MOA Museum of Art: Grand Reopening Exhibition
The museum reopens its doors after a renovation by artist Hiroshi Sugimoto that combines modern tech...
Anna Freeman Bentley: ‘The work is successful when there’s a question ...
Freeman Bentley’s paintings are visual and psychosocial mazes that tease layers of meaning from ar...
Hello, Robot: Design Between Human and Machine
This exhibition is a provocative, disturbing, poignant and ultimately telling exploration of the imp...
As mercurial as this master of the Polish avant-garde might seem, a career-wide survey revealed some...
When the Heavens Meet the Earth
Showcasing works from Robert Devereux’s Sina Jina African art collection, this small but dense exh...
Deimantas Narkevičius: 20 July 2015
In the Lithuanian artist’s latest exhibition, contrasting public reaction to the dismantling of co...
Manhattan’s storied art fair pushed back against a softening art market with strong work, mid-rang...
Chto Delat: ‘Before you can recognise the light, you have to recognise t...
Dmitry Vilensky and Olga Egorova of the Russian collective Chto Delat talk about their latest exhibi...
All Watched Over by Machines of Loving Grace
In the 1960s, technological machines were seen as benign helpers or megalomaniac monsters. Fifty yea...
Mahmoud Bakhshi: ‘I was focusing on the people who died, and on an artis...
Turning the gallery at narrative projects, London, into a 1970s cinema, Bakhshi places his audience ...
America After the Fall: Painting in the 1930s
This is a fabulously varied exhibition with a sting in the tail. The times, they were a changin', bu...
The photographic works of Kishin Shinoyama: Picture Power
The Japanese photographer, famous for his portraits of celebrities and nudes, has selected about 120...
Jawlensky’s art may be considered a life-long meditation on the process of change in his personal ...
With the lightest of touches, artist Do Ho Suh can transform the architectural into a symbol of the ...
Michael Andrews: Earth Air Water
Best known for his party scenes, Michael Andrews’ later landscapes reveal him as a master of persp...
Revolution: Russian Art 1917-1932
The fascinating and expansive exhibition provides an intriguing and rare insight into the dialogue b...
Toshiyuki Inoko: ‘We are exploring the ways in which the relationships b...
The founder of teamLab, an interdisciplinary group of ‘ultra-technologists’, explains how digita...
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Gluck and Modern British Women
During her lifetime, Hannah Gluckstein (Gluck) refused to show in group exhibitions. The Fine Art So...
From the world’s deepest underground marble quarry to a fragment of pink marble from Trump Towers,...
Tara Donovan: ‘I’m interested in exploring the moment where the condit...
The artist explains that, although her latest work, Compositions (Cards), may seem very different fr...
The house and its potential as a home, a prison, a marker in one’s life, is fertile territory and ...
The 1980s were a fertile time for black British artists to interrogate their experience of racial di...
Celebrating 60 years of Hockney’s work, this exhibition charts the art of a modern great through d...
While Vanessa Bell stands strong as an artist in her own right, her art can nevertheless not be sepa...
![Yuko Mohri talking to Studio International before the opening of her exhibition Moré Moré [Leaky] at White Rainbow gallery, London, February 2017. Photograph: Martin Kennedy.](/images/articles/m/mohri-yuko-2017/smallpix/yuko-mohri-watch-640-300.jpg)
Yuko Mohri: 'I’m very curious about organic ecosystems'
Mohri talked to Studio International before the opening of her exhibition Moré Moré [Leaky] and ex...
Vera Möller: ‘My father thought going to art school was like wanting to...
The German-born artist explains why she first studied biology rather than art, how her scientific ba...
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In her first solo UK exhibition, French-Moroccan artist Bouchra Khalili explores the fraught concept...
Thomas Hirschhorn: ‘The Gramsci Monument, like all monuments, is made fo...
The artist talks about his commitment to art in public spaces, describes how the Gramsci Monument in...
A Revolutionary Impulse: The Rise of the Russian Avant-Garde
This exhibition of Russian art from the 1920s and 30s, based on MoMA’s own collection, is a hearte...
Three exhibitions of conceptual art in Germany shed some light on the elusive genre. Taryn Simon’s...
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