Christopher Dresser 1834-1904: A Design Revolution
With suitable training, it is possible to date a previously unseen artefact within a couple of decad...
The Blue Man: The Portrait of James Milliken by Jean-Etienne Liotard, c.17...
Jean-Etienne Liotard (1702-89) was one of the finest portraitists of the eighteenth century. The rec...
Attention to detail and an open mind are requirements when visiting P.S.1. At once a contemporary ar...
The National Museum of the American Indian
Almost 500 years after the "discovery" of America, at last the original inhabitants are being recogn...
Yoshitomo Nara: From the Depth of my Drawer
Yoshitomo Nara: From the Depth of my Drawer – The title of this exhibition somehow creates nostalg...
Past Things and Present: Jasper Johns since 1983
The first major exhibition in Britain of American Jasper Johns since 1977 at the Hayward Gallery is ...
Russian Landscape in the Age of Tolstoy
Russian Landscape in the Age of Tolstoy, at the National Gallery this summer reveals a seminal perio...
Bill Brandt: A Centenary Retrospective
Two parallel exhibitions of the work of the greatest British 20th century photographer provide a tim...
Royal Academy Summer Exhibition 2004
This year's innovative Summer Exhibition at the Royal Academy, London was selected and organised by ...
There is an innocent quality about the photographs of Jacque Henri Lartigue, an honesty and openness...
Inventing Race: Casta Painting and Eighteenth Century Mexico
'Inventing Race' is the intriguing title. But I first went to LACMA West. It was of particular inter...
The paintings of Edward Hopper have come to represent a quintessentially American experience - highl...
Elsa Schiaparelli, the flamboyant fashion designer of the Art Deco period, is renowned for her fabul...
Swiss Re, a lovable gherkin in space
'If you seek his monument, look around' - such was the epithet chosen by his son, for Sir Christophe...
Jellicoe to Jencks: New landscapes, new allegories.
Two highly significant but very different landscape and garden theorists are Sir Geoffrey Jellicoe (...
The enigma of Édouard Vuillard
Revisiting Vuillard on the last day of the exhibition, one is prone to many afterthoughts dominated ...
Mark Rowan-Hull: Seeing Music, Hearing Colour
Mark Rowan-Hull's abstract paintings form a dialogue with music. Firstly a pianist, Rowan-Hull (born...
Awesome the group has been, for they have become a 20th century phenomenon. The total revision of ar...
With the latest trend of fashion houses stamping their presence in Japan by engaging...
There is a beautiful film called 'England: Home and Beauty' that is a testament to the glamour of th...
Everchanging mirage - Louis Vuitton Roppongi Hills
Louis Vuitton Roppongi Hills – Louis Vuitton first started as a manufacturer of expensive luggage ...
The Lichtenstein retrospective at the Hayward Gallery establishes an interesting timescale in terms ...
This important volume is, as the publisher Prestel says, 'the keystone of a major pr...
In 1969 Studio International allowed Donald Judd to air his grievances towards the art world in an a...
The Pleasure of 'Pain'. Pain: Passion, compassion, sensibility
Sadism and salvation, torture and tenderness, martyrdom and mercy: these are the subj...
The Art of Philip Guston: 1913-1980
Philip Guston is one of America's most important 20th century artists. His work occupies a unique pl...
Video artist Bill Viola's work reinforces the notion that a work of art will only yield its deepest ...
Art First in London have been showing the work of one of South Africa's most significant and interes...
Spider in the Field - Snow-Land Agrarian Culture Center, Matsudai by MVRDV
MVRDV is an office for urbanism and architecture based in Rotterdam, the Netherlands, founded by Win...
A Crystalline, Kaleidoscopic Universe - Prada Aoyama, Tokyo by Herzog & de...
In 1999 Prada launched the "Epicentre Store" programme to examine different ways of reinventing the ...
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