John Akomfrah: Ballasts of Memory

Akomfrah’s skill as a film-maker and visual storyteller shines through in this compelling show...

Persia Reframed: Iranian Visions of Modern and Contemporary Art by Feresht...

This is a valuable guide to the history of the reception of modern and contemporary Iranian art in t...

Olafur Eliasson: In Real Life

There are nearly 30 years of work in this retrospective, so it is to be hoped that, despite the show...

New Orleans Museum Unveils Sculpture Garden Expansion

Devastated by Hurricane Katrina in 2005, the sculpture garden now has a spacious new extension and a...

Félix Vallotton: Painter of Disquiet

The Royal Academy’s exhibition of Vallotton’s varied and strange work proves that some artists d...

Francesc Ruiz – interview: ‘In the realm of drawing, a place of fantas...

The artist talks about his alternative porn installation, House of Fun, now on at Norway’s Momentu...

Alvaro Barrington – interview: ‘When you look at my paintings, you’r...

The New York-based painter talks about the artists he steals from, integrating his lived experience ...

Takis

This exhibition of work by Takis is mesmerising. His sculptures use magnetic energy to create sound ...

David Lewis, Billy Gerard Frank: Epic Memory – Venice Biennale 2019

Two quite different artists who have distinct and diverse relationships with the islands of Grenada ...

Ivon Hitchens: Space Through Colour

This thought-provoking exhibition, the largest on Hitchens since 1989, deftly explores the enigmas o...

Architecture of London

With works from the 17th century to the present day, this impressive exhibition views the changing n...

Callum Hüseyin – interview: ‘Music has the power to shock people in a...

Taking as inspiration the stories of scientists, donors and patients and creating a breathtakingly b...

Cutting Edge: Modernist British Printmaking

Dulwich Picture Gallery shines a well-deserved spotlight on an almost-forgotten era of future-facing...

Kevork Mourad: the making of Seeing Through Babel

We visited Mourad at the Ismaili Centre in London to witness the creation of his latest work, a six-...

Andrea Luka Zimmerman – interview: ‘This is how I work in films, it’...

Luka Zimmerman talks about her interest in people on the margins, her collaborative process, and tha...

Natalia Goncharova

This landmark retrospective highlights the breathtaking variety of Goncharova’s output, from relig...

Nikhil Chopra – interview: ‘I try to hold a mirror up to the world and...

Nikhil Chopra, the 2019-2020 artist in residence at New York’s Metropolitan Museum of Art, talks a...

Liz Johnson Artur: If You Know the Beginning, the End Is No Trouble

The photographer celebrates 28 years living among south London’s black British community with this...

Lucio Fontana: On the Threshold

A miraculous retrospective revivifies the Argentine-Italian painter and sculptor, laying bare the br...

Nunzio: The Shock of Objectivity

The elegantly cryptic, scorched sculptures and lustrous lead reliefs of the Italian artist Nunzio ar...

Barbara Takenaga, Linda Fleming, Jaq Chartier, Alison Hall at Robischon Ga...

Although these four solo exhibitions – hosted side by side – are each distinctive, they all cont...

Ibrahim El-Salahi – interview: ‘Drawing for me is a kind of meditation...

Using his art as a form of meditation to alleviate chronic back pain, Sudanese artist Ibrahim El-Sal...

Lubaina Himid – interview: ‘It is my intention to create artworks that...

Lubaina Himid’s first solo exhibition in the US opens this week, debuting works that continue her ...

Dulwich Pavilion 2019: The Colour Palace

The Colour Palace is a monumental temporary pavilion by artist Yinka Ilori and architects Pricegore,...