A Dialogue with Nature: Romantic Landscapes from Britain and Germany
“The artist should not only paint what he sees before him, but also what he sees in himself,” st...
In celebration of Derek Jarman’s life and work, the Cultural Institute at King’s College London ...
Carrie Mae Weems: Three Decades of Photography and Video
If there were one word to describe Carrie Mae Weems’s art in the exhibition at the Guggenheim Muse...
Sensing Spaces: Architecture Reimagined
Although the Royal Academy of Arts includes architecture within its remit, and elects distinguished ...
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Personal travel and the cult of tourism form the subject of Franz Ackermann’s paintings, inevitabl...
Making Painting: Helen Frankenthaler and JMW Turner
The first exhibition of 2014 at Turner Contemporary brings big canvases, bright colours and a return...
As a filmmaker, David Lynch has embraced the various Surrealist approaches, not least in the incongr...
The Stylish Fruits of an Intriguing Challenge
Where fashion designers create from intricately entwined aesthetic and commercial motivations with a...
In his first exhibition in Japan, French artist Christian Bonnefoi (b1948) shows his continuous sear...
Ink Art: Past as Present in Contemporary China
In the mid-1980s and 90s, as China distanced itself from the policies of Mao Zedong, and his success...
Tomás Saraceno’s work encompasses utopian architectural proposals exploring his ideas for a susta...
Darren Almond: To Leave a Light Impression
White Cube Bermondsey, South Galleries, London. Outside, it is grey and cold and, at 4.30pm, the sun...
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Sidesteps is Turkish artist Canan Tolon’s first major exhibition in London, bringing together thre...
A New York don’t-miss event, this show is revolutionary. Though not exactly groundbreaking – the...
Choosing, cropping, conjoining and composing are the intangible creative tools with which German art...
To mark the start of its 20th year, the Arts Catalyst, an organisation that puts a cultural spin on ...
The multimedia artist Mark Fox has a selection of his recent work on display at the Robert Miller Ga...
Project Space: Inverted House – Tina Gverović and Siniša Ilić
Given that we are psychologically programmed to see patterns in randomness, it is little surprise th...
Siobhan Davies Dance: Table of Contents - video review
Siobhan Davies is an award-winning British dancer and choreographer with a particular interest in th...
England’s lost architect: Cecil Ross Pinsent
This publication comes not a moment too soon. Cecil Pinsent, like other 20th- century innovators, su...
Ancient Wisdom And Modern Knowhow: Learning to Live With Uncertainty
This is a magisterial volume by no less than the current leading transatlantic architectural histori...
Mikhailov’s Russia: From Eden to Hell
Boris Mikhailov is perhaps the most prominent photographer to emerge from the former Soviet Union in...
William Kentridge: Fortuna is the most comprehensive monograph on the South African artist to date. ...
Table of Contents, a live installation
Siobhan Davies is an award-winning British dancer and choreographer with a particular interest in th...
Cartier: Le Style et l’Histoire
At Christmastime, every street in Paris sparkles and glimmers. Shop windows are lit up with extravag...
Looking for Legends, Gambling on Faith
Now at the pinnacle of his 30-year career, Chinese artist Wang Guangyi, a resident of Beijing, has a...
Matisse: The Essence of Line, Selected Prints: 1900-1950
The draughtsmanship of Henri Matisse is celebrated by Marlborough Fine Art’s Matisse: The Essence ...
Painting for Stimulation: Guan Jingjing
In his catalogue essay, Painting to Stimulate the Mind: The Painted Art of Guan Jingjing, curator Xi...
Rembrandt - Auerbach: Raw Truth
Titled Raw Truth, the display shows six Auerbachs opposite five Rembrandts. Both artists are central...
Philippe Parreno: Anywhere, Anywhere Out of the World
It is an opportunity most artists would dream of – a carte blanche invitation to transform the mag...
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