Monica Bonvicini: ‘It is not merely a display of sculptures and objects ...
The Italian artist talks about her survey show at Baltic and how bringing together her works in new ...
In Focus: Stanley Spencer – A Panorama of Life
This bite-size exhibition offers a concise but surprisingly thorough overview of the artist’s life...
Anthea Hamilton: ‘There is something quite liberating about knowing that...
The Turner Prize-nominated artist talks about her experience of reimagining the Kettle’s Yard coll...
For his first solo US exhibition, the Chinese artist presents his view of New York through a multime...
Century: 100 Modern British Artists
The UK may be struggling with its identity in a globalised world, but the artists of the past centur...
György Jovánovics: ‘A relief shows a dynamic promise, which is more th...
The Hungarian neo-avant-garde relief artist unravels his enduring interest in the abstract possibili...
Donna Huanca: ‘Memory is perhaps the most permanent architecture’
The Chicago-born artist discusses shedding skin, the idea of permanence, and being involved in Manif...
Maureen Gallace: ‘I wasn’t straining to do anything clever with such a...
For her third solo exhibition at Maureen Paley, London, the New York-based painter shows a group of ...
Peter Wächtler: ‘It’s a strange mixture of respect, and total disresp...
The Berlin and Brussels-based artist discusses the benefits of repetition, grappling with tradition,...
South Africa: The Art of a Nation
This exhibition is packed with fantastic items that tell stories of resilience and resistance. But t...
Thinking Pictures: Moscow Conceptual Art in the Dodge Collection
As viewers, we witness Moscow conceptualism caught in a perpetual bind between the Romantic obscurit...
Piotr Lakomy: Room Temperature
For his latest instalment at the south London gallery The Sunday Painter, the Polish artist poses qu...
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Helaine Blumenfeld: ‘Beauty has no real meaning any more’
The sculptor talks about her ideas of beauty and pain, and how she learned to express these through ...
Joel Shapiro: ‘As an artist, you are synthesising the stuff around you i...
The influential American sculptor, now in the fifth decade of his career, brings out his wood wall r...
Ai Weiwei: ‘It’s about humanity’
Ai Weiwei is showing at four New York City galleries simultaneously. To mark this, Royal Academy Ame...
Leah Raintree – Another Land: After Noguchi
This modest exhibition consists of 10 photographs by Raintree of the work of Isamu Noguchi. Manipula...
Athena Papadopoulos: ‘Art is a kind of alchemy: turning shit into gold’
Drawing inspiration from her childhood and her womanising, fur-dealer father, Papadopoulos works acr...
Tim Benson: ‘I wanted my work to have more meaning’
The artist talks about storytelling through portraiture, and the human face of Ebola...
Jean Tinguely: Machine Spectacle
From kinetic sculptures to ‘do-it-yourself machines’ and scorched animal skulls to self-destruct...
James Wilkes: ‘Mind-wandering has became a productive way for us to disr...
The exhibition Rest & its discontents at the Mile End Art Pavilion, London, is one of a number of ev...
The shadowy and sensuous world of Caravaggio was too tempting for contemporaries to ignore. But as t...
John Akomfrah – interview: ‘The question of discourse is absolutely ce...
The artist explains the inspirations for his new split-screen film, Auto da Fé, and talks about the...
![Olga Chernysheva. Untitled [A Play…], 2016. Charcoal and collage on paper, 21 1/4 x 33 in (54 x 84 cm). Courtesy Gallery DIEHL, Berlin; Foxy Production, New York; and Pace London. Image © Olga Chernysheva.](/images/articles/c/chernysheva-olga-2016/smallpix/Untitled-A-Play-300.jpg)
Olga Chernysheva: Vague Accent
This series of drawings depicting urban life in New York was made while Chernysheva was on a month-l...
Amalia Ulman: ‘I learn things from the performances that I wouldn’t ha...
Having presented her fictionalised personas on her Instagram account and at the Tate Modern, the art...
Daubigny, Monet, Van Gogh: Impressions of Landscape
A trail-blazing artist, largely lost from sight, is brought back into the limelight in this excellen...
Examples of the signature works that occupied Feiler from the 1970s are on show at the Jessica Carli...
Nicolás Herrera: ‘this mural is about life’
Studio International travelled to Cuenca, Ecuador, to talk to Nicolás Herrera about his new work, E...
Cecilia Brunson: ‘In the case of Willys de Castro, it’s also a percept...
The Latin American art dealer explains the ethos of her Bermondsey gallery and the importance of the...
In its fifth year, this leading global prize for digital art has really hit its stride, with a great...
Jamian Juliano-Villani: The World’s Greatest Planet on Earth
For her first solo public exhibition outside the US, the artist shows a sculptural installation and ...
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