Köken Ergun: ‘In Turkey, the image of the soldier has been victimised b...
The Turkish film-maker talks about his 2005 video I, Soldier, and its relevance to the political sit...
Music From The Balconies – Ed Ruscha and Los Angeles
Moving to Los Angeles at 19, having grown up in Oklahoma City, Ed Ruscha was always an outsider. His...
The octogenarian painter’s enormous, unpredictable canvases are by turns joyful and fearsome, intr...
It was all systems go – quality art, media buzz, more space, more work – but with a lower attend...
Shirazeh Houshiary: ‘We can’t fix our identity or our borders, the onl...
Houshiary talks about evolution, Einstein and shamans, and how her work involves thinking in other d...
Carolee Schneemann: Kinetic Painting
This is a rich and expansive retrospective of Schneemann’s work over the past six decades...
John Stezaker: ‘I was trying to create a sort of photographic cubism’
The British artist discusses a series of 1970s collages that launched his career, and which have bee...
After more than two years and a $12m makeover by architects David Gauld with Arata Isozaki, the Miam...
Jeanne Mammen: The Observer. Retrospective (1910-75)
Mammen wanted to be “a pair of eyes, walking through the world unseen, only to be able to see othe...
Art critic Clement Greenberg coined the term ‘post-painterly abstraction’ to describe the work o...
Yayoi Kusama Museum opens in Tokyo
Japanese artist Yayoi Kusama, famous for her polka dots and pumpkins, opened her own museum in Tokyo...
This extraordinary retrospective unites Modigliani’s portraits and sculpture with the largest coll...
Nnenna Okore: ‘My work seeks to highlight Earth’s vulnerability and fr...
Okore’s sculptures are poetic odes to the natural world. But beneath the delicate beauty there lie...
William Kentridge: ‘One needs sometimes to show the power of the irratio...
William Kentridge talks about his recent performance of Kurt Schwitters’ sound poem Ursonate, dada...
-300.jpg)
Herrera’s abstract, geometric paintings pulse with life in this solo show. She was discovered late...
-300.jpg)
Louisa Fairclough: A Song Cycle for the Ruins of a Psychiatric Unit
At the Danielle Arnaud gallery in London, Louisa Fairclough’s exhibition A Song Cycle for the Ruin...
Veronica Ryan: ‘I’m interested in the semantics of perception’
The artist talks about her continuing connection with the sculptures of Barbara Hepworth, and how he...
Arthur Watson: ‘Central to the organisation of the show was that work wo...
The president of the Royal Scottish Academy discusses Ages of Wonder: Scotland’s Art 1540 to Now, ...
Neha Choksi: ‘Transformations necessitate lost pasts and renewals of fut...
Through her latest work, a multichannel video installation entitled Faith in friction that features ...
Gianfranco Baruchello: Incidents of Lesser Account
Raven Row reopened with a major survey of Gianfranco Baruchello, a rambunctious and polymathic maste...
Zoë Buckman: ‘One role of feminism is to address and reframe how we con...
The London-born, New York-based artist known for incorporating highly personal motifs, such as embro...
The East London Group and their Contemporaries
In the mid-20s, a group of largely working-class men came together in the East End of London and beg...
Vanessa Baird: You are Something Else
Vanessa Baird’s vivid, illustrative pastels depicting domestic chaos and drowning refugees make fo...
Antony Gormley: ‘Looking back at the paths you have taken is a really im...
The artist talks about collaborating on a major new book about his career, the evolution of his work...
Light in motion: Balla, Dorazio, Zappettini
The latest in Mazzoleni’s series of exhibitions devoted to 20th-century Italian art enacts a vivid...
Pamela Schilderman: ‘I really wanted people to think about what it is th...
What makes a portrait? What defines a person’s identity? These are questions at the core of Schild...
Maria Alyokhina: ‘The government media calls us enemies of the people ...
Political activist and Pussy Riot member Maria Alyokhina talks to Studio International at the Saatch...
_2008-300.jpg)
An exhibition of works by a group of international artists, Future Shock looks at the profound impac...
The Lives of the Artists: 50 years of Gilbert & George
To coincide with the 50th anniversary of the artists’ meeting, we publish Gilbert & George’s Mag...
From glass whoopee cushions to a vast US flag to cartoon characters, Colen’s works, which use ever...
Copyright © 1893–2024 Studio International Foundation.
The title Studio International is the property of the Studio International Foundation and, together with the content, are bound by copyright. All rights reserved.
 |
 |
 |
|---|