and C4RD director Andrew Hewish discusses how he makes objects and paintings using a broad va...
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