Van Gogh/Gauguin at Van Gogh Museum through June 2
On arriving somewhat later than planned, Gauguin took over the wayward cuisine from a nervous Van Gogh (aware of how accidents happen with kitchen knives). Gauguin slipped easily into pole position in the yellow house. Then it was late in the year, and ‘plein air’ was replaced by painting indoors. In the final conjunction, following rational visits to local brothels (to eliminate serious dalliance), they painted each other. It was on the verge of Gauguin’s tactful departure from the joint enterprise that Van Gogh sliced off own his ear. Never can a portrait have upset its subject quite so much. The exhibition contains some 35 paintings. The highpoint of the exhibition is the comparative critique possible when both artists had painted the same subjects. Van Gogh’s versions, such as Le Café Rouge, or Les Alycamps, show how little he need have worried, despite Gauguin’s burgeoning success in Paris, since his work shines through, eclipsing that of the more pedestrian Gauguin. Two years later Van Gogh killed himself: Gauguin survived. Encapsulating this creative saga, the Van Gogh Museum has pulled of a brilliant and virtuoso display of curatorial supremacy at a time when ‘duets’ have become over-reaching to say the least.