search

The East London Group and their Contemporaries

In the mid-20s, a group of largely working-class men came together in the East End of London and beg...

The Lives of the Artists: 50 years of Gilbert & George

To coincide with the 50th anniversary of the artists’ meeting, we publish Gilbert & George’s Mag...

Stan Douglas: ‘A re-enactment is an event that becomes processed in memo...

Photographer and film artist Stan Douglas talks about his new works, which extend his interest in hi...

Tove Jansson (1914-2001)

Studio International visited the Dulwich Picture Gallery to view the Finnish artist Tove Jansson’s...

Soutine’s Portraits: Cooks, Waiters and Bellboys

Chaïm Soutine, who inspired many of the 20th century’s greatest painters, brought the strange and...

Thomas Schütte

Mixing familiar Schütte tropes with new ones, the great German sculptor’s first London show in fi...

Sara Barker: The faces of older images

Sara Barker’s exhibition of five wall-based relief sculptures, which opens Mary Mary’s new space...

Suspended Animation

Nine contemporary artists ask what has become of reality and physicality in the age of the virtual ...

Shilpa Gupta: ‘I am always playing with the idea of the location in the ...

The Mumbai-based artist Shilpa Gupta talks about her practice, notions of identity and nation states...

Studio Ben Allen: The Clearing

On the first floor cafe/bar of Folkestone’s Quarterhouse, a performance venue for music, theatre, ...

Scythians: Warriors of Ancient Siberia

The Scythians are coming to the British Museum this autumn and we have more in common with these anc...

Sol Calero: ‘It’s important that the aesthetics don’t eat the concep...

Beneath the colourful painted surfaces of Sol Calero’s immersive installations, there are deeper, ...

Santiago Sierra: Impenetrable Structure

The controversial Spanish artist returns to London with a new site-specific installation that contin...

Simon Patterson: ‘It’s about you filling in the gaps … the viewer co...

Simon Patterson talks about his show Safari: An Exhibition as Expedition, at the De La Warr Pavilion...

Stephen Chambers: The Court of Redonda – Venice Biennale 2017

UK artist Stephen Chambers talks about looking for the extraordinary within the ordinary, about the ...

Soul of a Nation: Art in the Age of Black Power

This is an exhibition of tragedy, celebration and defiance at a time of change and violence in the U...

Tom Burr: Surplus of Myself

Running parallel to Münster’s Skulptur Projekte, notions of private and public are unsettled in t...

Serendipity Symposium 2017

Is serendipity entirely human – or human-driven – or can researchers into artificial intelligenc...

Skulptur Projekte Münster 2017

With artificial environments, app-led innovations and a preponderance of site-specific video art, th...

Tadaaki Kuwayama: ‘Here is only the art itself’

Japanese-born artist Tadaaki Kuwayama recounts his refusal to dictate how spectators should view his...

Samson Young: Songs for Disaster Relief – Venice Biennale 2017

Samson Young’s Venice Biennale collateral event for Hong Kong explores the disquieting cocktail of...

Tom Phillips: ‘I’m still reading books. Nothing changes and everything...

Tom Phillips talks about his love of words, the human drive to make marks and the more spiritual sid...

Tracey Emin and William Blake in Focus

While the similarities between the work of Tracey Emin and William Blake are tenuous, the latest ins...

Secundino Hernández: ‘As a painter you have to have the courage to not ...

Secundino Hernández talks about his academic origins, the delicate equilibrium he seeks between acc...

Sam Cornish: ‘We started with this idea that all works would have to con...

The co-curator of Kaleidoscope: Colour and Sequence in 1960s British Art discusses how this relative...

Saad Qureshi: ‘You can’t really pick your medium. Your medium picks yo...

Saad Qureshi talks about his seduction by charcoal, his fear of being exposed, and his creation of m...

The Japanese House: Architecture and Life after 1945

Featuring more than 40 architects, this exhibition traces 70 years of small-scale innovation to cele...

Tony Oursler: Imponderable

This fascinating exhibition brings together some of the artist’s vast archive of ephemera concerni...

Tuneu: Hexacordo

This solo exhibition, which celebrates Tuneu’s 50 years as an artist, brings together his most rec...

Serge Attukwei Clottey: ‘My body is part of my work’s mystery’

Using his body as an object, Ghanaian artist Serge Attukwei Clottey works with international media ...

studio international logo

Copyright © 1893–2025 Studio International Foundation.

The title Studio International is the property of the Studio International Foundation and, together with the content, are bound by copyright. All rights reserved.

twitter facebook instagram

Studio International is published by:
the Studio International Foundation, PO Box 1545,
New York, NY 10021-0043, USA