Infinite Variety: Harold Cohen and Cybernetics in the 1960s

On the occasion of a show of Harold Cohen’s work at Gazelli Art House in London, we consider the p...

Cybernetic Serendipity – a walk around the exhibition

With artificial intelligence and its effect on creativity high on the agenda, now is the perfect tim...

Avery Singer – interview: ‘Art got me through some really dark places ...

Avery Singer was 14 on 9/11 and what she witnessed took its toll on her mental health. Her experienc...

Dominic Harris – interview: ‘I’m trying to empower the viewer to ass...

At his latest exhibition, Feeding Consciousness, at the Halcyon Gallery, British artist Dominic Harr...

Harold Cohen: The AARON Retrospective

Could one human’s lifetime of artistic knowledge be encoded? That is what Harold Cohen set out to ...

Ian Cheng – interview: ‘What’s the worst possible dad I could be? Ma...

The American artist Ian Cheng explores parenthood and agency in an imagined future that sees humans ...

Museu.xyz – interview: ‘All shows in the physical world should also be...

A museum that exists entirely in the metaverse is generating new opportunities for Brazilian artists...

Future Shock

An audiovisual exhibition that joins the dots between contemporary art, electronic music and technol...

Her Dark Materials

As the inaugural exhibition on the new art collectors’ digital platform, Eye of the Huntress, Her ...

Ryoji Ikeda

An ear-shredding, eye-rending survey of the audiovisual artist Ryoji Ikeda transforms data into engu...

Matt Jukes – interview: ‘You need to dream big, so you can shoot for t...

Matt Jukes talks about the pandemic, the effect of lockdown on our mental health, and his immersive,...

Art appreciation in the metaverse

What on the physical earth do art collectors see in a CryptoPunk? Add to quick profits the bragging-...

London’s Arts Labs and the 60s Avant-Garde

From a naked man flinging himself into a giant jelly to a 24-hour piano recital to John Lennon and Y...

Cybernetic Serendipity: The Computer and the Arts

To mark the 50th anniversary of this pioneering publication and exhibition, Cybernetic Serendipity: ...

Toby Ziegler: The sudden longing to collapse 30 years of distance

In a new series of large geometric works on paper and smaller figurative oil paintings on aluminium,...

Digital and networked art in lockdown: how can we be creative in new ways?

Unable to open to the public, museums and galleries have been quick to offer virtual tours and exhib...

The impact of Covid-19 on artists, part 5: the long-term outlook and the g...

In the final instalment of this five-part essay, comprising conversations with artists around the wo...

Hello, Robot: Design Between Human and Machine

From Star Wars’ R2-D2 to a machine that produces compassionate messages for the dying, this is a c...

Gustav Metzger – In King’s Lynn

This show of Metzger’s work, as part of the King’s Lynn Norfolk festival, looks at his years liv...

AI: More than Human

With AI seeping into all our lives, the Barbican should be congratulated for tackling such a prescie...

Victor Wong – interview: ‘The human is inspired by the machine and the...

Artist-inventor Victor Wong talks about his robot artist AI Gemini, how he feels about his invention...

Programmed: Rules, Codes and Choreographies in Art, 1965-2018

From Nam June Paik’s 1960s experiments to alter images on a TV screen to Ian Cheng’s use of chat...

Chance and Control: Art in the Age of Computers

This beautifully curated display includes work from the pioneers of digital art of the 1950s and 60s...

Shelley Himmelstein: Soccerscapes – Fifa World Cup Series; Michael Sorga...

Gallery director Randall Harris explains how this double show came about, while Himmelstein talks ab...