The V&A presents an exhibition exploring the abstract and architectural shapes of Cristóbal Balenci...
Grayson Perry: The Most Popular Art Exhibition Ever!
This exhibition delivers everything you would expect from the colourful Grayson Perry, but it is als...
Shigeru Ban has landed an ocean liner of a music venue at Paris’s westernmost edge. With two audit...
Tadaaki Kuwayama: ‘Here is only the art itself’
Japanese-born artist Tadaaki Kuwayama recounts his refusal to dictate how spectators should view his...
The quintessentially American artist Wayne Thiebaud is now 96 years old, and this impressive exhibit...
Samson Young: Songs for Disaster Relief – Venice Biennale 2017
Samson Young’s Venice Biennale collateral event for Hong Kong explores the disquieting cocktail of...
Drawing on its extensive collection, this small but exquisite show floated by the Whitney Museum of ...
Jay Heikes: ‘I've always loved the reminder that the natural world has t...
Minneapolis-based artist Jay Heikes discusses his experimental approach to materials, the significan...
Into the Unknown: A Journey through Science Fiction
As we see from the Barbican’s science fiction exhibition, the genre has consistently looked to the...
Akram Zaatari: Against Photography – An Annotated History of the Arab Im...
Searching for alternative historical and cultural narratives, Zaatari reveals the contents of the Ar...
Abou Farman: ‘I want the tragic to become an acceptable space’
Abou Farman, who co-wrote Icaros: A Vision with Leonor Caraballo, talks about the film, which is bas...
Tom Phillips: ‘I’m still reading books. Nothing changes and everything...
Tom Phillips talks about his love of words, the human drive to make marks and the more spiritual sid...
Hokusai: Beyond the Great Wave
This exhibition brings to life the story of the Japanese artist Hokusai’s later, and arguably grea...
![Joseph Kosuth. ‘Titled (A.A.I.A.I.)’ [colour] (O.E.D.), 1967. Mounted photograph, 122 x 122 cm. © Joseph Kosuth. Courtesy of the artist and Sprüth Magers.](/images/articles/k/099-kosuth-joseph-2017/smallpix/01-300.jpg)
Joseph Kosuth: ‘I was always interested in the limits of language and th...
On the occasion of his curated installation at Mazzoleni, Joseph Kosuth, the pioneer of conceptual a...
Frank Quitely: The Art of Comics
The Glaswegian comic-book superstar Frank Quitely is celebrated in this new exhibition of his famous...
Florian Hecker manipulates digital sound and our perception of it in this installation commissioned ...
Jenny Crompton: ‘I enjoy sitting in the work for hours. It becomes a med...
Australian artist Jenny Crompton explains how she made her installation Sea Country Spirits, and tal...
Merging human organs and household objects, Lee Lozano’s early miniatures are erotic and unsettlin...
Nathaniel Mellors and Erkka Nissinen: The Aalto Natives – Venice Biennal...
Mellors and Nissinen represent Finland at this year’s Venice Biennale. They discuss handmade puppe...
Joyce Pensato: FORGETTABOUT IT
Batman, Donald Duck and Disney-style mice all loom large in US artist Joyce Pensato’s second exhib...
Geta Brătescu: The Studio – A Tireless, Ongoing Space
Camden Arts Centre’s exhibition provides an overview of Geta Brătescu’s artistic career and inc...
Greg Campbell: ‘I’d like people to get to know my friend a little thro...
Greg Campbell talks about his film Hondros, which premiered at the year’s Tribeca Film Festival, a...
Elger Esser: ‘Beauty is not important; it’s a logical result in my opi...
After his recent solo exhibition at Parasol Unit in London, Elger Esser talks about the relationship...
Learning from Athens: Documenta 14 (Part one, Athens)
Despite multiple curatorial concepts, the first part of Documenta 14 is dominated by the decision to...
Georgia Horgan: ‘Confident, working women were a threat to the social or...
Georgia Horgan talks about her recent exhibition, All Whores are Jacobites, and how she became intri...
Alberto Giacometti’s scrawny figures pulse with kinetic energy. This new retrospective at Tate Mod...
The exhibition captures the ingenuity and playfulness involved in critical perception, with more tha...
Mithu Sen: ‘I constantly change my mediums so the market will not be abl...
Indian artist Mithu Sen has a quicksilver practice that is difficult to categorise or maintain as a ...
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Becky Suss: ‘Putting domestic spaces into the gallery says something abo...
In her exhibition Homemaker at the Jack Shainman Gallery in New York, Philadelphia-based artist Beck...
Rachel Maclean: Spite Your Face – Venice Biennale 2017
Rachel Maclean is representing Scotland at the Venice Biennale with her new film, a dark fairytale t...
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