The Shape of Things: Still Life in Britain

With works from the 17th century to today, from Edwaert Collier to Duncan Grant and Maggi Hambling, ...

Parade – book review

I wanted to like Rachel Cusk’s latest experimental novel, in which she writes about various artist...

Danielle Brathwaite-Shirley: The Soul Station

The Berlin techno club provides the perfect setting for a pioneering game-making artist whose works ...

Prydie: The Life and Art of Mabel Pryde Nicholson

Mother, wife, sister and daughter to artists who have eclipsed her deserved fame, this charming exhi...

Charlie Stiven – interview: ‘You don’t need to be loud to be express...

Charlie Stiven talks about the 3D models in his earlier exhibition, Kiosk, at Summerhall, Edinburgh,...

Yoshitomo Nara

Yoshitomo Nara's children may appear unrealistic and simplistic, but they pulsate with a complexity ...

Helen Charman – interview: ‘Young V&A is a very optimistic space. It's...

The Young V&A has been awarded the Art Fund Museum of the Year 2024 award. The institution’s direc...

Take a Breath

At a time when the WHO says pollution is the biggest threat to our existence, this immersive show ex...

Lucía Pizzani – interview: ‘Come on, look at me, I’m here. We both ...

The London-based Venezuelan artist talks about her commission at Harewood House, her exhibition at C...

Paris 1924: Sport, Art and the Body

A compelling exhibition turns back the clock to the last Paris Olympics, where art, photography and ...

Jason Wilsher-Mills – interview: ‘Doing art is like cultural national ...

Life-affirming British artist Jason Wilsher-Mills, whose latest show is at the Wellcome Collection i...

Noémie Goudal: Contours of Certainty

Noémie Goudal explodes our sense of landscape, form and material in the combination of ceramics wit...

Chris Ofili: The Caged Bird’s Song

Weavers translated a triptych watercolour painting by Ofili into a tapestry, and this exhibition giv...

Ed Clark

Bringing together works from the 1940s to the 2000s, this is the first institutional exhibition in E...

Now You See Us. Women Artists in Britain 1520-1920

Monumental and momentous, this exhibition does away with any lingering notion that there have been ...

Hetain Patel – interview: ‘Getting to that essence of creation, which ...

Alongside the artist’s own work, which includes a carpet-covered Ford Escort, is a cornucopia of s...

Dion Kitson: Rue Britannia* and Silver Lining**

From pool cues resembling mops to a re-creation of a landfill pile, Kitson’s witty sculptures at t...

In the Eye of the Storm: Modernism in Ukraine, 1900-1930s

A touring exhibition of art from Ukraine’s national museums captures the country’s distinctive c...

Collidoscope: De la Torre Brothers Retro-Perspective

A feast for maximalists, the Mexican American brothers’ sparkling blown-glass sculptures and gaudy...

Francis Alÿs: Ricochets

Belgian artist Francis Alÿs’s thoughtful new exhibition transforms the Barbican into a bustling g...

Garth Evans – interview: ‘There has to be the sense that the physicali...

In the lead up to his 90th birthday, sculptor Garth Evans talks to Sam Cornish, curator of A Place i...

Augustus John and the First Crisis of Brilliance

Augustus John was a star around whom many significant artists were in orbit. This enlightening exhib...

Thinking Like a Mountain

Not so much a festival as a cultural programme that runs over two years, Thinking Like a Mountain ai...

Vanessa Bell: A Pioneer of Modern Art

This exhibition focuses on the 1910s, the most radical and experimental period of an artist who indi...