Exploring themes of transformation, status and seduction, the V&A’s Shoes: Pleasure and Painis an ...
Jackson Pollock’s black paintings have been unjustifiably dismissed by many. Tate Liverpool’s ex...
Emma Cousin: ‘Humour is the most important thing’
Studio International visited Transition Gallery in east London to speak to Cousin about painting, in...
No Aloha is an exhibition of brightly coloured works on paper by Japanese artist Hayato Kiyuna. It i...
Nicholas Mangan: Ancient Lights
In his latest exhibition at London’s Chisenhale Gallery, Australian artist Nicholas Mangan drags a...
This ambitious exhibition by four greats of computer art brings together works from the very start o...
Barbara Hepworth: Sculpture for a Modern World
Barbara Hepworth is seen as one of the most important figures in the development of abstract art in ...
The triennial’s theme was the megacity, imagining what Bruges would be like if the millions of tou...
Nathan Cash Davidson: ‘I’m two different artists in the same person’
The artist discusses his current exhibition at the Hannah Barry Gallery, his interest both in recrea...
Helen Sear: ‘It’s almost like the landscape is imprinted on the figure...
In her exploration of mortality and temporality, the artist seeks to disrupt the single-point perspe...
Jeanne Masoero: ‘My work is about trying to find structures, a kind of c...
The artist explains how her interest in the Mayan civilisation led her to use layers in her work. Ty...
With his latest installation at South London Gallery, Thomas Hirschhorn’s portrayal of destruction...
Mirrors to Windows: The Artist as Woman
This documentary follows 10 female artists from three generations to discover how they fare in an ar...
Wanderlust explores the art of a man who crossed oceans in his imagination and explored fairytale ca...
Susan Cianciolo: ‘Everything I make is so sacred and it’s all about th...
The artist talks about the Fluxus boxes in her latest exhibition, opening a textile store in Mississ...
Michaël Borremans’ current exhibition at David Zwirner Gallery in London conjures a nightmarish w...
Lisson Gallery’s head of exhibitions, Emma Gifford-Mead, talks to Studio International about the i...
Unfinished … Works from the Courtauld Gallery
Most artists, at some point, are asked, ‘How do you know when a work is finished?’ It’s a surp...
Mark Fairnington: ‘The work I do with scientists echoes their speculatio...
The artist talks about his work researching natural history collections, how he crosses the divide b...
This exhibition brings together sculptures by US artist Carol Bove and furniture and sculptures by V...
Cy Twombly: Fifty Years of Works on Paper
An exhibition of more than 80 drawings by Cy Twombly is on show at the Hara Museum of Contemporary A...
Herman de Vries: ‘My guru is a squirrel’ – Venice Biennale 2015
Herman de Vries, whose work spreads far beyond the confines of the Rietveld pavilion, explains why h...
Fighting History, an exhibition examining 250 years of history painting, has received a torrent of a...
Sheikha Lateefa bint Maktoum: ‘I am a veiled woman, so it’s a natural ...
The founder of Tashkeel, Dubai’s first public studio space for artists, talks about her hopes for ...
Pulitzer Arts Foundation marks its relaunch
With a new name, a doubling of gallery space, and new director Cara Starke, the revamped museum is k...
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Sophia Narrett: ‘I see the sewing process as akin to drawing’
The artist talks about the process of making her embroideries, why she uses pop culture for source m...
Patricia Cronin: 'A silent protest can be quite powerful' – Venice Bienn...
Patricia Cronin talks about Shrine for Girls, her installation at the Venice Biennale that commemora...
In his latest major exhibition, Carsten Höller’s playful artwork turns the Hayward Gallery into a...
Richard Tuttle’s third solo exhibition with Modern Art shows four new bodies of work that continue...
Geoffrey Eastop: ‘The character of the mark describes the object’
Geoffrey Eastop – his creative legacy. Studio international visited Ecchinswell in Hampshire – t...
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