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Published  01/06/1966
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Studio International – June 1966

Studio International – June 1966

Volume 171 Number 878

Contents

226  Comment: Potted art/Jasia Reichardt

228  A new illustrator: Aubrey Beardsley/Joseph Pennell’s article reprinted

229  London’s new arts centre/Roland Penrose

230  Venice Biennale: choosing the artists/Charles S. Spencer

232  Venice Biennale: the British five/David Thompson

244  An interview with Marcel Duchamp/Dore Ashton

248  In Duchamp's footsteps: Richard Hamilton’s reconstruction of The Bride Stripped Bare By Her Bachelors, Even described/Andrew Forge

252  Barbara Hepworth in her times/Gene Baro

258  The purity of Aubrey Beardsley/Robert Melville

262  Turner’s life: a new perspective/Jack Lindsay

265  Flamboyance and eclecticism. London commentary/Edward Lucie-Smith

265  Concentric circles. London commentary/David Thompson

271  Michael Ayrton’s recent work. London commentary/T. G. Rosenthal

274  On exhibition: a selection from current and forthcoming exhibitions

275  Historicism and respect for tradition. New York commentary/Dore Ashton

280  The New Museum Review article/Theo Crosby

282  Art prices current/George Savage

Editor/Peter Townsend
Advertising & Publicity Manager/Benson Zonena
Art Editor/Tim Higgins

Editorial Advisory Committee/J. P. Hodin (International relations),
Alan Bowness, Andrew Forge, David Thompson

International Advisory Panel:
Austria: Dr Werner Hofmann
Argentina: Jorge Romero Brest
Belgium: Michel Seuphor
Brazil: Mario Pedrosa
France: Jacques Lassaigne
Germany: Dr Werner Schmalenbach
Holland: Prof. A. M. Hammacher
Israel: Haim Gamzu
Italy: Prof. G. C. Argan
Japan: Shuzo Takiguchi
Scandinavia: Reidar Revold
Spain: Alejandro Cirici-Pellicer
Switzerland: Dr Carola Giedeon-Welcker
U.S.A.: Thomas Messer, J. J. Sweeney
Yugoslavia: Aleksa Celebonovic



Studio International, June 1966, Volume 171 Number 878. Cover image: Barbara Hepworth. Sea Form (Atlantic), 1964. Height 78 in. Photo: Adam Woolflt.

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The title Studio International is the property of the Studio International Foundation and, together with the content, are bound by copyright. All rights reserved.

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