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Michelangelo Pistoletto: The Mirror of Judgment

Michelangelo Pistoletto was a key figure in the development of conceptual art and a founder of the i...

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Radical Bloomsbury: The Art Of Duncan Grant and Vanessa Bell, 1905

Radical Bloomsbury at the Brighton Museum and Art gallery seeks to re-evaluate the work of Duncan Gr...

Arctic dreams and climate change. High Arctic: Matt Clark (UVA) and Cape F...

While the Arctic affords us an intense phenomenological experience, the eroded condition of its glac...

Jake or Dinos Chapman

Although the works on display have all been produced within the past year, allegedly in secrecy from...

Eyewitness: Hungarian Photography in the 20th century

Brassaï, Capa, Kertész, Moholy-Nagy, Munkácsi
The Sackler Wing of Galleries, Royal Academy o...

Frida Kahlo & Diego Rivera

In the introductory notes to the exhibition Frida Kahlo & Diego Rivera: From the Gelman Collection, ...

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The Omnipotent Magician: Lancelot

The cultural significance of Lancelot Brown, the Northumberland-born 18th-century landscape designer...

Homage to Michael Spens. The Royal Academy Summer Exhibition, 2011

The Royal Academy Summer Exhibition is, and always has been, a major event, a showcase of recent wor...

Peter Zumthor

When is a Pavilion not a Pavilion? Can it not be a seasonal construction? What does it contain? Pete...

Royal Academy of Arts Summer Exhibition 2011: Architecture Room

The Architecture Room is a longstanding and traditional part of the Summer Show and is open for exhi...

Studies in Form. Roberto Capucci: Art into Fashion

For those who did not have an opportunity to view the spring/summer 2011 retrospective of Italian fa...

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On Top of Two Empires – Xu Longsen

Xu Longsen: On Top of Two Empires, opened at the Museum of Roman Civilization in Rome on the summer ...

Georg Baselitz: Between Eagles and Pioneers

In 1963, the conservative German newspaper, Die Welt, was one amongst several to vehemently object t...

Alvar Aalto Library In Vyborg: Saving A Modern Masterpiece

The finale to the long-running course of action to save this historic modernist masterpiece did not ...

The Dark Side of Love. Alexander McQueen: Savage Beauty

For English fashion designer Alexander McQueen (1969...

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An Entirely Fresh View of Contemporary French Art

Willem de Kooning observed that although Marcel Duchamp had links to the Cubists, Surrealists, Dadai...

Joan Miró: The Ladder of Escape

Long awaited, the first large-scale Miró exhibition in Britain for 50 years does not disappoint; it...

Yang Lian in conversation

Yang Lian, a poet of international stature, and a friend of Ai...

James Frazer Stirling

The undoubted architectural event of 2011 has been this selection of key items from the Stirling Arc...

Rooms With A View: The Open Window in the 19th Century

The Metropolitan Museum of Art, New York, 5 April...

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PINTA, The Latin American Art Fair

Following last year’s success, the second Latin American Art Fair, PINTA opens on Monday 6th June ...

The Shape of Things to Come: New Sculpture

Fragility in strength, destruction in creation, nature in artifice, beauty in abject deformation –...

Drummond House, Meigle, Perthshire

The vernacular tradition of rural Britain has preoccupied the majority of builders, clients, archite...

Enrique Martinez Celaya: The Cliff

The exhibition takes its name from one of its key works, The Giant Cliff (2010), and truth to tell i...

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Anita Glesta, New York “Navigating Memory, the Universe and Nothing”

Born and raised in New York from a Russian/Polish Jewish family, Glesta sees herself as wholly a New...

Gosia Wlodarczak

Polish born artist Gosia Wlodarczak completed a 12-day performative drawing in March this year for t...



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