Henri Scars Struck: ‘It was interesting for me to have a physical space ...
Henri Scars Struck, the French music composer known for his meditative sonic experiences, discusses ...
Jodie Carey: ‘I like my works to be imbued with a silence and a stillnes...
Jodie Carey talks about her developing practice, the impact of motherhood, her concerns with mortali...
Gregory Crewdson: ‘I wanted the photographs to feel like a suburban wind...
American photographer Gregory Crewdson talks about loneliness and connection in his work and, in par...
Tadaaki Kuwayama: ‘Here is only the art itself’
Japanese-born artist Tadaaki Kuwayama recounts his refusal to dictate how spectators should view his...
Samson Young: Songs for Disaster Relief – Venice Biennale 2017
Samson Young’s Venice Biennale collateral event for Hong Kong explores the disquieting cocktail of...
Jay Heikes: ‘I've always loved the reminder that the natural world has t...
Minneapolis-based artist Jay Heikes discusses his experimental approach to materials, the significan...
Abou Farman: ‘I want the tragic to become an acceptable space’
Abou Farman, who co-wrote Icaros: A Vision with Leonor Caraballo, talks about the film, which is bas...
Tom Phillips: ‘I’m still reading books. Nothing changes and everything...
Tom Phillips talks about his love of words, the human drive to make marks and the more spiritual sid...
![Joseph Kosuth. ‘Titled (A.A.I.A.I.)’ [colour] (O.E.D.), 1967. Mounted photograph, 122 x 122 cm. © Joseph Kosuth. Courtesy of the artist and Sprüth Magers.](/images/articles/k/099-kosuth-joseph-2017/smallpix/01-300.jpg)
Joseph Kosuth: ‘I was always interested in the limits of language and th...
On the occasion of his curated installation at Mazzoleni, Joseph Kosuth, the pioneer of conceptual a...
Jenny Crompton: ‘I enjoy sitting in the work for hours. It becomes a med...
Australian artist Jenny Crompton explains how she made her installation Sea Country Spirits, and tal...
Nathaniel Mellors and Erkka Nissinen: The Aalto Natives – Venice Biennal...
Mellors and Nissinen represent Finland at this year’s Venice Biennale. They discuss handmade puppe...
Greg Campbell: ‘I’d like people to get to know my friend a little thro...
Greg Campbell talks about his film Hondros, which premiered at the year’s Tribeca Film Festival, a...
Elger Esser: ‘Beauty is not important; it’s a logical result in my opi...
After his recent solo exhibition at Parasol Unit in London, Elger Esser talks about the relationship...
Georgia Horgan: ‘Confident, working women were a threat to the social or...
Georgia Horgan talks about her recent exhibition, All Whores are Jacobites, and how she became intri...
Mithu Sen: ‘I constantly change my mediums so the market will not be abl...
Indian artist Mithu Sen has a quicksilver practice that is difficult to categorise or maintain as a ...
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Becky Suss: ‘Putting domestic spaces into the gallery says something abo...
In her exhibition Homemaker at the Jack Shainman Gallery in New York, Philadelphia-based artist Beck...
Rachel Maclean: Spite Your Face – Venice Biennale 2017
Rachel Maclean is representing Scotland at the Venice Biennale with her new film, a dark fairytale t...
Indian artist NS Harsha explains some of the works on show at this retrospective, and why, despite o...
Frances Stark: ‘I am desperately trying to connect outside of the art wo...
Frances Stark, the Los Angeles-based interdisciplinary artist and writer, talks about her first oper...
Oliver Griffin: ‘The very act of photography makes something interesting...
Oliver Griffin talks about drinking White Russians, his BMX bike, which he has named Susan, taking p...
Peter Dreher: ‘In my pictures I underline the act of seeing’
German artist Peter Dreher recounts the trauma of childhood under the Nazi regime, his autonomy from...
James Bridle: ‘There is a huge demand to humanise the technological view...
James Bridle talks about his current show at the Nome Gallery, Berlin, which centres around the self...
Eddie Martinez: 'I just want people to interpret the work how they want'
Eddie Martinez talks about his latest show, Cowboy Town, at Timothy Taylor Gallery in London, the in...
Linda Kitson: [Mine is] ‘a reactive sort of work – it’s a reaction t...
Linda Kitson talks about the works in Drawings and Projects, her current exhibition at House of Illu...
Ruth Maclennan: ‘I realised that global warming was happening, and asked...
Visual artist Ruth Maclennan talks about what art can do in the face of climate change, her films of...
Secundino Hernández: ‘As a painter you have to have the courage to not ...
Secundino Hernández talks about his academic origins, the delicate equilibrium he seeks between acc...
Enrique Martínez Celaya: 'The sense of past as memory always has force'
Enrique Martínez Celaya talks about his latest show, The Gypsy Camp, and his interest in nomadism a...
Ipek Duben: ‘I’m suggesting, with this project, that we should stop to...
Turkish artist Ipek Duben discusses her work THEY/ONLAR, a multiscreen video installation previously...
Brook Andrew: ‘I was challenged to unwind the histories that were told t...
History, identity and race dominate the Australian artist Brook Andrew’s work, as he challenges st...
Alexey Titarenko: ‘I wanted to capture my inner perception of the world ...
An exhibition at the Naiya Alexander Gallery in New York brings together Alexey Titarenko’s photog...
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