Having recently finished a long stint in Olafur Eliasson’s Berlin studio, immersive is second nature for Allen. The title is inspired by a Heideggerian term, meaning a space in which anything at all can manifest, or ideas can be revealed. The Clearing also evokes trees, hence the gothic, tree-like structure featuring geometries inspired by medieval French vaulting. Says Allen: “In our work we’re very interested in how buildings make people feel. It’s a very sensory space and this structure changes the acoustic and makes light feel very different.” With mirrors placed either side of it, the effect is magnified.
Studio Ben Allen: The Clearing
Folkestone Triennial 2017
2 September – 5 November 2017
Interview by VERONICA SIMPSON
Filmed by MARTIN KENNEDY