James Richards: Music for the gift – Wales in Venice, 2017
Wales has always punched above its weight at the Biennale, and 2017 is no exception. This year – f...
José Pedro Croft: Uncertain Measure – Venice Biennale 2017
For his Portugal Venice Biennale commission, artist José Pedro Croft has made a series of six glass...
Studio Ben Allen: The Clearing
On the first floor cafe/bar of Folkestone’s Quarterhouse, a performance venue for music, theatre, ...
Jonathan Wright: Fleet on Foot
Local artist Jonathan Wright delved deep into local narratives to devise his tribute to the local fi...
Emily Peasgood: Halfway to Heaven
Emily Peasgood’s sound piece Halfway to Heaven is set in a Baptist graveyard, a high hump of soil,...
Maryam Najd: ‘I became interested in reaching a certain perfectionism in...
Iranian-born artist Maryam Najd talks about identity and culture in her practice, her love of materi...
Simon Patterson: ‘It’s about you filling in the gaps … the viewer co...
Simon Patterson talks about his show Safari: An Exhibition as Expedition, at the De La Warr Pavilion...
Harold Cohen: ‘I was probably the only person who considered the compute...
Pioneer of computer art Harold Cohen died last year at the age of 87. In 2015, in one of the last in...
Stephen Chambers: The Court of Redonda – Venice Biennale 2017
UK artist Stephen Chambers talks about looking for the extraordinary within the ordinary, about the ...
Jesse Jones: Tremble Tremble – Venice Biennale 2017
Gender inequality was one of many human rights issues that artists wrestled with at the 57th Venice ...
George Drivas: Laboratory of Dilemmas – Venice Biennale 2017
For the 57th Venice Biennale, Greek artist George Drivas offers his customary blend of architecture ...
Jodie Carey: ‘I like my works to be imbued with a silence and a stillnes...
Jodie Carey talks about her developing practice, the impact of motherhood, her concerns with mortali...
Tadaaki Kuwayama: ‘Here is only the art itself’
Japanese-born artist Tadaaki Kuwayama recounts his refusal to dictate how spectators should view his...
Samson Young: Songs for Disaster Relief – Venice Biennale 2017
Samson Young’s Venice Biennale collateral event for Hong Kong explores the disquieting cocktail of...
Tom Phillips: ‘I’m still reading books. Nothing changes and everything...
Tom Phillips talks about his love of words, the human drive to make marks and the more spiritual sid...
Nathaniel Mellors and Erkka Nissinen: The Aalto Natives – Venice Biennal...
Mellors and Nissinen represent Finland at this year’s Venice Biennale. They discuss handmade puppe...
Rachel Maclean: Spite Your Face – Venice Biennale 2017
Rachel Maclean is representing Scotland at the Venice Biennale with her new film, a dark fairytale t...
Ipek Duben: ‘I’m suggesting, with this project, that we should stop to...
Turkish artist Ipek Duben discusses her work THEY/ONLAR, a multiscreen video installation previously...
James Capper: the making of Six Step
We visited James Capper over the course of four months, first filming him in his London studio where...
Sam Cornish: ‘We started with this idea that all works would have to con...
The co-curator of Kaleidoscope: Colour and Sequence in 1960s British Art discusses how this relative...
Norman Hyams: ‘I very much believe in losing a painting and finding it’
Norman Hyams talked to Studio International about his painting process before the opening of his fir...
Saad Qureshi: ‘You can’t really pick your medium. Your medium picks yo...
Saad Qureshi talks about his seduction by charcoal, his fear of being exposed, and his creation of m...
Oliver Beer – interview: ‘We are very fortunate to live in a time when...
Oliver Beer uses sound, film and sculpture to explore the physical properties and emotional value of...
When the Heavens Meet the Earth
Showcasing works from Robert Devereux’s Sina Jina African art collection, this small but dense exh...
![Yuko Mohri talking to Studio International before the opening of her exhibition Moré Moré [Leaky] at White Rainbow gallery, London, February 2017. Photograph: Martin Kennedy.](/images/articles/m/mohri-yuko-2017/smallpix/yuko-mohri-watch-640-300.jpg)
Yuko Mohri: 'I’m very curious about organic ecosystems'
Mohri talked to Studio International before the opening of her exhibition Moré Moré [Leaky] and ex...
Candida Powell-Williams: ‘Each object becomes more than just the narrati...
The artist shows us round her immersive installation, exploring the fetishism of anthropological obj...
Kong Ning: ‘Being a witness mentally scarred me’
Multidisciplinary artist and environmental activist Kong Ning is based in Beijing. Born in Heilongji...
Bloomberg New Contemporaries 2016
Since 1949 New Contemporaries has hand-picked graduate and emerging artists to present them to the p...
George Ridgway graduated last year from the Glasgow School of Art. His work traverses painting and i...
Kate Fahey is concerned with slowing down how we interact with images. In the age of Google, where o...
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