Hirose Satoshi: The Earth Is Blue Like a Lemon
The Milan-based Japanese artist’s solo exhibition invites visitors to think about differing cultur...
Nalini Malani – interview: ‘The future is female. There is no other wa...
Malani won the Joan Miró Prize last year and the resulting exhibition, You Don’t Hear Me, is now ...
Anish Kapoor’s postponed exhibition at Houghton Hall opens as lockdown eases in the UK...
Toby Deveson – interview: ‘There is definitely a sense of seeking perf...
The photographer talks about his love of landscapes, his instinctive composition, and that elusive s...
Parks’s photographs of everyday life for black families in the 1950s and 60s lure the viewer in wi...
Shirley Wu: hong kong artists, women
The San Francisco-based, data-driven creative Shirley Wu has designed a scrolling mountainscape that...
The Botanical Mind: Art, Mysticism and the Cosmic Tree
Taking our relationship with plants as its starting point, Camden Art Centre’s ambitious exhibitio...
Andrew Litten – interview: ‘I like the feeling that my work is emotion...
The artist talks about his concern with expressing human vulnerability and encouraging empathy and c...
Mami Kataoka – interview: ‘We need to look at long-term museum managem...
The director of the Mori Art Museum in Tokyo explains how it has used its online presence and social...
Stefan Brüggemann – interview: ‘The language in the work adapts to th...
The artist explains why he has painted a building in Folkestone in gold leaf and scrawled OK across ...
An online exhibition at Hauser & Wirth serves as a fine reintroduction to one of the interwar avant ...
Esther Teichmann: ‘My work explores our relationship to the maternal, th...
The artist talks about the inspiration of watery places, lockdown at her parents’ home and how mot...
David Blandy – interview: ‘The online world can be a space for transfo...
Blandy talks about his new films, produced during lockdown and made to be viewed at home, his use of...
Yuko Hasegawa – interview: ‘We built Olafur Eliasson’s exhibition wi...
The artistic director at the Museum of Contemporary Art in Tokyo was preparing a solo exhibition of ...
Ann Thomson – interview: ‘Art is a means of renewing culture’
Now in her late-80s, the Australian artist discusses how her love of Aboriginal art was sparked as a...
Ilona Szalay: Some Are Born to Sweet Delight, Some Are Born to Endless Nig...
Szalay points to the injustices in society, and in her paintings of women bound and petrified as sta...
Anthony Whishaw – Works on Paper
This accessible and entertaining book by Richard Davey focuses on the 90-year-old artist’s long-fo...
Hetain Patel – interview: ‘What does it do growing up to see that the ...
Known for performance art that mixes superheroes such as Spider-Man with the Gujarati traditions of ...
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Clae Eastgate – interview: ‘I want my portraiture to be that bridge, t...
The artist talks about her project Painting the Poets, comprising a growing collection of portraits ...
Matthew Burrows – interview: ‘I think as an artist and I make as a pai...
The artist talks about his strategies for thinking about painting, how his long-distance running is ...
David Downes – interview: ‘Through the adversity, I thought this is so...
David Downes talks about his project of documenting the Covid-19 pandemic and how his autism feeds i...
Studio Morison – interview: ‘MOTHER … was made to heal us now, to pr...
The artists talk about their site-specific, timber and straw commission, MOTHER …, for Wicken Fen,...
Tom de Freston – interview: ‘Painting by its very nature is an act of ...
For an artist whose work is bound up with trauma and who suffered the devastating loss of 12 years...
Mark Titchner – interview: ‘Language is how we relate to the world, th...
His text-based work Please Believe These Days Will Pass has formed a key part of the UK’s early lo...
An online exhibition of new net art critiques the digital networks we have become so reliant on duri...
The Bulgarian-born artist famed for wrapping massive structures, great bodies of water and chunks of...
Lonnie Holley – interview: ‘I started doing my work with a knife, fork...
Following a traumatic childhood, his art saved him, says Holley. Here he talks about the environment...
Digital and networked art in lockdown: how can we be creative in new ways?
Unable to open to the public, museums and galleries have been quick to offer virtual tours and exhib...
Revamped Kyoto City Kyocera Museum of Art is soon to reopen
The original 1933 building, a mix of traditional Japanese design and 1920s western architectural sty...
Ken Done – interview: ‘We white blokes could learn from collaboration ...
Now 80, Done says you should be fearless as you age and take more risks. Here he talks about why a g...
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