Ed Atkins

In this major retrospective, the viewer is like an avatar navigating the humans – real and CGI –...

Sharjah March Meeting 2025: To Carry Songs

Sharjah Art Foundation’s annual symposium this year explored how culture is preserved and shared w...

Christopher Le Brun & Charlotte Verity – interview: ‘There is such a t...

To coincide with a rare joint exhibition now on view at The Gallery at Windsor in Florida, Christoph...

Valentina Karga: Well Beings

Valentina Karga highlights the ecological horrors ravaging our world, but her aim is not to shock or...

Lee Bul: Long Tail Halo

Lee’s headless heroines and canines are the fifth of the Met’s Genesis Facade Commissions. But w...

Lina Lapelytė – interview: ‘Between this group of performers, what we...

Perhaps best known for her eco-opera Sun & Sea (Marina), Lina Lapelytė discusses her approach to im...

Undersea

Spanning four centuries and diverse cultures, this show of more than 7o works, including paintings, ...

With Graphic Intent

With highlights from the Courtauld’s collection of German and Austrian modernist works on paper an...

The Spin Off

In this mind-blowing and dazzling exhibition, Rafał Zajko takes us into a mysterious realm of art a...

Mahtab Hussain: What Did You Want to See?

With portraits of mosques and people at prayer, British Asian photographer Mahtab Hussain documents ...

The Cosmos of “Der Blaue Reiter” – From Kandinsky to Campendonk

This show retraces the roots of the expressionist artists who made up the Blue Rider group, looking ...

Celia Paul: Colony of Ghosts* and Celia Paul: Diaries**

Two concurrent solo exhibitions paint a much broader portrait of the artist Celia Paul, debunking th...

Yto Barrada: Deadhead

In her films, sculptures, tapestries and prints Yto Barrada plays with the materiality of colour...

Delaine Le Bas – interview: ‘People still have expectations about what...

From the heart of her installation at the White House in east London, Romany artist Delaine Le Bas t...

Olivia Bax – interview: ‘With art, there are so many unwritten rules a...

Sculptor Olivia Bax talks about curating These Mad Hybrids: John Hoyland and Contemporary Sculpture,...

Astonishing Things: The Drawings of Victor Hugo

The Royal Academy of Art’s new exhibition reveals the mighty French novelist as a fascinating, eve...

Siena: The Rise of Painting, 1300-1350

The National Gallery’s meticulously researched exhibition of medieval Sienese masterpieces is an a...

Somaya Critchlow: The Chamber

Somaya Critchlow’s six sombrely sexy paintings respond to European painting from the 17th and 18th...

Elizabeth Fritsch: Otherworldly Vessels

With many objects drawn from Elizabeth Fritsch’s private collection, this first retrospective of t...

Portia Zvavahera – interview: ‘It’s like I’m speaking with the sou...

In her only in-person interview for her latest UK show, now at Fruitmarket, Edinburgh, the artist di...

Mary Cassatt between Paris & New York: The Making of a Transatlantic Legac...

This beautifully illustrated book considers the importance of the American painter and printmaker Ma...

Sagarika Sundaram – interview: ‘When I finish a work, it feels very mu...

At her studio in the World Trade Center, as she prepares for a solo show at Alison Jacques Gallery i...

Vanessa Bell

To accompany its exhibition Vanessa Bell: A World of Form and Colour, organised in partnership with ...

Shu Lea Cheang and Dondon Hounwn – interview: ‘Hagay Dreaming continua...

Speaking during rehearsals, Shu Lea Cheang and Dondon Hounwn reflect on the sources of inspiration f...