This show brings Caravaggio’s last known painting to London, along with documents telling its story, and revealing a little more about the mysterious last months of its troubled and hugely influential creator.
This biennial touring exhibition presents new commissions by 10 early-career artists. The result is a visually and sensually intriguing show.
This richly written and sensitive work traces Mackintosh’s masterpiece from the building’s inception, through its two devastating fires, in 2014 and 2018, to its current reconstruction.
This not-to-be-missed exhibition includes a lifetime of Lijn’s works, providing new insights into her artistic vision and capacity to bridge the human and the technological in an elegant and affective fashion.
Probably the UK’s best-known contemporary sculptor, Gormley has created a new ‘field’ of 100 life-size cast-iron versions of himself at the historic Houghton Hall in Norfolk, where he talked to us about the work.
In his new paintings, the rising Iraqi-born artist makes ambiguity alluring.
This fabulous show is dedicated to Mingei, the influential folk-craft movement developed in Japan in the 1920s and 30s, in which traditional craft objects and unnamed artisans are valued for their cultural worth and aesthetic purity.
A three-month stay in Central Australia with his partner, the artist Marina Strocchi, turned into a 30-year sojourn. Eager talks about working with Indigenous people to further their art and witnessing a transformation in the art market’s view of Aboriginal work.
What is the secret to making buildings that other architects admire and envy, but which are dedicated to the greater good? Mae Architects founder Alex Ely shares insights on the firm’s Stirling Prize-winning approach.
This beguiling exhibition, which spans 170 years, reveals the impressive adaptability of glass in the most atmospheric of settings.
With a mix of new and old works, Kiefer draws us into a world where good and evil are blurred – and it’s hard not to see parallels with what is happening in Gaza.
With works covering pregnancy, birth and nursing through to caring for older children, as well as miscarriage and involuntary childlessness, this show sets out to demonstrate that motherhood is a legitimate subject for contemporary art.
This major retrospective celebrates the work of a man whose atmospheric shots of New York street scenes made him one of the most important photographers of the postwar period.
This show sprang from a journal the artist kept during the Covid lockdowns in 2020-21, a time of intense introspection. Through film, drawings and paintings Maheke transports us through adversity to a place of hope.
Wong’s exuberant dreamscapes and imaginary worlds sprang from many influences, but his affinity for Van Gogh’s work lasted throughout his brilliant, though tragically short, career.
This year’s edition of the Sharjah Art Foundation’s March meeting focused on collectives, collaboration and social justice, a theme that had particular poignance in light of the war in Gaza.
Boyce’s show at Fruitmarket, Edinburgh, offers three distinctive, in-between spaces for exploring the work’s ambiguities, somewhere between sculpture and infrastructure, exterior and interior architecture. He talks us through it .
This richly documented show does justice to the feisty Bekker vom Rath, a German art collector, dealer and painter, who championed modern and contemporary art, even disobeying the dictates of the Nazi regime by organising secret exhibitions at her home.
On the occasion of a show of Cohen’s work at Gazelli Art House in London, we consider the pioneering British artist’s transition from paint to code.
Through his sensitive and thoughtful works, Kourbaj ensures the plight of those in his native Syria cannot be forgotten.
The English eccentric meets his German peers in a treasure-strewn exhibition that makes Blake seem stranger than ever.
Highlights from the golden age of photography, produced for fashion magazines Vogue and Vanity Fair, lead us on a stunning journey through fashion and social change from 1910 to the late 1970s.
In this comprehensive show, the Georgian artist’s spare sculptural works emanate a sense of disconnection, disruption and dislocation.