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Tom Burr: Surplus of Myself

Running parallel to Münster’s Skulptur Projekte, notions of private and public are unsettled in t...

Learning from Athens: Documenta 14 (Part two, Kassel)

Returned to its traditional home in central Germany, Documenta 14 abounds with intelligent, well-cur...

A Handful of Dust: Photography after Man Ray and Marcel Duchamp

A haunting exhibition in which dust plays a divine agent of death...

George Drivas: Laboratory of Dilemmas – Venice Biennale 2017

For the 57th Venice Biennale, Greek artist George Drivas offers his customary blend of architecture ...

Howard Hodgkin: Painting India

Radiating the heat and light of India, and expressing the artist’s love for the South Asian countr...

Royal Academy Summer Exhibition 2017

The RA’s annual open submission exhibition presents a shifting ‘kaleidoscope’ of contemporary ...

Masterpiece Fair 2017

The fair is a theatrical display of extravagance, peppered with instantly recognisable works by big ...

Henri Scars Struck: ‘It was interesting for me to have a physical space ...

Henri Scars Struck, the French music composer known for his meditative sonic experiences, discusses ...

Isaac Julien: ‘I dream a world’ Looking for Langston

A new exhibition focusing on the Isaac Julien’s hugely significant 1989 film delves into what made...

Alice Neel, Uptown

With an uncompromising certainty of vision, Alice Neel paints individuals, capturing not only their ...

Jodie Carey: ‘I like my works to be imbued with a silence and a stillnes...

Jodie Carey talks about her developing practice, the impact of motherhood, her concerns with mortali...

Serendipity Symposium 2017

Is serendipity entirely human – or human-driven – or can researchers into artificial intelligenc...

Skulptur Projekte Münster 2017

With artificial environments, app-led innovations and a preponderance of site-specific video art, th...

Gregory Crewdson: ‘I wanted the photographs to feel like a suburban wind...

American photographer Gregory Crewdson talks about loneliness and connection in his work and, in par...

Fahrelnissa Zeid

This exhibition tells the story of the irrepressible spirit of a true artistic visionary who has bee...

Ailbhe Ní Bhriain: Reports to an Academy

In her latest film, Cork-based artist Ailbhe Ní Bhriain uses the perpetual ebb and flow of water an...

Richard Smith: Work of Five Decades

This is the first posthumous exhibition of Richard Smith, who died last year, and whose work straddl...

31 Women

Drawing on Peggy Guggenheim’s 1943 exhibition of the same name, 31 Women is a thoroughly relevant ...

Balenciaga: Shaping fashion

The V&A presents an exhibition exploring the abstract and architectural shapes of Cristóbal Balenci...

Grayson Perry: The Most Popular Art Exhibition Ever!

This exhibition delivers everything you would expect from the colourful Grayson Perry, but it is als...

La Seine Musicale, Paris

Shigeru Ban has landed an ocean liner of a music venue at Paris’s westernmost edge. With two audit...

Tadaaki Kuwayama: ‘Here is only the art itself’

Japanese-born artist Tadaaki Kuwayama recounts his refusal to dictate how spectators should view his...

Wayne Thiebaud: 1962 to 2017

The quintessentially American artist Wayne Thiebaud is now 96 years old, and this impressive exhibit...

Samson Young: Songs for Disaster Relief – Venice Biennale 2017

Samson Young’s Venice Biennale collateral event for Hong Kong explores the disquieting cocktail of...

Calder: Hypermobility 2017

Drawing on its extensive collection, this small but exquisite show floated by the Whitney Museum of ...

Jay Heikes: ‘I've always loved the reminder that the natural world has t...

Minneapolis-based artist Jay Heikes discusses his experimental approach to materials, the significan...

Into the Unknown: A Journey through Science Fiction

As we see from the Barbican’s science fiction exhibition, the genre has consistently looked to the...

Akram Zaatari: Against Photography – An Annotated History of the Arab Im...

Searching for alternative historical and cultural narratives, Zaatari reveals the contents of the Ar...

Abou Farman: ‘I want the tragic to become an acceptable space’

Abou Farman, who co-wrote Icaros: A Vision with Leonor Caraballo, talks about the film, which is bas...

Tom Phillips: ‘I’m still reading books. Nothing changes and everything...

Tom Phillips talks about his love of words, the human drive to make marks and the more spiritual sid...

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