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Published  01/07/1967
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Studio International – July-August 1967

Studio International – July-August 1967

Volume 174 Number 891

Contents

Comment/David Thompson

A Japanese experience/Jasia Reichardt

Picasso at the Tate/Ceri Richards, William Tucker, Noemí Gerstein

Correspondence/Tom Monnington, P.R.A., Dom Sylvester Houédard, Mario Amaya, D. J. Gordon, Greg Card

Picasso: sculpture and constructions

12  Painting – a thing of the past/Jean Clay

18  Patrick Heron: the development of a painter/Ronald Alley

26  Rodin’s ‘Walking Man’ as seen by Henry Moore/Albert Elsen in collaboration with Henry Moore

32  Allen Jones: the potent image/Ira Licht

36  The making of a tapestry/Harold Cohen

40  London commentary/Edward Lucie-Smith

44  1 + 1 = 0: the painting of Li Yuan-Chia/Guy Brett

46  New York commentary/Dore Ashton

49  Washington and Detroit commentary/Gene Baro

52  Berlin commentary/Frank Whitford

54  Côte d’Azur galleries/Peter Stone

56  On exhibition: a selection from current and forthcoming exhibitions

62  Art prices current/George Savage

65  Supplement: new and recent art books

Editor/Peter Townsend
Advertising & Publicity Manager/Benson Zonena
Art Editor/Michael Young
Contributing Editors/Dore Ashton (New York),
Jean Clay (Paris), Frank Whitford (Berlin)

Editorial Advisory Committee/J. P. Hodin (International relations),
Alan Bowness, Andrew Forge, David Thompson

International Advisory Panel:
Austria: Dr Werner Hofmann
Argentina: Jorge Romero Brest
Belgium: Michel Seuphor
Brazil: Mario Pedrosa
France: Jacques Lassaigne
Germany: Dr Werner Schmalenbach
Holland: Prof. A. M. Hammacher
Israel: Haim Gamzu
Italy: Prof. G. C. Argan
Japan: Shuzo Takiguchi
Scandinavia: Reidar Revold
Spain: Alejandro Cirici-Pellicer
Switzerland: Dr Carola Giedeon-Welcker
U.S.A.: Thomas Messer, J. J. Sweeney
Yugoslavia: Aleksa Celebonovic



Studio International, July-August 1967, Volume 174 Number 891. Cover image: Cover specially designed for this issue by Patrick Heron.

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The title Studio International is the property of the Studio International Foundation and, together with the content, are bound by copyright. All rights reserved.

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