Vera Molnár: ‘I have no regrets. My life is squares, triangles, lines’
Vera Molnár, the pioneer of computer-assisted art, recounts her love affair with lines, the balanci...
Creativity and Collaboration: Revisiting Cybernetic Serendipity
The two-day colloquium Creativity and Collaboration: Revisiting Cybernetic Serendipity, which explor...
Cécile B Evans: Amos’ World: Episode One
Cecile B Evans’s video transports us into the surreal world of an architect who believes he can bu...
Miguel Chevalier: ‘I feel that I live in what’s happening today’
Ahead of two simultaneous solo shows in London, pioneering computer artist Miguel Chevalier invites ...
Paul Brown: Process, Chance and Serendipity: Art That Makes Itself
These radical works by Paul Brown highlight the wonders of computer programming in the realm of art-...
The exhibition nth nature, a new body of work by Lilah Fowler, explores feelings of transience and d...
Cybernetic Serendipity: History and Lasting Legacy
Catherine Mason considers the ICA’s groundbreaking computer art exhibition of 1968 and looks at ho...
Events planned around the Creativity and Collaboration: Revisiting Cybernetic Serendipity symposium ...
Thinking Machines: Art and Design in the Computer Age, 1959-1989
The exhibition is a must-see for anyone interested in the early history of computer technology and i...
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Anne de Boer & ecksenis.net: System Attempt Contact
System Attempt Contact critiques the way today’s tech multinationals transcend the borders between...
Cybernetic Serendipity 50th Anniversary
The Studio International special issue Cybernetic Serendipity: The Computer and the Arts was first p...
Zarah Hussain: ‘I don’t think something that’s spiritual precludes t...
Zarah Hussain (b1980, Cheshire, UK) places her work at “the intersection of science and spirituali...
Matthias Dörfelt: There are not many people using code and technology as ...
The Los Angeles-based German digital artist talks about computer programs, his interest in bitcoin, ...
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Katriona Beales: ‘It’s not the internet that is malevolent, but the wa...
Following the opening of Are We All Addicts Now? at London’s Furtherfield, Katriona Beales, the ex...
Gerfried Stocker: ‘The first time I went to Ars Electronica Festival was...
Gerfried Stocker talks about going from being a media artist influenced by Ars Electronica to becomi...
Harold Cohen: ‘I was probably the only person who considered the compute...
Pioneer of computer art Harold Cohen died last year at the age of 87. In 2015, in one of the last in...
Delving into coding: the art of Harold Cohen
Harold Cohen, who developed Aaron, one of the first and most complex software programs for computer-...
Is serendipity entirely human – or human-driven – or can researchers into artificial intelligenc...
Hello, Robot: Design Between Human and Machine
This exhibition is a provocative, disturbing, poignant and ultimately telling exploration of the imp...
Toshiyuki Inoko: ‘We are exploring the ways in which the relationships b...
The founder of teamLab, an interdisciplinary group of ‘ultra-technologists’, explains how digita...
In its fifth year, this leading global prize for digital art has really hit its stride, with a great...
Carla Rapoport: ‘I like to think we’re the Elvis of the art world’
The founder of the Lumen Prize says Elvis brought gospel and black music into the mainstream, and sh...
Guan Xiao: ‘I am learning about humour. It is a precious quality’
The artist talks about how the digital revolution has influenced her work, the roles of text and hum...
The Ars Electronica Festival 2016: Radical Atoms and the Alchemists of our...
This year’s festival includes more than 30 exhibitions, around 20 concerts and visual art and soun...
Random International: ‘There is a real collective power in this group of...
Hannes Koch of Random International talks about the collective’s latest project, producing a kinet...
Aura Satz: ‘I think of all my works as conversations’
The artist reveals some of the hidden stories that inspire her film, performance and installation wo...
Liz Magic Laser: ‘I’m interested in throwing a well-rehearsed script i...
The multimedia artist talks about being critical of TED talks, studying US presidents, treating the ...
Ian Cheng: ‘I wanted to make a project that would relax me’
The artist describes his live simulation at Pilar Corrias as the visual alternative to a spa. His in...
Xavier Cha: ‘I’m attracted to manipulating the viewer’s sense of log...
The multimedia artist talks about exploring the physical and psychological relationships between the...
This ambitious exhibition by four greats of computer art brings together works from the very start o...
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