David Batchelor: My Own Private Bauhaus

Batchelor’s playful exploration of colour through sculpture, installation and painting pays tribut...

Nicoline van Harskamp – interview: ‘Once you start thinking about name...

Van Harskamp is a woman obsessed by language. Here she talks about people’s names, what she calls ...

Sammy Baloji – interview: ‘I’m not interested in colonialism as a th...

The Brussels-based Congolese artist talks about the past and present of colonialism and mineral extr...

David Wojnarowicz: History Keeps Me Awake at Night

A comprehensive survey of the impassioned American artist and writer proves his relevance then and n...

Sohrab Hura – interview: ‘The only thing I can take responsibility for...

The photographer talks about his new book, Coast, and his aim of sucking viewers in with a narrative...

Fra Angelico and the Rise of the Florentine Renaissance

An exquisite exhibition at the Prado reveals the most joyous and serene of Italian artists as a pivo...

Michael Landy – interview: ‘The projects no longer exist, but they are...

The sociologically inclined Landy is creating an exhibition marking the 50th anniversary of the Kald...

Bartolomé Bermejo: Master of the Spanish Renaissance

A display of paintings by Spanish Renaissance painter Bartolomé Bermejo forms a picture of religiou...

Leila Heller – interview: ‘The Upper East Side is hot again and I love...

Gallerist Leila Heller talks about showing Andy Warhol and Jean-Michel Basquiat in the 1980s, after ...

Anthony Luvera – interview: ‘Photography is a way of telling stories a...

Luvera is the editor of Photography for Whom?, a new journal focusing on community photography proje...

Heike-Karin Föll: Speed

In her first institutional solo show, the German artist plays on the fast fickleness of commodificat...

Junya Ishigami’s Serpentine Pavilion

Perhaps this is an idea that looked good on paper, but with its dark slate roof and unstable-looking...

Ima-Abasi Okon

Old air-conditioning units, poor-quality ceiling tiles coated with ultrasound gel and gold – the u...

Andermatt Concert Hall

The Andermatt Concert Hall is a world-class auditorium, the first in the Swiss Alps, designed by arc...

Milton Avery: The Late Portraits

Focusing on works done in the final four years of Avery’s career, these portraits depict the peopl...

Leo Warner – interview: ‘If you put the technology first, you can end ...

Warner, design director of multimedia visual artists and impresarios 59 Productions talks about coll...

Issy Wood: All The Rage

Wood’s tragicomic paintings explore the apathetic alienation symptomatic of a networked, throwaway...

Patrick Staff: The Prince of Homburg

Through video installation, sculpture and printmaking, Staff uses a play from 1810 as a vehicle to e...

Botanic: National Amalgamation Project

Iranian artist Maryam Najd talks about her exhibition at the Arthur M Sackler Museum of Art and Arch...

Cut and Paste: 400 Years of Collage

This show explores the ways in which collage has been used to create work that is, by turns, playful...

Hans Ulrich Obrist – interview: ‘This is an unusual Calder show becaus...

A major Alexander Calder exhibition at Centro Botín in Santander reveals about 80 of the great Amer...

Yorkshire Sculpture International 2019

A new international quadrennial across Leeds and Wakefield opens with an introspective first edition...

Leonardo da Vinci: A Life in Drawing

The Queen’s Gallery showcases the Royal Collection’s superb archive of Leonardo da Vinci drawing...

Koen Vanmechelen – interview: ‘Now everyone is talking about diversity...

In a joint venture with the Belgian city of Genk, the artist Koen Vanmechelen has built a €22m eco...